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65 of 69 people found the following review helpful:
5.0 out of 5 stars
Exactly what I needed!, January 26, 2004
I spent 12 years studying classical piano and I have always had a good ear for music (which means I can't sight-read ...). When I went off to college, a group of people were jamming in the big room, so I sat down at the piano figuring I'd join in. Well, despite my thinking I was such a great ear-player I hadn't the slightest idea what they were doing. It sounded like the 1-4-5 boogie woogie I learned in sixth grade, but it wasn't. They told me to stop playing because I was doing it wrong, so I slinked off in humiliation.25 years later, my husband gave me this book. He was tired of having to explain what he thought was fairly standard chord notation, and I was frustrated that despite my years of study, I had no idea what he was talking about. I read the book through and I was back in that dorm social room... and I figured out what they were jamming on!!!! This book explained it all, chord substitutions, variations, which keys go with others and why, what works, what doesn't, and what to call it so you can talk to other musicians. I realize the typical reader would be someone who can play but can't read or write music, but don't count yourself out just because you can. If, like me, you came from the classical world but never learned to talk rock or jazz theory, this is a great book for you. It really was a Rosetta Stone for me. And now I know what a flat-five substitution is and when to do it.
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