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| Song Title | Artist | Time | Price | ||
|---|---|---|---|---|---|
| Play | 1. Missing Cleveland | Scott Weiland | 4:13 | $0.99 |  |
| Play | 2. Tangle With Your Mind | Scott Weiland | 3:42 | $0.99 | |
| Play | 3. Blind Confusion | Scott Weiland | 4:22 | $0.99 | |
| Play | 4. Paralysis | Scott Weiland | 3:50 | $0.99 | |
| Play | 5. She Sold Her System | Scott Weiland | 4:31 | $0.99 | |
| Play | 6. Fame | Scott Weiland Feat. Paul Oakenfold | 3:26 | $0.99 | |
| Play | 7. Killing Me Sweetly | Scott Weiland | 4:33 | $0.99 | |
| Play | 8. Big Black Monster | Scott Weiland | 3:23 | $0.99 | |
| Play | 9. Crash | Scott Weiland | 3:47 | $0.99 | |
| Play | 10. Beautiful Day | Scott Weiland | 5:09 | $0.99 | |
| Play | 11. Pictures And Computers (I'm Not Superman) | Scott Weiland | 6:49 | $0.99 | |
| Play | 12. Arch Angel | Scott Weiland | 4:38 | $0.99 | |
| Play | 13. Be Not Afraid (Hidden Track) | Scott Weiland | 6:20 | $0.99 | |
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Customer Reviews
Most Helpful Customer Reviews
11 of 11 people found the following review helpful
a worthy effort that might hopefully help Weiland win over some of his more harsher critics
December 21, 2008
Format:Audio CD
No matter what you think of Scott Weiland, one thing is certain--he is a ridiculed artist. Almost immediately as he achieved fame in the early 90s with Stone Temple Pilots he was accused of ripping-off Pearl Jam's Eddie Vedder with his baritone growl in "Plush," and then with his solo album and later STP it was David Bowie he was said to have taken a page from. His lyrics are mocked as nonsensical gibberish and he has been called a hack, a fraud and a poser.
All this is unfair because the man does have talent, a lot of talent in fact. I will be the first to admit Weiland is somewhat of a "musical chameleon," borrowing elements from Vedder, Bowie, Reed, etc, over the years but his songwriting, willingness to experiment, melodies and, overall ability to craft a good song are superb. As for his lyrics...yeah, I don't always get them, but whatever...
Weiland's full talents perhaps best manifested themselves on his solo debut "12 Bar Blues" (1998). Unconcerned with making something radio-friendly in the vein of STP, Weiland was free to experiment, throw in the kitchen sink and create whatever he wanted. The result was an eclectic, wonderfully bizarre, carnival-esque; Bowie/Reznor inspired ride through a depressed, tortured, and most importantly creative mind.
Ten years and four albums later (two with STP and two with his "supergroup" Velvet Revolver) Weiland is back with a new album "'Happy'" in Galoshes" (2008).
If you're one of those people that absolutely loved "12 Bar Blues" you might be a little disappointed with "Galoshes." There's really nothing as alluring and downright weird and hypnotic as "Desperation #5," "Barbarella" or "Lady, Your Roof Brings Me Down" and the album, overall, is far more straightforward and can seem a little pedestrian compared to its predecessor. That said "Galoshes" is still a fine album and has a lot to offer. Think of it as a cross between the more mellow songs from "12 Bar Blues," like "Son" and STP's final album "Shangri-La Dee Da," (2001) like "Hello, it's late." It's the sort of album you can just kind of unwind and relax with. The last year-and-a-half haven't been the best for Weiland as he lost a brother, his marriage fell apart and he was kicked-out of Velvet Revolver, and this album sort of reflects that. "Galoshes" is a poppy and melodic, yet melancholy, lonely journey...
While there may not be a "Slither" or "Sex Type Thing" to rock out with or anything quite as captivating as something from "12 Bar Blues," "Galoshes" is still a worthy effort that might hopefully help Weiland win over some of his more harsher critics (Note: a lot of the album's more offbeat songs were left off and available on the deluxe edition).
All this is unfair because the man does have talent, a lot of talent in fact. I will be the first to admit Weiland is somewhat of a "musical chameleon," borrowing elements from Vedder, Bowie, Reed, etc, over the years but his songwriting, willingness to experiment, melodies and, overall ability to craft a good song are superb. As for his lyrics...yeah, I don't always get them, but whatever...
Weiland's full talents perhaps best manifested themselves on his solo debut "12 Bar Blues" (1998). Unconcerned with making something radio-friendly in the vein of STP, Weiland was free to experiment, throw in the kitchen sink and create whatever he wanted. The result was an eclectic, wonderfully bizarre, carnival-esque; Bowie/Reznor inspired ride through a depressed, tortured, and most importantly creative mind.
Ten years and four albums later (two with STP and two with his "supergroup" Velvet Revolver) Weiland is back with a new album "'Happy'" in Galoshes" (2008).
If you're one of those people that absolutely loved "12 Bar Blues" you might be a little disappointed with "Galoshes." There's really nothing as alluring and downright weird and hypnotic as "Desperation #5," "Barbarella" or "Lady, Your Roof Brings Me Down" and the album, overall, is far more straightforward and can seem a little pedestrian compared to its predecessor. That said "Galoshes" is still a fine album and has a lot to offer. Think of it as a cross between the more mellow songs from "12 Bar Blues," like "Son" and STP's final album "Shangri-La Dee Da," (2001) like "Hello, it's late." It's the sort of album you can just kind of unwind and relax with. The last year-and-a-half haven't been the best for Weiland as he lost a brother, his marriage fell apart and he was kicked-out of Velvet Revolver, and this album sort of reflects that. "Galoshes" is a poppy and melodic, yet melancholy, lonely journey...
While there may not be a "Slither" or "Sex Type Thing" to rock out with or anything quite as captivating as something from "12 Bar Blues," "Galoshes" is still a worthy effort that might hopefully help Weiland win over some of his more harsher critics (Note: a lot of the album's more offbeat songs were left off and available on the deluxe edition).
13 of 14 people found the following review helpful
Format:MP3 Download
If you're a fan of Weiland's first solo album, 12 Bar Blues, you will probably enjoy this album.
If you're a fan of STP, you may or may not -- it's more experimental and less mainstream than STP, but not as far out there as 12 Bar Blues was.
If you're a fan of STP, you may or may not -- it's more experimental and less mainstream than STP, but not as far out there as 12 Bar Blues was.
10 of 11 people found the following review helpful
Format:Audio CD
Scott gets back to some singing on this second solo release. The 2nd velveeta revolver was a step up from the first but it kinda stifled someone with a voice of his caliber. Maybe you can have Slash solo on stuff but you can't go in all directions if you write with him. This cd like his first solo finds all sorts of moods and tempos but is more cohesive than the first solo cd. He even covers Bowies "Fame" and its good but I could swear that justin timberlake was behind the board somewhere on the percussion track! Most impressive is the last uncredited track in the vain of a gospel/inspirational feel - it must be a standard from years past and if it isn't more credit to him. Other standouts are Blind Confusion & Big Black Monster. Hell, really its all good.
Most Recent Customer Reviews
Great Album!
I only learned about this album not long ago and I listened to the whole thing. In my opinion some of Scott's greatest solo work yet. Read more
Published 6 months ago by K. Koenig
Unexpectedly awesome
I actually stumbled upon this album by accident. Three months later, I am still listening to it non-stop. Read more
Published 20 months ago by Max Headroom
Weak, disjointed effort
I am a big fan of STP and Velvet Revolver. Scott Weiland always managed to stand out as the front man for both of these bands, on the hard rockers as well as on the slower... Read more
Published on December 27, 2009 by doctormanny
A pleasant surprise
Musically, not everything Scott Weiland puts his name on magically turns to gold. Even a few Stone Temple Pilots songs from that band's commercial heyday could sometimes make you... Read more
Published on December 22, 2009 by Sal Nudo
Not HAPPY.....
In Scott Weiland's own words " This is a concept album-not for the high minded, heavy handed sort-instead it is a conglomeration of every dedication that i have ever written and... Read more
Published on July 21, 2009 by Homer Jay
No One Says It Better Than Scott!!!
Wonderful CD!!! Scott is a very gifted musician, and I love everything he has done so far- from STP to VR to his solo CDs. Read more
Published on July 17, 2009 by J. L. DaSilva
Fair.
Scott Weiland is back! Well, he's returned to his solo recording career after Velvet Revolver imploded. Read more
Published on July 9, 2009 by Greg Kinne
you can be happy with or without galoshes
Odds are that if you're reading this you either own an STP album, Scott Weiland's other solo album, something from Velvet Revolver or all of the above. Read more
Published on July 4, 2009 by J. D. Estrada
Thank God he left the Revolvers
This is the type of music that Weiland excels at.
This album contains various styles with the lyrics we have come to love from Weiland. Read more
This album contains various styles with the lyrics we have come to love from Weiland. Read more
Published on March 11, 2009 by J. Falter
Weiland is back and stranger than ever
I'm a great fan of STP. I loved Army of Anyone and Weiland's first solo effort, "12 bar blues." I think the DeLeo brothers and Mr. Read more
Published on March 9, 2009 by Metal Haid
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