20 of 21 people found the following review helpful:
5.0 out of 5 stars
AN AFFECTING MEMOIR - JOYFUL AND POIGNANT, December 22, 2000
A third generation Japanese-American, agriculturist David Masumoto farms peaches and raisins. He celebrates nature, savoring seasons when "The air is filled with the smell of drying grapes - a caramel fragrance mixed with an earthy aroma."
He is a champion of hard work, viewing calluses as "badges of honor earned only after years in the fields,...The hands tell a story of worth..."
And, as evidenced in his affecting memoir, Harvest Son, he is an author whose fluid pen scrolls as gracefully as kanji, the ancient Japanese script in which each word is a picture. Evocative descriptions of abundant harvests and the delicately limned shade of a near-ripe peach are lyric testimony that farming is not only his occupation, it is his modus vivendi.
Writing with spare yet lustrous precision, Mr. Masumoto traces his life's journey in flashbacks, exploring the past to chart his future. Having learned that in 1942 his grandparents, along with some 16,000 Japanese-Americans were relocated to internment camps, Mr. Masumoto embarked on a painful quest, searching the Arizona desert for traces of the Gila River Relocation Center, his family's four-year home. "A few low cement pillars sunken into the ground" and "a pile of broken thick white dishes" were the only remnants of those interrupted lives.
Another pilgrimage was to Japan, where he found his grandmother's brother. Held hostage by rice paddies, his uncle's farmhouse "looked like the face of an old man with wrinkles and age spots." The floor was of packed earth..." But, blessings of all blessings, there was the "ofuro" or Japanese hot tub, which "Following a day in the fields, ...tempered worn and broken spirits. The soothing water fostered a benevolence and a feeling of optimism."
Mr. Masumoto eventually returned to the California valley of his childhood, where he found satisfaction and a connectedness in tending the vines planted by his grandfathers. From the author we learn a Japanese word "shoganai" meaning "it can't be helped." This is a word borne of forbearance, we are told, as despite their painful past Japanese-Americans accepted their new country "with a bow of humility. Not weakness but silent strength."
When a surprise hailstorm destroyed what promised to be a bumper crop, Mr. Masumoto asked himself why he continued to farm. His answer may be "shoganai."
Today, Mr. Masumoto is a leader in his local Buddhist community, one of the few sansei or third generation Japanese-Americans who remain in the farmland that nurtured them. It is left to him to serve as chairman at many funerals, as one generation honors another. Harvest Son is a joyful, poignant reminder that it is both duty and privilege to do so.
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12 of 14 people found the following review helpful:
5.0 out of 5 stars
Terrific follow up, June 20, 2000
By A Customer
After reading EPITAPH FOR A PEACH, I hungrily hunted down HARVEST SON. This is nature writing at it's finest! At once a touching and poetic account of family life on an organic peach farm and vineyard. The reader is likely to run the gamut of emotions as Masumoto describes losing a crop of peaches to a damaging and wicked storm, makes a pilgrimmage to Japan to learn of his family's history and culture, or has a blast while fertilizing young peach trees "by hand" - his wife and son riding with him on the back of a wagon throwing organic fertilizer at the trees with old coffee cans. His 10 year old daughter jerks them along as she learns to drive the tractor. HARVEST SON is a warm, funny and insightful book that will not disappoint!
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Dream World Mystery, May 26, 2002
This is the third book in the series by Anaya involving his heros Sonny Baca and Rita Lopez and their battles with Sonny's opponent Raven. To appreciate this book, you really need to start at the beginning and follow the story through the various phases. The first book "Zia Summer" sets the stage with the principal characters in the context of the New Mexico Pueblo Indian culture. The second book "Rio Grande Fall" takes you through the battles of Sonny and Raven in the context of the multiple layers of culture (Native American, Hispanic and Anglo) in the Rio Grande Valley. You get a wonderful tour of the cultures in each of these books. This third book "Shaman Winter" is the height of the mystical battle and the Pueblo Indian cultures interpretation of dreams. In this book there also is more of a direct message to the Nuevo Mexicano people that your existence is destroyed by those who rob you of your dreams and who rob you of your historical context. "History belongs to those who write it." Certainly this is a powerful message to the Hispanic people who must feel acutely the loss of their heritage in the Anglo culture and the denial of their dreams of a homeland and a peaceful existance. One of the most powerful moments in the book is the depiction of the Long Walk of the Navaho people and the impact on their women. This is conscience-raising but not distracting from the story line. The story is fascinating in the mystical interpretation of dreams. You have to be willing to suspend disbelief and go along for the ride to enjoy this story. If your are able to do so, the journey is a wonderful one, full of twists, and goes off like the finale of a July 4th fireworks display in all the plots and subplots at the dramatic ending. Note that the ending leaves room to look forward to another book in the series.
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