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Hatebreed Explicit Lyrics


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Audio CD, Explicit Lyrics, September 29, 2009
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Become The Fuse [Explicit] 2:27$0.99  Buy MP3 
listen  2. Not My Master [Explicit] 3:14$0.99  Buy MP3 
listen  3. Between Hell And A Heartbeat [Explicit] 2:54$0.99  Buy MP3 
listen  4. In Ashes They Shall Reap [Explicit] 3:21$0.99  Buy MP3 
listen  5. Hands Of A Dying Man [Explicit] 2:48$0.99  Buy MP3 
listen  6. Everyone Bleeds Now [Explicit] 2:56$0.99  Buy MP3 
listen  7. No Halos For The Heartless [Explicit] 2:57$0.99  Buy MP3 
listen  8. Through The Thorns [Explicit] 3:24$0.99  Buy MP3 
listen  9. Every Lasting Scar [Explicit] 3:14$0.99  Buy MP3 
listen10. As Damaged As Me [Explicit] 2:21$0.99  Buy MP3 
listen11. Words Became Untruth [Explicit] 2:33$0.99  Buy MP3 
listen12. Undiminished [Explicit] 4:19$0.99  Buy MP3 
listen13. Merciless Tide [Explicit] 2:41$0.99  Buy MP3 
listen14. Pollution Of The Soul [Explicit] 2:45$0.99  Buy MP3 
listen15. Escape (New Diehard Edit) [Explicit] 4:01$0.99  Buy MP3 

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Hatebreed + The Divinity Of Purpose + Supremacy
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Product Details

  • Audio CD (September 29, 2009)
  • Original Release Date: 2009
  • Number of Discs: 1
  • Format: Explicit Lyrics
  • Label: Koch Records
  • ASIN: B002IVLWGA
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Best Sellers Rank: #85,211 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

2009 release from the Hardcore Metal leaders, the long-awaited follow-up to 2006's Supremacy. project. This album follows the successful release of the #1 charting Billboard DVD, Live Dominance and the recent release of the band's covers album, For The Lions. Hatebreed, the album, is a brutal return to form for the quintet. As front-man Jamey Jasta explains, ''The record is mean as hell, fans of American Metal and east coast Hardcore will be very pleased and maybe even somewhat surprised." The album was produced, engineered and mixed by Zeuss.

From the Artist

Front-man Jamey Jasta comments, "This is our fifth studio album and it's a monster! We've survived some pretty rough times and the music shows it. There was no reason to change the recipe that our fans know and love but we added a few brutal new ingredients and we're more than amped on the results. Violence is a given!"

Jasta elaborates, "I feel this new album is a true crossover record in the sense that our metal and hardcore roots are evenly represented throughout it. There's still the fast East Coast tuned down Hardcore that people know and love, yet there are metal influences that shine through on almost every song. The speed is there, which we even kicked up a few notches on some of the songs, but the groove and slower tempos are represented. On HATEBREED, there is a violent mix of straightforward anthem headbangers, fast thrashers and brutal breakdown after breakdown. There's something for everyone."

Customer Reviews

If you love Hatebreed you will no doubt be blown away by this album.
MN Dude
The band has found a way to keep things fresh this time rather than putting out another album with the same sound as they have with the last couple of records.
Michael
This album is simply the best and most strongest release that Hatebreed has put out.
Jeremy Brackeen

Most Helpful Customer Reviews

4 of 4 people found the following review helpful By Richard on September 29, 2009
Format: Audio CD
I can't believe that I have been listening to Hatebreed for over 10 years now. Back then their songs were the soundtrack to my life and the barriers I was overcoming. This album is more of the same and although I'm not as angry as when I was younger and my life is actually pretty good, these Hatebreed songs can help inspire anybody that is going through some adversities in life. To me Hatebreed has always been more about the message than anything else.
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3 of 3 people found the following review helpful By Michael on October 8, 2009
Format: Audio CD
It's too bad that Supremacy wasn't as well promoted as Hatebreed had hoped it'd be. It was a good record. So after leaving Roadrunner Records, they signed an interim deal with Koch Records to put out a few releases before they figured out where they wanted to go with the next record. Soon came Live Dominance, a badass live dvd with a killer show filmed in Detroit featuring a long setlist of some of their heaviest, and best songs ever written. Then there was For The Lions, the covers album featuring songs written by Slayer, Metallica, Cro-Mags, Suicidal Tendencies, Black Flag, and many others. A live album that was recorded in Texas with Vinnie Paul (Pantera, Hellyeah) co-producing was promised, but has not been released to this day (where's my live cd, Hatebreed?). Anyway, here we are with the band's self-titled effort which sees them back on an independent label after spending time putting out records on Universal and Roadrunner, this time on E1 Music (formerly Koch Records). Longtime guitarist Sean Martin is gone, but longtime friend and ex-guitarist Wayne Lozinak is back and is showing that he hasn't slowed down one bit. I know it seems cliché to say that the band has matured as they really haven't matured much over the years, but this record is probably about as mature as it gets. The band has found a way to keep things fresh this time rather than putting out another album with the same sound as they have with the last couple of records. There's actually some thrash metal moments, and Jamey Jasta even uses a little bit of clean vocals to make it more interesting. Overall, a devastating record. I almost passed on this thinking that Supremacy would be the last great record the band would put out. From Perseverance and onward, each album got heavier and heavier, and I wasn't sure where they'd go with the new one. This shows me they've got more tricks than I thought.
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2 of 2 people found the following review helpful By A. Stutheit on August 1, 2011
Format: Audio CD
So it is absolutely no secret that the popular buzz surrounding this album is that it finds Hatebreed taking a few clearly huge (or at least substantial) strides towards experimentalism. Although when considering just how much the sound has changed for this 2009 self-titled effort, a more accurate description would have to be "musical maturity/growth" and "evolution." And it is high darn time that the group started to do something new with their sound! After all, "Hatebreed" marks the sixth release from the studio, and seventh record, overall. Hatebreed formed many years ago -- a decade and a half, to be exact -- way back in 1994. The following year (1995) was when their official debut (the really brief - and almost E.P.-esque -- "Under The Knife"); although they never really got going as band until their popularity boomed in 2002. And soon after signing to a major label and releasing "Rise Of Brutality" in 2003, Jamey Jasta and his men enjoyed much more success and fame when the metalcore genre started up , and began to spread widely across the nation. (Plus, being one of the first to hail out of Connecticut/Massachusetts gave them an inside edge.) But even despite being apart of record labels like Roadrunner, selling a fairly whopping amount of discs, and garnering much attention in the world of heavy music (including that of Slayer's Kerry King, who had a cameo on "Perseverance"), Hatebreed never went soft for the duration of their decade-plus of existence. They did, however, undergo quite a bit of negative feedback and unfair scrutiny from many-a-hardcore diehard. Purists hated how the sound changed over the years, shifting away from the traditional hardcore taken on said debut, and discovering a distinctly more metallic fervor in recent years.Read more ›
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1 of 1 people found the following review helpful By chaosisthename on October 4, 2012
Format: Audio CD
I have loved Hatebreed since near their beginning. They have played hardcore punk forever but this seems like they're way too distorted with their guitars. I don't feel their new sound compliments Jasta's vocals as well as it could. I love the cutting edge nature of their sound, but the intensity and nail-driving aggression isn't there for me. It's not a waste of money to buy it, but probably something that won't be listened to as often as other Hatebreed records. If anything, I recommend Perseverance or Satisfaction is the Death of Desire!!
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Format: Audio CD
Hatebreed's fourth studio release from 2006, "Supremacy" (which was their first and only album from Roadrunner Records) was a great album despite the fact it wasn't as well promoted as the bands had hoped it'd be which was a shame. So afterwards, Hatebreed parted ways with Roadrunner, and in April 2008, they signed with E1 Music (formerly Koch Records), and they released a live DVD titled "Live Dominace" later that year. Now, here in 2009, Hatebreed have once again returned with two new great releases, first releasing a cover album titled "For The Lions" in May, then later in September releasing their self titled fifth album. This album is simply the best and most strongest release that Hatebreed has put out. With Zeuss's top notch production, this album combines everything fans love about Hatebreed and puts it all together in one devastating package. The musicianship is more intense, the lyrics are better than ever, and there's even some thrash metal moments thrown in as well especially on "Hands of a Dying Man", and "Between Hell and a Heartbeat". Jamey Jasta's screams are more venomous than ever, and he also tries out some clean vocals to make things more interesting. This album starts off with the strong opening cut "Become The Fuse", and is followed by two scorching and blistering monsters "Not My Master" and "Between Hell and a Heartbeat" (the former track is highlighted by vicious machine gun riffage by guitarists Wayne Lozinak and Frank Novinec, and machine gun double bass feet kicking by drummer Matt Byrne). Track four "In Ashes They Shall Reap" is the album's first single and the best song here in my opinion as well.Read more ›
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