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Harmonium Paperback – May 8, 2001


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Product Details

  • Paperback: 160 pages
  • Publisher: Faber & Faber Poetry; n Second printing edition (May 8, 2001)
  • Language: English
  • ISBN-10: 0571207790
  • ISBN-13: 978-0571207794
  • Product Dimensions: 5.2 x 7.6 inches
  • Shipping Weight: 7 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #876,407 in Books (See Top 100 in Books)

Editorial Reviews

About the Author

Wallace Stevens, of Pennsylvania Dutch descent, was born in 1879. He studied at Harvard and worked briefly as a journalist, before going on to study law. In 1908 he began working for the legal department of the Hartford Accident and Indemnity insurance company, in Connecticut, of which he became vice-president in 1934. He died in Hartford in 1955.

More About the Author

Sir Frank Kermode has been a prominent figure in the world of literary criticism since the 1960s. He has been King Edward VII Professor of English Literature at Cambridge and Professor of Poetry at Harvard. He was knighted in 1991.

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15 of 16 people found the following review helpful By E. A Solinas HALL OF FAMETOP 500 REVIEWERVINE VOICE on December 6, 2005
Format: Paperback
Wallace Stevens first revealed his genius in 1923, when his first collection of poetry "Harmonium" was released. While it was only the first part of his career as a poet, Stevens' first book is in some ways his best -- despite being a little uneven, "Harmonium" has a rough, passionate quality.

"At night, by the fire,/The colors of the bushes/And of the fallen leaves,/Repeating themselves,/Turned in the room,/Like the leaves themselves/Turning in the wind," writes Stevens in "Domination of Black," a display of the beauty and eerieness of his work. And Stevens sticks to that in poems like "Infanta Marina" ("Her terrace was the sand/And the palms and the twilight"), the steamy beauty of "O Florida, Venereal Soil," or the eerie surreality of "Tattoo."

While lush, rich poetry was what suited Stevens the best, "Harmonium" also has some more minimalist poetry, such as the sparse "Gubbinal" ("The world is ugly,/And the people are sad"). And one of his rare strikeouts is the confusing "The Man Whose Pharynx Was Bad." Even these are not bad, just not as good as they could be.

Virtually anyone can write poetry -- the trick is writing something that stirs the reader, or at least makes them think. Stevens had a rare gift for poetry, and that gift propelled him into fame during his own lifetime. It isn't much of an exaggeration to say that he was one of the great poets of the twentieth century.

Stevens dips into both free verse and rhyming poetry, without sticking solidly to anything for any period of time. At times his poetry is just an intellectual pleasure, without any rhyme or rhythm. But in "Le Monocle De Mon Oncle," he creates a poem with an almost hymnlike quality -- solemn, ornate and thoroughly beautiful.
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5 of 5 people found the following review helpful By Shalom Freedman HALL OF FAMETOP 1000 REVIEWER on July 4, 2008
Format: Hardcover
This is one of those rare volumes, like the 'Lyrical Ballads' of Wordsworth and Coleridge which announces to the world the arrival of a new major Poet. Not all thought so at the time. And many found Stevens too dandified and precious to be a major voice. But among the poems of this collection are among the most beautifully colorful musical creations in Modern Poetry.Read more ›
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1 of 1 people found the following review helpful By Harper Curtis on November 29, 2013
Format: Paperback Verified Purchase
Great book. Great Poet. Get the Collected Poems, where you will find all of the poems in Harmonium, and more.
That being said, many of Stevens's most famous (and best loved) poems are here in Harmonium: Thirteen Ways of Looking at a Blackbird, The Snow Man, The Emperor of Ice-Cream, Sunday Morning, Anecdote of the Jar, ... and more.

Here is the eighth stanza of "Le Monocle de Mon Oncle":

Like a dull scholar, I behold, in love,
An ancient aspect touching a new mind.
It comes, it blooms, it bears its fruit and dies.
This trivial trope reveals a way of truth.
Our bloom is gone. We are the fruit thereof.
Two golden gourds distended on our vines,
Into the autumn weather, splashed with frost,
Distorted by hale fatness, turned grotesque.
We hang like warty squashes, streaked and rayed,
The laughing sky will see the two of us
Washed into rinds by rotting winter rains.
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