From Publishers Weekly
After his thoughtful, elegant novel Knight Moves, Williams wrenchingly shifts gears for this heavy-metal adventure. It is set with acknowledgement in Roger Zelazny's Damnation Alley, when corporate Orbitals control what's left of a postwar America, now balkanized and armed to the teeth. Ex-fighter pilot Cowboy, "hardwired" via skull sockets directly to his lethal electronic hardware, teams up with Sarah, an equally cyborized gun-for-hire, to make a last stab at independence from the rapacious Orbitals. The story, though, is buried under an elaborate techno-punk style of the sort William Gibson popularized in Neuromancer. In both cases, it is a pose, a baroque nostalgia for Hemingway and film noir; it only plays at nihilism, terror and despair. The best effect is Williams's future version of a brain-scrambled vet: a dead buddy of Cowboy's whose scattered bits and pieces of computer memory now constitute a ragged semblance of a man. Such nuggets are hard to find amid the amplified, rock-'n-roll prose.
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--This text refers to an out of print or unavailable edition of this title.
is a tough, sleek juggernaut of a story, punctuated by strobe-light movements, coursing to the wail of jets and the twang of steel guitars--glittering, nasty, and noble--and told in a style perfectly suiting its content. It has all my favorite things--blood, love, fire, hate, and a high ideal or two. I wish I'd written this one.'' --Roger Zelazny, Hugo, Locus, and Nebula award-winning author
''Williams' use of language is as explosive and as techno tinged as the world he describes. Reading the book is like taking a jet ride across a futuristic America, with acceleration forcing you back in your seat all the way.'' --Tom Von Malder, writer and arts critic
''Heavy-metal adventure.'' --Publishers Weekly
--This text refers to the
MP3 CD edition.