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The Harlem Renaissance: Hub of African-American Culture, 1920-1930 (Circles of the Twentieth Century)
 
 
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The Harlem Renaissance: Hub of African-American Culture, 1920-1930 (Circles of the Twentieth Century) [Paperback]

Steven Watson (Author)
4.1 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

0679758895 978-0679758891 August 13, 1996
It was W.E.B. DuBois who paved the way with his essays and his magazine The Crisis, but the Harlem Renaissance was mostly a literary and intellectual movement whose best known figures include Langston Hughes, Zora Neale Hurston, Countee Cullen, Claude McKay, and Jean Toomer.  Their work ranged from sonnets to modernist verse to jazz aesthetics and folklore, and their mission was race propaganda and pure art.  Adding to their visibility were famous jazz musicians, producers of all-black revues, and bootleggers.

Now available in paperback, this richly-illustrated book contains more than 70 black-and-white photographs and drawings.  Steven Watson clearly traces the rise and flowering of this movement, evoking its main figures as well as setting the scene--describing Harlem from the Cotton Club to its literary salons, from its white patrons like Carl van Vechten to its most famous entertainers such as Duke Ellington, Josephine Baker, Ethel Waters, Alberta Hunter, Fats Waller, Bessie Smith, and Louis Armstrong among many others.  He depicts the social life of working-class speakeasies, rent parties, gay and lesbian nightlife, as well as the celebrated parties at the twin limestone houses owned by hostess A'Lelia Walker.  This is an important history of one of America's most influential cultural phenomenons.

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Editorial Reviews

From Publishers Weekly

This engaging portrait of the "first self-conscious black literary constellation in American history" mixes text with photos and artwork; a side column on each page offers quotes, poetry and pungent Harlem slang. Watson (Strange Bedfellows: The First American Avant Garde) explains the forces behind the Renaissance, from economic changes to the public advocacy of figures like W.E.B. Du Bois and Alain Locke, then offers sketches of writers prominent in this flowering. While the "New Negro" movement was initially aimed at blacks, by the mid-1920s, "Harlem became a commodity as driven by its audience as... by its participants. Harlemania set in." The role of white patrons ("Negrotarians," to writer and anthropologist Zora Neale Hurston) prompted black writers to debate what image they should project. Watson also examines the Harlem music and club world, including the thriving gay scene. Although the crash of 1929 devastated Harlem and dispersed its luminaries, the author observes, the Renaissance was also rent by internal contradictions over questions of art, politics and racial unity. A most inviting blend of text and art.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review

"A grand tour of the time, place, and driving forces behind one of the nation's greatest cultural flourishings."--The Washington Post

Product Details

  • Paperback: 240 pages
  • Publisher: Pantheon (August 13, 1996)
  • Language: English
  • ISBN-10: 0679758895
  • ISBN-13: 978-0679758891
  • Product Dimensions: 7.3 x 0.6 x 7.3 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #70,571 in Books (See Top 100 in Books)

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Customer Reviews

7 Reviews
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Average Customer Review
4.1 out of 5 stars (7 customer reviews)
 
 
 
 
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8 of 9 people found the following review helpful:
5.0 out of 5 stars This book is informative, entertaining, coherent., February 7, 1998
By A Customer
This review is from: The Harlem Renaissance: Hub of African-American Culture, 1920-1930 (Circles of the Twentieth Century) (Paperback)
I read this book in hardcover as well as several others for a paper I wrote. The author was able to take the disparate threads of musicians, artists, writers and benefactors who contributed to the Renaissance and weave together a chronology that contained pictures, specific information about the "hotspots" in Harlem and complete, sometimes intimate portraits of all concerned. If the Harlem Renaissance was ever to be depicted in a movie, this book would be a ready-made screen play. The hardcover edition is worth the extra money.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars It's good, June 27, 2006
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Christine Moore (Charleston, SC United States) - See all my reviews
(REAL NAME)   
This review is from: The Harlem Renaissance: Hub of African-American Culture, 1920-1930 (Circles of the Twentieth Century) (Paperback)
This is a worthwhile and well-researched book. It is more scholarly than I expected, and as a result, it took me a while to get fully engaged in. By the time I got to the section discussing the jazz artists, it was hard to put down. I was familiar with most of the writers and artists of the Harlem Renaissance to some extent. The book painted a more vivid picture of many of them, and gave keen perspectives on the social and economic milieu that helped to shape the period. It was fascinating to read about some of the interlocking relationships, in particular the relationships between Langston Hughes, Zora Neale Hurston, and Charlotte Mason. Examples such as this changed my notion of writing always being an insular profession. The men and women of the Harlem Renaissance benefited by each other's support as well as competition.
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5.0 out of 5 stars The Harlem Renaissance: Hub of African American Culture, June 24, 2011
This review is from: The Harlem Renaissance: Hub of African-American Culture, 1920-1930 (Circles of the Twentieth Century) (Paperback)
I first bought and read this great and informative book, seven years ago. I recently bought this copy, for a former student; who is now an Navy Officer. The book is full of details, a short history of a most colorful period of history and a pleasure to read, concerning great American talent; given to the world to enjoy.
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Inside This Book (learn more)
First Sentence:
HARLEM SNAPSHOTS 1928. Harlem occupied less than two square miles of northern Manhattan, composed of a rough triangle bounded to the west by St. Nicholas Avenue, running from 114th Street to 156th Street, and to the east by the East River. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
black mecca, black revues, rent parties, drag balls, rent party
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Langston Hughes, New Negro, Countee Cullen, Alain Locke, Zora Neale Hurston, Wallace Thurman, Harlem Renaissance, Yale University, Richard Bruce Nugent, Charlotte Mason, James Weldon Johnson, Aaron Douglas, Jessie Fauset, Cotton Club, African Americans, Dark Tower, A'Lelia Walker, Big Sea, Nigger Heaven, Waldo Frank, Talented Tenth, Bessie Smith, Duke Ellington, Greenwich Village
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