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| Song Title | Artist | Time | Price | ||
|---|---|---|---|---|---|
| Play | 1. Missing Cleveland | Scott Weiland | 4:13 | $0.99 | |
| Play | 2. Tangle With Your Mind | Scott Weiland | 3:42 | $0.99 | |
| Play | 3. Blind Confusion | Scott Weiland | 4:22 | $0.99 | |
| Play | 4. Paralysis | Scott Weiland | 3:50 | $0.99 | |
| Play | 5. She Sold Her System | Scott Weiland | 4:31 | $0.99 | |
| Play | 6. Fame | Scott Weiland Feat. Paul Oakenfold | 3:26 | $0.99 | |
| Play | 7. Killing Me Sweetly | Scott Weiland | 4:33 | $0.99 | |
| Play | 8. Big Black Monster | Scott Weiland | 3:23 | $0.99 | |
| Play | 9. Crash | Scott Weiland | 3:47 | $0.99 | |
| Play | 10. Beautiful Day | Scott Weiland | 5:09 | $0.99 | |
| Play | 11. Pictures And Computers (I'm Not Superman) | Scott Weiland | 6:49 | $0.99 | |
| Play | 12. Arch Angel | Scott Weiland | 4:38 | $0.99 | |
| Play | 13. Be Not Afraid (Hidden Track) | Scott Weiland | 6:20 | $0.99 |
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Most Helpful Customer Reviews
10 of 10 people found the following review helpful:
4.0 out of 5 stars
a worthy effort that might hopefully help Weiland win over some of his more harsher critics,
By
This review is from: Happy in Galoshes (Audio CD)
No matter what you think of Scott Weiland, one thing is certain--he is a ridiculed artist. Almost immediately as he achieved fame in the early 90s with Stone Temple Pilots he was accused of ripping-off Pearl Jam's Eddie Vedder with his baritone growl in "Plush," and then with his solo album and later STP it was David Bowie he was said to have taken a page from. His lyrics are mocked as nonsensical gibberish and he has been called a hack, a fraud and a poser.
All this is unfair because the man does have talent, a lot of talent in fact. I will be the first to admit Weiland is somewhat of a "musical chameleon," borrowing elements from Vedder, Bowie, Reed, etc, over the years but his songwriting, willingness to experiment, melodies and, overall ability to craft a good song are superb. As for his lyrics...yeah, I don't always get them, but whatever... Weiland's full talents perhaps best manifested themselves on his solo debut "12 Bar Blues" (1998). Unconcerned with making something radio-friendly in the vein of STP, Weiland was free to experiment, throw in the kitchen sink and create whatever he wanted. The result was an eclectic, wonderfully bizarre, carnival-esque; Bowie/Reznor inspired ride through a depressed, tortured, and most importantly creative mind. Ten years and four albums later (two with STP and two with his "supergroup" Velvet Revolver) Weiland is back with a new album "'Happy'" in Galoshes" (2008). If you're one of those people that absolutely loved "12 Bar Blues" you might be a little disappointed with "Galoshes." There's really nothing as alluring and downright weird and hypnotic as "Desperation #5," "Barbarella" or "Lady, Your Roof Brings Me Down" and the album, overall, is far more straightforward and can seem a little pedestrian compared to its predecessor. That said "Galoshes" is still a fine album and has a lot to offer. Think of it as a cross between the more mellow songs from "12 Bar Blues," like "Son" and STP's final album "Shangri-La Dee Da," (2001) like "Hello, it's late." It's the sort of album you can just kind of unwind and relax with. The last year-and-a-half haven't been the best for Weiland as he lost a brother, his marriage fell apart and he was kicked-out of Velvet Revolver, and this album sort of reflects that. "Galoshes" is a poppy and melodic, yet melancholy, lonely journey... While there may not be a "Slither" or "Sex Type Thing" to rock out with or anything quite as captivating as something from "12 Bar Blues," "Galoshes" is still a worthy effort that might hopefully help Weiland win over some of his more harsher critics (Note: a lot of the album's more offbeat songs were left off and available on the deluxe edition).
13 of 14 people found the following review helpful:
5.0 out of 5 stars
Weiland doesnt disappoint,
By
This review is from: Happy In Galoshes (MP3 Download)
If you're a fan of Weiland's first solo album, 12 Bar Blues, you will probably enjoy this album.
If you're a fan of STP, you may or may not -- it's more experimental and less mainstream than STP, but not as far out there as 12 Bar Blues was.
10 of 11 people found the following review helpful:
5.0 out of 5 stars
Excellent,
By
This review is from: Happy in Galoshes (Audio CD)
Scott gets back to some singing on this second solo release. The 2nd velveeta revolver was a step up from the first but it kinda stifled someone with a voice of his caliber. Maybe you can have Slash solo on stuff but you can't go in all directions if you write with him. This cd like his first solo finds all sorts of moods and tempos but is more cohesive than the first solo cd. He even covers Bowies "Fame" and its good but I could swear that justin timberlake was behind the board somewhere on the percussion track! Most impressive is the last uncredited track in the vain of a gospel/inspirational feel - it must be a standard from years past and if it isn't more credit to him. Other standouts are Blind Confusion & Big Black Monster. Hell, really its all good.
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