3 of 4 people found the following review helpful:
4.0 out of 5 stars
Clinton & The Funk Mob Hastily Threw This One Together, But There Are Still Some Funk Gems On Here!, July 26, 2009
In mid 1976, there was alot going on in George Clinton's
P-Funk universe! Parliament was riding high from their recent
successes with "Mothership Connection" and
"The Clones Of Dr. Funkenstein", he had just inked
Bootsy's Rubber Band a deal with Warner Bros. Records
on the strength of that success, and Funkadelic was
coming to the end of it's contractual obligations
with the independent Westbound Records, who had
given him and his funk mob the perfect lab to
experiment in and hone their craft over the seven
years that they had been together at the time of this album.
Add to this, they were in the middle of rehearsals for
the elaborate $275,000 (in 1976/77 dollars!) jaugernaut that
would become the fabled "P-Funk Earth Tour", which would take
them to another level as far as their concert & record sales!
It was in this magical & chaotic climate that Warner Bros.
made a move and put in a bid for Funkadelic to come
to their label! George, ever the opportunist, saw the
big budget of a major label behind his vision for Funkadelic
and the rest is history!
Songs were hastily thrown together from what the
Parliafunkadelicment Thang, at the height of their
creative powers, had been pooling together in United Sound
in Detroit, Sunset Sound in L.A., as well as from the
Air Force Hangar in Newburgh, NY where they had been hold
up in rehearsals. Some were really good, and some were
basically glorified demos. The result of this was called
"Hardcore Jollies", released in October 1976.
The funk gems and semi-gems of this album are:
"Comin 'Round The Mountain"(Gem)--The late great
Eddie "Maggot Brain" Hazel on soaring guitar
(his last studio performance with Funkadelic),
the legendary Buddy Miles on drums, Cordell "Boogie"
Mosson holding down that perculating bassline.
All of this equates to an incendiary funk-rock jam session
with George scribbling some quickie lyrics that are partly
based on the old choral standard and partly about jammin'
in the U.S. Funk mob!
The end result was DEFINITELY not the song you
remember from high school chorus! (-:
"Smokey"(Gem)--Man!!, I still love this slinky-sexy-funky
joint here! With the late great Glenn Goins and his distinct
churchified tenor ranting, raving, and extolling the joys of
loving a double-entendre, which could be percieved as either
a woman or some bomb-azz weed! (-:
I love Bernie "Da Vinci" Worrell's keyboard and synth work
on this, along with both Glenn & Garry Shider's tasty rhythm
guitar feels woven in between.
I also love the droned background vocals of Garry, Fuzzy,
Grady, Ray, Calvin, George and Mudbone from Bootsy's Rubberband.
The "lookin' back at cheaww!" and the "Waell, weall, weall, weaaaaawwwwlll!!"
Like Al Green and Sly Stone on acid!
In black gospel singing, these are known as "squawls" or
drawling out a word by changing the pronounciation from you
to yeaww, and so forth.
I just love the atmosphere of this jam and it's eerie
build up to the end.
"If You Got Funk, You Got Style" (Semi-Gem)
Was a throw away track from Bootsy's Rubberband's debut
album sessions. George & The Gang tried to salvage it,
but it still sounds like just a pretty good demo with
some good potential. It's cool.
"Hardcore Jollies"(Semi-Gem)--Is just basically
Mike "Kidd Funkadelic" Hampton working out on his mighty
axe, along with the other musicians in an impromptu jam session.
It just shows that a funk band can play rock after all!
"Soul Kiss" is a real gem to me!--Quirky, catchy, hooky,
George Clinton's writing style is flirtatious and lewd at
the same time without being vulgar. The vocals and the
track all work well together, and I always wished this
could've been a B-Side to another stronger song.
Real P-Funk Headz know and love this one!
"Cosmic Slop (Live)"(Gem!!)--Recorded live in the upstate
N.Y. Air Force Hangar during the P-Funk Earth Tour rehearsals,
I really love this stripped down, raw, and slightly sped-up
version of their original 1973 hit, which has it's charm as well,
but I like this one more for it's energy.
The sound crew must've been buzzing, because the backgrounds
are pulled down too low in the mix on the
"Would you like to dance with me, we're doing the Cosmic Slop!" part.
It was sung really lazy, like what you would hear in a
rehearsal, but it still works fine.
The guitar between Mike, Garry and Glenn is stellar!
This song still rocks!
"You Scared The Lovin' Outta Me" (Gem!!)--Everything about
this song is the bomb!!--The atmosphere, the guitar-layered
track, Jerome "Bigfoot" Brailey's kickin' drumming, and of course..
this is a Glenn Goins vocal tour de force!
You really hear the uniqueness of his very soulful vocal
instrument on this song!--Another true P-Funk Headz staple!
"Adolescent Funk" (Semi-Gem)--Sounds like they just had
a very laid back track for a demo they were working on
and George just told Bernie to stretch out on it and play with it.
Then the little scatted vocal line just kind of developed.
It's cute, but more demo than a song.
It closes the album out though on a mild note.
Overall I gave this album a 4 star rating...
it's not one Funkadelic's best, but it has some great gems on it.
Still worth a good listen after 33 yrs.
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