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In "Child's Play," a little girl relaxes, chatters freely, forgets to be guarded with her playmate - and soon gives inadvertent offense. And so the author writes: "His face changed and I knew I had blundered." That feeling visits the child over and over, throughout the collection's stories told from her viewpoint. Her religious beliefs differ from those of the highly cohesive majority surrounding her, and she must always remember that she is an outsider. Whenever she forgets, she blunders; and then she must pay her nonconformity's price. Over and over.
"House of Neglect" made me smile in recognition, because although her name was not Nina - I nevertheless had an "Aunt Nina" of my very own. And an "Uncle Theodore," who loved her through half a century and more of unconventional matrimony; buried her with that love still evident; and passed away not long afterward, leaving a house filled with relics for the childless couple's nieces and nephews to distribute among them. Relics, and the memories that go with them.
Memories which, in "Legacy," are "filtered through glasses of one color or another" until neither the author nor her mother (the story's source) can be sure of their accuracy. Which does not rob those memories of their importance, or of their own kind of truth. Family stories take on their own lives, with time and repetition; and this particular truth Howard-Johnson understands very well.
I'll be loaning this book to my own mother next, because she is sure to recognize the situation described in its prologue. An adult daughter at the wheel of a car that she's driving through a city she knew well many years earlier. Her aging mother in the "navigator's seat"; and in the back seat, her aging aunt. Giving conflicting directions!
Although firmly grounded in Howard-Johnson's Utah, I'm sure HARKENING will strike familiar and resonant chords for other readers just as it did for me. Highly recommended!
Carolyn Howard-Johnson's second novel, "Harkening: A Collection of Stories Remembered," will make you ask yourself that very question. "Harkening" is not your average book of short stories. Designed to be read at leisure, each story with the ability to stand on its own, it has been carefully arranged to take you through a time line of life. Mrs. Johnson shares with us from her own memory stories told to her by members of her family about her family spanning over many generations.
In a distinct writing style that only Carolyn Howard-Johnson possesses, the characters of "Harkening" are skillfully described in such a way that you can almost hear them telling the story in their own voice rather than reading it second hand. Each story is a beautifully crafted piece of "creative nonfiction," as termed by Mrs. Johnson, leaving you with an overwhelming sense of truth and the realization that maybe you should pay closer attention to those stories you've heard so many times in the past by your own family.
By
Judith Woolcock Colombo
We stroll through a garden, we take a museum tour, or we look through a friend's family album. These are all quick glances at the bits and pieces that make up the whole. However, "Harkening: A Collection Of Stories Remembered" by Carolyn Howard-Johnson is more than a mere glimpse of the whole. Each story is like the petal of a rose, perfect and unique, an entity unto itself. When merged together each petal becomes more than itself. It becomes the rose superb and perfect.
"Harkening" presents us with the rose petal by petal. They are memories emerging from a woman's mind, recollections of her childhood or of stories handed down to her with love. The unique perspective of the person telling it colors each story. "Most stories came filtered through one glass or another."
There are stories that shock us. In "Legacy" an aging woman recalls discovering as a small child that her youngest aunt had syphilis, a legacy from one of her many lovers. She also discovers that her mother had an illegitimate child who disappeared. Stories such as "Mama's Depression" move us with the triumph of the human spirit over poverty. In "Child's Play", "Neighbors", "What isn't Lavender", and "Remembering Winter", religious intolerance mars a child's life. We are left stunned at the stupidity of an intolerant society and awed by the resilience of children to surmount hate and prejudice and to survive intact.
In "Harkening", we relive childhood's hurts and disappointments and revel in its triumphs, like learning to milk a cow. We wince in recognition of the mother, daughter conflict, but nevertheless, it intrigues us, and we wonder where the next story will lead.
Throughout the pages of "Harkening", another story emerges. It is the story of Utah, the land of towering mountains, glorious lakes, gray desert plains, and shimmering white salt flats. It is the story of a land whose soil, according to the author, "Harbored the pulse and throb of her heritage." This land nourishes, comforts, and punishes. It is part of its children's lives. Utah is in Howard-Johnson's blood. She cannot escape her great mother whom she both praises and damns, this nurturer and devastator. Without Utah the stories would lack the beauty and majesty that they now possess.
"Harkening" is a must read for anyone who loves the written word or wonderful stories told well. If you have read Howard-Johnson's first novel "This Is The Place" and loved it, you will also love Harkening because these are the experiences from which the novel sprang. If you have never read "This Is The Place", do so.
It is what Carolyn Howard-Johnson has done. Read more
'Harkening: A Collection of Stories Remembered' takes us into the heart and lives of a family whose roots extend deep into the red... Read more
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