A profound masterpiece from one of the most revered filmmakers in the history of cinema, director Robert Bresson's Au hasard Balthazar
follows a much-abused donkey, Balthazar, whose life strangely parallels that of his owner, Marie. A beast of burden suffering the sins of man, Balthazar nevertheless nobly accepts his fate. Through Bresson's unconventional approach to composition, sound, and narrative, this seemingly simple story becomes a moving religious parable of purity and transcendence.
Au hazard Balthazar
can have a profoundly moving effect on those who are sensitive to its power. Like any film by Robert Bresson, it provokes widely different responses: Many critics have hailed it as a masterpiece, while others (as Pauline Kael observed) "may find it painstakingly tedious and offensively holy." It all depends on what the viewer brings to Bresson's seemingly simple tale of a donkey named Balthazar, who experiences kindness and cruelty as he is passed from owner to owner. Populated by a variety of sinners and saints alike, the film can be seen as a simple animal fable, as Balthazar suffers nobly at the hands of his handlers. Dig deeper into Bresson's art, however, and you're likely to find a very Catholic story with strong parallels to the life of Christ and his unbearable burden of the sins of mankind.
No matter how you approach the film, only the most cold-hearted viewer will be immune to Balthazar's fate. And if you're not sure what to make of it all, this superb Criterion DVD offers two essential bonus features to guide you toward a greater understanding of Bresson's approach to cinema: Film scholar and devoted "Bressonian" Donald Richie offers his astute observations in a 2004 video interview, and in an in-depth French TV appearance from 1966, Bresson talks at length about Au hazard Balthazar along with fellow directors Louis Malle and Jean-Luc Godard, and members of the film's cast and crew. This is a remarkable document from a bygone era, when "art film" was at its peak, and directors (especially French ones) were eager to discuss the intellectual significance of their work. Kudos to Criterion for including this archival gem of film appreciation. --Jeff Shannon