Product Details

• Actors: Ruth Gordon, Bud Cort, Vivian Pickles, Cyril Cusack, Charles Tyner
• Directors: Hal Ashby
• Writers: Colin Higgins
• Producers: Charles Mulvehill, Colin Higgins, Mildred Lewis
• Format: Anamorphic, Closed-captioned, Color, Dolby, NTSC, Widescreen
• Language: English (Dolby Digital 2.0 Mono), English (Dolby Digital 5.1), French (Dolby Digital 2.0 Mono)
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rated: PG (Parental Guidance Suggested)
• Studio: Paramount Home Video
• DVD Release Date: June 27, 2000
• Run Time: 91 minutes
• Average Customer Review: 4.6 out of 5 stars  See all reviews (501 customer reviews)
• ASIN: 6305882592
• Amazon Best Sellers Rank: #3,627 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "Harold and Maude" on IMDb

Editorial Reviews

Amazon.com

Black comedies don't come much blacker than this cult favorite from 1972, and they don't come much funnier, either. It seemed that director Hal Ashby was the perfect choice to mine a mother lode of eccentricity from the original script by Colin Higgins, about the unlikely romance between a death-obsessed 19-year-old named Harold (Bud Cort) and a life-loving 79-year-old widow named Maude (Ruth Gordon). They meet at a funeral, and Maude finds something oddly appealing about Harold, urging him to "reach out" and grab life by the lapels as opposed to dwelling morbidly on mortality. Harold grows fond of the old gal--she's a lot more fun than the girls his mother desperately matches him up with--and together they make Harold & Maude one of the sweetest and most unconventional love stories ever made. Much of the earlier humor arises from Harold's outrageous suicide fantasies, played out as a kind of twisted parlor game to mortify his mother, who's grown immune to her strange son's antics. Gradually, however, the film's clever humor shifts to a brighter outlook and finally arrives at a point where Harold is truly happy to be alive. Featuring soundtrack songs by Cat Stevens, this comedy certainly won't appeal to all tastes (it was a box-office flop when first released), but if you're on its quirky wavelength, it might just strike you as one of the funniest movies you've ever seen. --Jeff Shannon

Product Description

The self-destructive and needy wealthy teenager Harold is obsessed by death and spends his leisure time attending funerals, watching the demolishing of buildings, visiting junkyards, simulating suicides trying to get attention from his indifferent, snobbish and egocentric mother, and having sessions with his psychologist. When Harold meets the anarchist seventy-nine-year-old Maude at a funeral, they become friends and the old lady discloses other perspectives of the cycle of life for him. Meanwhile, his mother enlists him in a dating service and tries to force Harold to join the army. On the day of Maude's eightieth birthday, Harold proposes to her but he finds the truth about life at the end of hers.

Most Helpful Customer Reviews

322 of 339 people found the following review helpful

5.0 out of 5 stars In my All-Time Top Ten January 19, 2003

By Snow Leopard

Format:DVD

The editor's review of this film is a fair enough description of the plot. One should add that, despite being made in 1971, the movie manages not to look dated, precisely because it makes such fun of the early 70s style, and that the acting by the three main characters (Harold, Maude and Harold's mother) is simply inspired. Ruth Gordon is splendid of course, while Bud Cort gives a lifetime performance, but it is the portrayal of Harold's mother by Vivian Pickles (what a splendid name for someone in the role) that has to be the most undercelebrated aspect of this film. Her breezy blitheness, outraged exasperation, and British sensibility are all just too wonderful. Filling out a dating questionnaire for her son, in response to the question "Do you find the idea of wife-swapping offensive" she answers, "I find the question offensive." In response to the question, "Do you feel the women's liberation movement has gone too far," she replies, "It cer-tain-ly has." Even "Harold, eat your beets" is delivered so wonderfully that it's memorable. Eric Christmas also makes the bit-part of a priest into something memorable, principally by one splendid monologue.

NOTE: It's been pointed out that a lot of the plot is given away in the following. It's hard to say how much spoilers actually spoil this movie; spoilers may help to make the movie's wisdom more readily apparent on a first viewing. In any case, there are several ahead.

But is this really a black comedy? Personally, I think of black comedies as being morbid and mordant, which Harold & Maude certainly has elements of, but also ultimately cynical. One should not mistake grimness in a film as a sign of nihilism; as the Japanese proverb runs, the ending is all-important. The film ultimately is not about an intergenerational love affair (surely the most "shocking" aspect of the film), but about Harold learning to embrace life. And it is precisely to make as effective as possible Harold's decision to live life to the fullest (rather than continue to prefer to be dead) that it is first necessary to make his life miserable.

As insanely amusing as much of the movie is, it is also full of profundity after profundity from Maude, who is a nearly continuous font of wisdom, with laughter and humor being simply the most crucial values in her wisdom. When she asks Harold what he does for fun, he takes her to a picnic in a wrecking yard. She replies, "I'll grant you, it has a certain something. But is it enough?" When Harold declines her offer of wine, she replies, "Oh go on, it's organic." And most beautiful of all, when Harold says, "I don't want you to die, Maude. I love you," she replies with perfect calmness, "Harold, that's wonderful. Now go out and love some more." If you've been caught up in the genuine spirit of this movie, the line will not seem like some breezy brush-off, but may instead bring tears to your eyes.

The scene of Harold's grief after Maude's death, intercutting silent images of him waiting in a hospital room and driving recklessly around the Marin headlands in the Jaguar he has converted into a hearse while Cat Steven's song, "Trouble" plays, is very well-done and sets up the climax of the film beautifully. Cat Steven's soundtrack throughout, in fact, is a splendid selection of songs, and certainly makes clear that, however morbid things might seem, this film is ultimately life-affirming in a very profound way.

Having watched this movie many, many times and having yet to tire of it, it seems to me there is more to it than meets the eye. And not just because, when Harold gives Maude an engraved birthday gift, she says, "This is the nicest gift anyone has given me in a long time," and then throws it into the San Francisco Bay saying, "That way, I'll always know where it is." And not just because one eventually notices, in the briefest of passing shots, the tattoo of a concentration camp inmate on Maude's arm. In the final analysis, it seems to me that Harold is actually already dead. That his theatrical suicides aren't faked at all, but also don't succeed because he himself is not aware that he's actually dead. It's probably more accurate to say that the director pushes the narrative to the point where Harold seems to be actually dead and not just faking, precisely to make his choice of life at the end all the more inspiring.

And inspiring it is. Harold & Maude is not (alas) for everyone. A viewer who is hidebound like the movie's priest, colonel or mother (read church, state, authority) will find Maude's sometimes gentle, sometimes brash mocking of convention more annoying than enlightening, just as the (not depicted) sexual relationship between Harold and Maude is the thing many people who miss the point remember about the movie. To this, Maude might say, as she does to a police officer, "Don't be officious. You're not yourself when you're officious. That's the curse of a government job." Or as she says, when the priest replies that he didn't like the way she'd painted his statue of the Virgin Mary, "Give it time. It'll grow on you. Some things take a while to appreciate."

63 of 63 people found the following review helpful

5.0 out of 5 stars superb DVD production July 19, 2000

By Andrew Watson

Format:DVD|Amazon Verified Purchase

A lot of great movies have been poorly digitized or otherwise transfered to DVD without sufficient care and attention, but I was pleasantl surprised by the quality of this one. They found (or restored) a very clean and clear original print of the film and then digitally captured it beautifully. The soundtrack has also been enhanced with a remix of the Cat Stevens songs to take advantage of the stereo front speakers and the subwoofer. A wonderful movie, well presented.

68 of 73 people found the following review helpful

5.0 out of 5 stars fantastic November 20, 2005

By B. Emory

Format:DVD

I had heard about this movie through friends but was never impressed by the story. A reclusive anti social kid who befriends and falls in love with an elderly (though young at heart) eccentric. I wrote it off completely til I saw a bit of it on television and thought it was hilarious and as it turns out I rented the movie and was extremely hooked. Harold is a rich kid with a high strung, selfish mother who tries anything to find a suitor for him, in turn Harold escapes from his home to overshadow funeral processions and memorials. At a number of these events, Maude is in attendence and she lights up the scene with her off the wall,and positively upbeat personality that horrifies and amuses Harold. After a while they become unlikely friends. Maude helps Harold live a little and in turn he develops true affection to Maude. With Ruth Gordon's charm and incredible acting abilites, and Cat Steven's classy soundtrack, its not hard to find yourself feeling happy and free after the movie is over. It really teaches you a message about being your own person and enjoying life.