Harps & Angels

Randy Newman | Format: Audio CD

Product Details

• Audio CD (August 5, 2008)
• Number of Discs: 1
• ASIN: B001DAL8HA
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 4.2 out of 5 stars  See all reviews (68 customer reviews)
• Amazon Best Sellers Rank: #1,161,543 in Music (See Top 100 in Music)

Editorial Reviews

Randy Newman's first studio album of all new material in nearly a decade is, by turns, hilarious, poignant and scathingly satirical. Harps and Angels often has an easy going Crescent City feel, with Newman on piano fronting a small combo and revealing, as Rolling Stone put it after the Carnegie Hall show, his serious love and study of the New Orleans piano tradition. --This text refers to an alternate Audio CD edition.

Customer Reviews

Most Helpful Customer Reviews

17 of 18 people found the following review helpful:

5.0 out of 5 stars Newman's Own - Randy Sees the Dark at the End of the Tunnel, August 6, 2008

By 

Gregory M. Wasson (Pinole, CA USA) - See all my reviews
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This review is from: Harps & Angels (Audio CD)

First, let's get the easy part out of the way - "Harps and Angels" is another great album from Randy Newman. If you like Newman, you won't regret the purchase.

For 40 years or so Randy Newman has been the troubadour of his generation, using razor-sharp wit and a soundscape steeped in Americana that is both the perfect foil for his irony and somehow deeply affecting at the same time. He understands America as it is, skewering its icons while empathizing with its losers. His songs are almost innocent in their underlying yearning for an America that could have been, but wasn't.

"Harps and Angels" continues in the same introspective vein that was so startling in "Bad Love." Newman was in his mid-50s when "Bad Love" was released. "Harps and Angels" catches Randy Newman in his mid-60s. On both albums, the songs are remarkably personal. All but gone are songs like "Birmingham," "It's Lonely At the Top," and "Lucinda," in which Newman uses a central fictional character, whether telling the story in the first person or the third, to make precise, gemlike incisions into the narcissistic confabulation which has become the American dream. In their place are songs that are ruminations by a middle-aged man about himself, the people he knows, and the world he lives in. The tunes in "Harps and Angels" are no less unsparing, insightful and laugh out loud funny than those in "Sail Away," or "Trouble in Paradise," but they are songs written by a man looking back on his life and times, knowing that the end, if not quite in sight, will be here soon enough.

In "Harps and Angels" Newman's awareness of his own mortality is everywhere. The title song is about the near-death experience of someone that could be Newman himself -- "My, heart began to pound, it was arhythmic and out of tune, I lost my equilibrium, and fell face down upon the ground" -- a 65-year-old man walking down the street felled by a heart attack. It turns out that the angels that surround him realize they have the wrong guy -- a clerical error -- and advise him to clean up his ways if he doesn't want to be met by pitchforks on the other side. In the hilarious "A Few Words in Defense of Our Country" Newman rails with bitterness that "this Supreme Court is going to outlive me," and makes some choice comments about "two young Italians and a brother" -- Scalia, Alito, and Clarence Thomas. He talks about losing his memory in "Potholes," reflecting that considering his behavior during his life he can only hope that the potholes get bigger instead of smaller -- memory loss as a blessing to a reprobate nearing the end of his life.

But "Harps and Angels" is not a depressing album. As always, going back to his earliest works, he cloaks his disappointment and disgust with the world and the people in it, including himself, in lyrics and music of such wit and humor that we can't help but crack a smile even when Newman is at his most bitter or morose. He damns his own generation for raising their kids in a world where the "Neighborhoods are dangerous, The public schools are bad." But then he offers the All-American easy way out. If you want your kids to excel in school, you don't have to pay more attention to them or work harder yourself, just hire "Korean Parents." Along the way, he takes well-aimed shots at the increasing gap between the haves and have-nots, the notion that John Cougar can be both a huckster for GM trucks and an authentic voice of the working stiff, and whatever else is "grinding his gears" (as Peter Griffin might say) these days.

The music as ever is wonderful. From his trademark, lazy, slow-rolling New Orleans-inflected blues, to the Weimar cabaret music of Kurt Weill, Newman proves once again that he is a master at creating the perfect musical backdrop to add bite or irony or pathos to his songs.

My only quibble with "Harps and Angels" is that it has been almost a decade since his last new album of original songs that are not movie soundtracks. I don't want to wait until Randy is 75 to get his next take on this American life.

25 of 31 people found the following review helpful:

3.0 out of 5 stars Still has arranging flair, but light on the melodies, August 10, 2008

By 

Eric J. Anderson (Ankeny, Iowa) - See all my reviews
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This review is from: Harps & Angels (Audio CD)

I did not expect so many of the songs on this short (34 min.) new offering to be raps -- Newman talks over his piano accompaniment with orchestral embellishment. Newman has used this technique effectively in the past, on "The Girls In My Life" from the Born Again album. The title track is a conversational rap, and it's a complete success. "In Defense of My Country" also works nicely as Newman talks, not sings, his lines.

I can't be as enthusiastic about Easy Street (half spoken, half sung), or "Potholes" (mostly spoken). Nor did I find the melodies on "A Piece of The Pie" or "Korean Parents" particularly appealing.

Lyrically, Newman ruminates on the state of the nation, and some topics related to aging and mortality, love that you appreciate (Feels Like Home) and love that's lost (Losing You). It's sharp stuff, but not as sharp as the old days. Well, what can you expect but a slight mellowing from a Randy Newman who's on the cusp of Social Security?

The orchestration is lovely -- it will take you right back to the classic albums he did in the mid 70's. Laugh And Be Happy sounds a bit like burlesque show music, and A Piece Of The Pie is very theatrical. The other arrangements will sound very familiar to Randy Newman fans -- bringing to mind Ragtime-era turn-of-previous-century fare.

The sound quality is not so lovely. It favors the midrange, the dynamics are compressed. Such is the fashion in audio engineering these days, but it makes Newman's voice more grating and froggy than it should be, and Newman's voice doesn't need any help in that department.

The title track and A Few Words In Defense... are standout tracks. The one that tops them all is the final cut, Feels Like Home. I actually thought this song was penned by Chantal Kreviazuk. It was a bonus track on the American release of her album What If It All Means Something. The song suits her. As a bonus track, the liner notes were silent about the composer. It turns out Randy Newman wrote this for his Faust album, which I have not heard. Coming from the cynical Newman, this heartfelt love song seems out of place in this collection, yet Randy is just as effective singing this unaffected melodious confession as he is raising an eyebrow on American society. Feels Like Home has a classic, anthemic melody (especially anthemic in Chantal Kreviazuk's cover of it) that makes up for some of the lack of melody on the rest of the record.

While the songs on Harps & Angels all amused me as I listened to them the first time, I seriously wonder how many of them I will want to hear again, outside of the standouts I mentioned. That would be my only reservation about purchasing the album. So a final rating of three and a half stars for a record that is never less than good, and sometimes very good. Still, objectively it falls short of five star greatness.

30 of 38 people found the following review helpful:

3.0 out of 5 stars Not Quite, August 10, 2008

By 

J. Weinstein (New York) - See all my reviews
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This review is from: Harps & Angels (Audio CD)

Randy Newman gets a three-star head-start for being Randy Newman, but this is an oddly anemic effort. It's billed as an album of all new material, but it's not: "Laugh & Be Happy" was written for the Pixar animators easily 15 years ago in response to the Evil Mouse meddling; "Feels Like Home" is from Faust, also going back close to 15 years now. Several other songs feel like cast-offs from earlier albums/projects. Among those that don't, several of those feel like Randy Newman consciously writing Randy Newman songs, instead of simply writing songs.

Don't get me wrong, that three-star head-start comes with a lot of gifts: intricate internal harmonies, lush string arrangements, and a barbed, rambunctious and often simply hilarious sense of irony, in bold display here to an extent often nodded at but not usually found in such raw abundance on his records (as opposed to live performances).

And there are pleasures to be found here, to be sure, not least of which the twisted "Korean Parents," and the one-sided conversations that serve as bridges in several of the tunes. But if you're licking your chops waiting to get your synapses fired off by 9 years of deliciously marinating Newman tunes, I'm afraid you'll have to settle for a few light appetizers and an entertaining waiter.