Harakiri

Serj Tankian | Format: Audio CD

Product Details

• Audio CD (July 10, 2012)
• Original Release Date: 2012
• Number of Discs: 1
• Label: Reprise
• ASIN: B007Y5IAV0
• In-Print Editions: Audio CD  |  MP3 Music
• Average Customer Review: 4.1 out of 5 stars  See all reviews (35 customer reviews)
• Amazon Best Sellers Rank: #29,100 in Music (See Top 100 in Music)

Editorial Reviews

In an effort to return to his edgy hard rock roots circa System Of A Down, Serj has delivered the rocker Harakiri.

Harakiri, Serj's 2012 solo album, is the follow up to 2010's critically acclaimed Imperfect Harmonies. The album is the third solo release from the System Of A Down frontman. As with 2007's Elect the Dead and Imperfect Harmonies, Serj produced Harakiri himself at his home studio in Los Angeles. He tried to approach writing a little differently this time around. "I used the Apple iPad as a songwriting instrument to sketch out three of the songs on the record" explains Serj. "We must trick ourselves into writing in different ways to get unexpected results." The album also features performances by Serj's touring band, The F.C.C. - Dan Monti on guitar, Mario Pagliarulo on bass, and Troy Ziegler on drums. Dan Monti also co-mixed and co-engineered the album with Serj. The album is mastered by Vlado Meller (Metallica, Red Hot Chili Peppers, Kanye West).

Most Helpful Customer Reviews

30 of 34 people found the following review helpful

4.0 out of 5 stars Serj Tankian - Harakiri July 10, 2012

By Gentlegiantprog TOP 1000 REVIEWER

Format:Audio CD

Harakiri is the third canonical full-length studio album by System Of A Down front-man Serj Tankian as a solo artist (he has released EPs, live output and a collaborative album with Arto Tunçboyac'yan as well however).

It was released in the summer of 2012, lasts around 45 minutes and was self-produced by Tankian. The album was written, in an almost Trent Rezonor-like move, by painstakingly assembling new songs out of thousands of samples from his previous albums on an iPad.

Some people will hate this album. If you've always disliked Serj's personal politics (or agreed with them but wished he'd keep them out of the music) then lyrics about Occupy Wall Street and corporate corruption are going to be a sore spot. If you seriously disliked some of the musical moves Serj made with his previous album there are parts of that sound still on here, and if you come from a more metal background there is relatively little metal on this album at all. Furthermore, If you've ever said that some artist or other has disappeared up their own backside or became too pretentious, then this is an album that you may want to approach with caution so as to avoid disappointment.

If you have heard the album's first single 'Figure It Out' and were very excited by its musical direction, with the chugging and double-kicks, then you may be disappointed to know that it is actually a little out of place on the album, and that there are really only two more tracks that are in any way similar, those being the album's final two tracks. You get some punky, almost Crossover Thrash sections scattered throughout those three tracks, although obviously through the filter of Serj's solo career style.

Elsewhere, stylistically, the album as a whole is a bit of a mixed bag. There are throwbacks to his debut album, such as `Butterfly' which is a very melodic rock/metal track, there are songs closer to the style of his more electronic second album Imperfect Harmonies such as `Reality TV' and `Ching Chime' (the latter of which also fills the album's token wacky/silly moments quota) and also the aforementioned small minority of faster heavier tracks. Then there's the track `Occupied Tears' which sort of bridges the gap between all those styles and which is an album highlight.

There are touches of eastern sounding music, a lot electronics (particularly percussion) and relatively little straight up piano or guitar sections like there were on his debut. The album has a sort of arty and experimental feel in a way that could be as equally described as impressive or pretentious depending on your point of view on Serj himself or indeed any other slightly progressive artist that doesn't fully jump into the Prog market.

If I was being critical of the record I would say that it left a bad first impression and that it felt a little too disjointed and felt more like a compilation or soundtrack album than a proper studio album, although repeat listens
do dull this niggling feeling.

With all that being said, I just like Serj. I really enjoy his voice, his phrasing, the feel of his finger style on keys/piano. I could live without the wacky part of his repertoire (although there is less of that here than on any other album so far) but it isn't ever enough to put me off him altogether. This album provides a mixture of the disparate styles from his previous work and gives the listener another set of songs with his voice. That is enough for me, but if it doesn't sound like it would be enough for you then I would recommend that you maybe give this one a miss.

Overall, long after Serj is dead I can't imagine that this is the album people will hold up on a pedestal and remember him by, it doesn't feel like a classic album and there are quiet a few nit-picky problems with it, but if you are OK with that and aren't demanding a flawless masterpiece then it is still worth a place in your collection or at the very least, a curiosity listen.

5 of 6 people found the following review helpful

5.0 out of 5 stars This is what it sounds like when someone truly enjoys creating music July 19, 2012

By Paula W.

Format:MP3 Music|Amazon Verified Purchase

I applaud his moves in this work! He maintains a bold commitment to making an art of political expression while making a necessary mockery of some of the more ridiculous distractions in mainstream life. He is not afraid to shake anyone awake who is falling in love with the world we are "presented." And anyone who follows Serj to his solo works should (by now) expect his bold, quirky expressions of popular culture and politics that can be profound, offensive, and hilarious all at once. The man is not afraid to express himself, and he does it for a cause... you cannot beat that... in my opinion... He is refreshingly honest. "Reality TV" is a needed slap in the face if anyone is dumbed down.

Rhythmically I appreciate how he takes the familiarity of his voice and contrasts/weaves it around some very interesting audio textures... for example in "Ching Chime" you find an almost addictive syncopation. If you are a real listener you can hear some great texture in these songs. He uses some interesting electronic work in there that I really did not expect, but he pulls it off.

You can tell Serj enjoys trying new things, you can hear it on this album and you can see it in his other projects. If you have watched his work over the years it is a cool way to see someone exploring their own creativity.

3 of 4 people found the following review helpful

4.0 out of 5 stars A Welcome Return to Form July 26, 2012

By Randy Larsen

Format:MP3 Music|Amazon Verified Purchase

I absolutely LOVED 'Elect the Dead' & 'Elect the Dead Symphony'. I wasn't feeling 'Imperfect Harmonies'. That being said, I'm happy to say that 'Harakiri' is a welcome return to form for Serj Tankian. The music is heavier that 'Imperfect Harmonies', and a bit closer to 'Elect the Dead', or even some System, while still managing to sound unique in its own right.

Bottom Line: If you like Serj, buy it. If you like System, buy it. Not as good as 'Elect the Dead', in my opinion; but far better than 'Imperfect Harmonies'.