46 of 47 people found the following review helpful:
1.0 out of 5 stars
Continuing the downward spiral, October 17, 2007
I'm going to make this quick. While this book is a little bit better than the last two or three, it's still almost complete drivel. The series has degenerated into a formula. Sex, argue, fight, sex, fight, argue, degrade Richard, sex, argue, argue, argue. And, the spelling errors, lack of continuity, and lack of attention to prior detail negated any possibility of salvation of the characters.
This series is doomed. Save your money. Anita died around the mid part of Book Eight. Todays Anita is not the heroine we loved and respected. And, if I wanted to read good porn, I would buy it. Titillation is one thing. Pointless porn is another. And this is BAD pointless porn being read by a Tijuana hooker. The whole fiasco makes my hair hurt.
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107 of 118 people found the following review helpful:
1.0 out of 5 stars
My time and money are too valuable..., June 20, 2007
I began reading The Harlequin with much trepidation. I am one of the original fans of the series who, I admit, has not been pleased with the latest offerings.
The first hundred pages or so were not that bad and had me thinking that maybe there was some hope for our heroine and the author. Alas, it just wasn't meant to be. The action in the book was limited to a few scenes, only a couple of which Anita actually participated in and frankly they weren't that exciting.
The sex scenes themselves were written better than they have been in the previous books, but they were pointless to the storyline and often had me thinking "what the heck was THAT all about?". And once the characters let the genie out of the bottle by having sex that was all the book rotated around; not necesarrily actually having sex, but talking about sex, thinking about sex, arguing about sex, having sex again... you get the picture.
The Harlequin (as the bad guys) could have been scary and just weren't, especially at this weird moment at the end when everyone stood around talking about their "feelings" while the bad guys just stood around and twiddled their thumbs. Of course, Anita used her metaphysical mojo and miraculously vanquished them just in the nick of time.
I also found myself suffering from deja vu. Every chapter had at least one character repeating some cliched phrase from previous books over again. There were some conversations that I swear were lifted straight from the other novels. Maybe this is so new readers can learn the characters but it was pretty annoying.
Probably the worst thing for me though is that I just don't like the characters anymore. I used to be able to immerse myself in an Anita Blake book to the exclusion of everything else around me because I liked the characters and the world they lived in. The charcters were original, they had thier own personalities, and the stories were exciting.
Anita has become a self-righteous bully, Richard is a whiny bas**rd, and apparently Anita carries the male bits of all the other male charaters around in her pockets because they are all wusses and defer to her in everything. Dolph is a mean spirited bigot. Edward is OK, but he's not the same now that he's in LUUUUVVVVV. About the only charcter that was remotely likeable was Zebrowski and he was there for about 2 pages. There is no conflict among the characters, Anita says jump and the men say "how high". The plot was at least recognizable in this book but there was no tension and no mystery.
I used to wait eagerly for the next Anita Blake book to come out, would buy it on the release date and have read it at least twice within the first two weeks of owning it. I got The Harlequin from the library and am very pleased that I didn't spend any money on it. This will be my last Anita Blake book. I've tried to wait around for LKH to get her act together but it doesn't look like that is going to happen so I'll be spending my time and money elsewhere on more deserving books and authors.
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431 of 491 people found the following review helpful:
2.0 out of 5 stars
"What's a little sex between allies?", June 6, 2007
The Anita Blake series started off well, continued for awhile, then took a sharp plunge down into the literary abyss of bad porn.
Well, "The Harlequin" scrabbles PARTLY back out of that abyss, but Laurell K. Hamilton's fifteenth Blake book still suffers from a surfeit of squickly sex, constant sexual ramblings, and a promising plot that gets swamped by the sex-with-Anitacentric politics of vampires and weres.
First a vamp cleric tells her of a threat so terrible that he can't name it, then a movie night with Nathaniel leads to a strange warning -- a white mask. Jean-Claude reveals that it's the warning of the Harlequin, a cruel vampire police who can warp their victims' minds. And apparently Anita and her string of adoring lovers (plus the still-upset Richard) have upset them.
And the politics of the situation are getting quite nasty, with alliances between weres and vamps getting nasty as they try to all have sex with Anita for power and influence, and Anita repeatedly getting hit by her various "beasts." And if they don't manage to kill the Harlequin soon, then Marmee Noir will reawaken -- and the Harlequin will be working for her.
"The Harlequin" sounds promising at first -- it's almost a hundred and fifty pages before Anita has sex with anyone. It's been several books since Hamilton could boast a length like that, and at first glance it seems to be promising a return to prior form.
Unfortunately, the sexless parts are duller than actual sex: talking/remembering/agonizing about sex. There's two long chapters devoted to Nathaniel wanting Anita to tie him up and hurt him during sex, and Anita getting squeamish about it. And halfway through, she starts having public ardeur sex, bloody sex, lesbian vampire dream sex, feathery sex, and Hamilton seems to be paving the way for sex with Edward's sixteen-year-old stepson.
None of this would matter quite so much if the plot were good -- and some parts of it are excellent. Edward's family vs. job struggle, the were politics and their tenuous relationship with the vampires, the fight between Richard and Jean-Claude, and the whole threat of the Harlequin itself is pretty thrilling, and pared down, it could have been a truly excellent book.
Unfortunately, these promising plots are bogged down in -- you guessed it -- sex. Everyone wants sex with Anita, and chapters of arguing about who gets to is just stupefyingly dull. As if that weren't bad enough, Hamilton takes another jab at her former fans, by announcing disdainfully that, "God hasn't forsaken me; it's just that all the right-wing fundamentalist Christians want to believe he has." Nice that now Anita is God's mouthpiece.
And though Anita doesn't come across near the levels of arrogance in books past, she still comes off as annoying, hypocritical (she likes rough bloody sex, but squeaks at the idea of tying a guy up?) and ridiculously superpowerful. While expecting us to like her, Hamilton has Anita trying to bully a werelion into having sex with her, and having him bumped off when he stays faithful to his wife.
As if that weren't enough, turns out that she's also powering anyone she has sex with. The long-haired, anime-style femmemen worship and fight over Anita, and the few who don't are either banished again (Richard) or are pale shadows of their former selves (Edward).
"The Harlequin" takes some baby steps back toward quality, but the obsession with sex and long-winded arguments drown the promising plot points. Better keep the mask on this one.
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