From Publishers Weekly
In his debut, McFadden is big on wordplay, particularly anagrams. Attempting to make meaning of the similarities in words—how words as arrangements of letters may connect associatively—McFadden fashions a book too coherent to be Language Poetry, though it certainly pays its respects: Can't tell your
oh from your
ah? Go, go or else/ go ga-ga. What, were you born in a barn? Oh. Longer poems show a less self-conscious and more ruminative sensibility. In Famed Cities, the narrator reflects on memories of growing up in Ohio via a survey of cities in short poems rife with both cynicism and nostalgia. Typically, Cleveland is broken down to word bits: C-level fits:/ the even keel, average but no slacker. The poems are often a mouthful, and one occasionally wants more seriousness, but this debut showcases a wild and powerful wit in action.
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Review
These limber, overcaffeinated poems spring off the page like Olympic athletes, their motto not 'Faster, Higher, Stronger' but 'Smarter, Funnier, Wiser.' The stadium in which they run and leap is plastered with road signs, biblical misprints, anagrams, McFaddenisms of every kind. And everywhere cups of precious metal, ones from which the reader will drink again and again. --David Kirby, author of
The House on Boulevard St.