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Haunted Chambers: the Lives of Early Women Freemasons
 
 

Haunted Chambers: the Lives of Early Women Freemasons [Kindle Edition]

Karen Kidd
4.8 out of 5 stars  See all reviews (5 customer reviews)

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Product Description

These women aren't supposed to have existed.

But they did.

"Haunted Chambers", for the first time ever, presents not only the most complete list of early women Freemasons but also as much detail about their lives as can still be found. Here are their stories, long suppressed, ignored and marginalized. They include medieval women stone cutters; so-called "adoptive" women Freemasons; an aristocrat; a countess; an early New Brunswick settler; a war hero; a writer of women's rights; an immigrant Irish girl; the famed sculptress of Abraham Lincoln's statue in the US Capitol Rotunda and many whose names are now lost.

Some will find this book a challenge. Some would rather it never had been written, let alone published. "Haunted Chambers" is highly recommended to anyone who wants the actual history of these early women Freemasons and aren't afraid to read it.

Product Details

  • Format: Kindle Edition
  • File Size: 1326 KB
  • Publisher: Cornerstone Book Publishers (September 30, 2009)
  • Sold by: Amazon Digital Services
  • Language: English
  • ASIN: B002R5B212
  • Text-to-Speech: Enabled
  • Lending: Enabled
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #411,184 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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12 of 13 people found the following review helpful:
5.0 out of 5 stars Haunted Chambers by Bro. Karen Kidd - A Review by Bro. Frederic L. Milliken, June 7, 2009
I can assure you that Haunted Chambers: The Lives of Early Women Freemasons by Karen Kidd is not a ghastly ghost tale. No litany of eerie sounds or flying objects or vaporous apparitions will be found in this book.

Rather you will find a clear cut case made that female Freemasonry has been with us for many centuries in spite of the male dominated fraternity that has operated with blinders on and deliberately refused to acknowledge the facts of life. And so it would seem to me as Brother Kidd takes us through story after story of female Freemasons from as far back as the early 1700s for Speculative Masonry and centuries prior to that in Operative Masonry, yet very few of these women were known to me. And I would hazard a guess that I am not alone in my ignorance but that the vast majority of my compatriots in the fraternity share my lack of knowledge.

Right up front Brother Kidd let's us know that this book is not going to pull any punches or gloss over any difficulties.

"I will tell you about women who managed to be made Freemasons (and not a few who tried but failed) in otherwise Malecraft Lodges. I'm going to tell you a story that many have tried - and largely succeeded- to suppress. I'm going to tell you the truth. I chose to ferret out these stories about to pass away from this generation; to recover that which is about to be lost and to seek the truth. Too long the stories of these women were suppressed, downplayed and denied. It's past time to rescue those stories that still can be retrieved and to see that each of these Brethren in the Craft have their due."

Kidd chronicles the lives and Masonic histories of Elizabeth St. Leger Aldworth, Hannah Mather Crocker, Henriette Heiniken, Mary Ann Belding Sproul, Catherine Sweet Babigton, an Irish Girl, Vinnie Ream Hoxie, Helene-Countess Hadik Barkoczy, Salome Anderson, Isabella Scoon and many others (recognize any names yet?).

But first she lays the foundation of factual history of female participation in Masonry in three chapters, one on women in medieval Mason Guilds, one on women in early Modern Freemasonry and one on Adoptive Masonry. I have dubbed these three chapters - Fact, Denial, and Recognition (that some outlet for women was needed).

We learn that from the 1200s on some women were admitted to the Guilds and a few even rose to be Master. In Operative Masonry Kidd documents women in the Operative Lodges with some even rising to the position of "Dame" or female Master.

Next she takes us through early Speculative Freemasonry where in the 18th Century women were locked out of Masonic Lodges and men perhaps feeling guilt over that decision or perhaps under female pressure steered women into Adoptive Masonry. Kidd tells us she thinks she knows the real reason for this hardening of heart, this exclusion of women.

"Though it may seem complex, the true reason is quite simple. Women of that period, like women in much of the world today, failed to meet a very basic requirement of admission into the Craft: they were not free."

"This most compelling of reasons is seldom mentioned by Masonic scholars but it happens to be the true reason. It goes to the heart of several centuries of gender-biased history that can, and has filled volumes. All that need be gleaned from those well documented studies is why 18th Century Male Masons, for the most part, believed women so unfree that they could not enter even their own gender-based or mixed lodges."

She goes on to say that it was James Anderson in his "Constitutions" who first put this into writing in 1723. Anderson wrote:

"The persons admitted Members of a Lodge must be good and true men, free-born, and of mature and discreet Age, no Bondsmen, no women, no immoral or scandalous men, but of good Report."(Emphasis Kidd's)

Kidd interprets that thusly:

"It is no accident that Anderson placed women between these two categories of the unfree. The implication is clear. Women were no freer than slaves or men enslaved by their own passions. So far as Anderson and other Malecraft Masons of the time were concerned, a woman's lack of freedom rendered her unfit to be a Freemason. Malecraft Masons of the time, whether they knew it or not, barred women from Freemasonry for this reason and only this reason.

All other theories are simply flawed attempts to justify the unjustifiable."

The stories of the women Freemasons are well told and well documented. The one I found most intriguing while at the same time most telling was the story of Hannah Mather Crocker perhaps because I am from Boston. Hannah was born in 1752 in Boston. Her father Samuel Mather was a famous Boston preacher. And in time Hannah had a son named Samuel. I mention this because the library of the Grand Lodge of Massachusetts is named the Samuel Crocker Lawrence Library. You would think therefore, as a Massachusetts Mason who visited Grand Lodge often, I would have heard of Hannah Mather Crocker. Never heard of her. But she was a most interesting lady and Mason. As a young woman she smuggled written dispatches in her undergarments to Colonial Major General Joseph Warren who also was the Grand Master of the Grand Lodge of Massachusetts.

Unlike many of the other female Masons in Haunted Chambers: The Lives of Early Women Freemasons who were made Masons after they had been caught eavesdropping or made Masons for protection during the Civil War, Hannah was legitimately made a Mason although we are not quite sure how that actually happened. It is well documented, however, that she was "Mistress' (Master) of St. Ann's Lodge which operated in Boston in the 1770s. It was the only known all female Masonic Lodge of the 18th century in North America. She was also a woman of letters having written "A series of Letters on Freemasonry" and works in other fields.

Hannah Mather Crocker corroborates the claim that there were female Masons for her existence as a Mason remains unchallenged to this day.

Some of these eavesdropping women of the later 1800s who were made Masons, when confronted, the members of the Lodge were said to have debated between two options, killing the woman or making her a Mason. Kidd makes a telling observation here.

"Further, in no part of Freemasonry has there ever been a rule that any nonMason who discovers the Secrets of Masonry must die. And yet this `rule' turns up in many of these stories about early women Freemasons. Where could such a detail have come from?"

"I think it's no accident that the idea of killing eavesdroppers begins to turn up in these accounts after the William Morgan affair in the United States. In that case, Freemasons were accused of killing one of the Brethren for threatening to reveal the secrets of the order. Somewhere in all this, it seems to have become a generally held belief, even among rank-and-file Freemasons, that there was such a rule. And, thus, it entered the lore that envelops the stories of these women."

There are two general things I am looking for when I read a non-fiction book.

1) Is it factual and well researched

2) Did I learn something - new

Haunted Chambers: The Lives of Early Women Freemasons passes the test for me on both counts. Karen Kidd has done a very thorough job of research for this book. I made it a point to read all the footnotes and I can attest to the fact that she pulls from many sources inside and outside the Craft to make her story. She doesn't embellish to make it look better. If a rendition or report or opinion is exaggerated she says so. If it seems not plausible and it's not she says so. But if it smacks of unbelievability yet she thinks she has the proof to credit it, she will.

She also writes using a good measure of deductive reasoning to make logical assumptions. If A=C and C=B then A=B. One of the book cover pictures is of a mysterious woman in Masonic garb from Phoenixmasonry about whom nothing is known. Here is a good example of Kidd's powers of logic and reasoning. She writes:

"Much can be observed about this image but conclusions are difficult to draw. Clearly, she is garbed as a Master Mason. Her clothing, with its mini-mal bustle, slim-tailored sleeves and skirt short enough to reveal her feet all suggest a fashionably dressed lady of the late 1880s."

"Her working tools present a puzzle of place. While the 24-inch gauge is almost universal in Freemasonry as a working tool of the Entered Apprentice, the trowel is a Master's tool in US Malecraft lodges but not in English, Canadian, Australian, and Scottish Malecraft lodges. Further, the trowel is mentioned only in passing in most Co-Masonic Blue Lodge traditions. However, placing her in the US as a woman Freemason in the 1880s seems most unlikely as Co-Masonry did not arrive in the US until 1901."

"The `G' in all the squares and compasses on her clothing is striking. The symbol is portrayed in this manner in most US and Scottish Malecraft lodges. It is also used in French Freemasonry. However, it is not used in English or Canadian Freemasonry. Again, the US and Scotland seem unlikely but even in France, it's much too early for a woman to be a Master Mason as Co-Masonry didn't develop there until the 1890s and Femalecraft Masonry until the next century."

"She is also wearing a wrist watch with a leather band, which again places this no earlier than the 1880s."

"So who is she and how did she come to pose for this photograph? All elements in this image indicate it simply should not exist in that time or place. And, yet, there it is for us to ponder."

And that my friends is some good writing and using your noodle!

But what really makes this book so enjoyable to... Read more ›
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4 of 5 people found the following review helpful:
4.0 out of 5 stars Haunted Chambers, March 7, 2010
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Bro Karen Kidd shed some surprising light on this little explored topic and does so with aplomb and historical rigor.
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4 of 5 people found the following review helpful:
5.0 out of 5 stars From the Shadows of the Craft, October 11, 2009
By 
Ralph W. Omholt (Kirkland, WA United States) - See all my reviews
(REAL NAME)   
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"Haunted Chambers" is a befitting title, as the quest for a finer understanding of Freemasonry cannot ignore the material which Karen has so eloquently presented.

Karen's book pleasantly took me by surprise - not easily done. She illustrates a shadowed history in a most intriguing form; unknown to the vast majority of Masons. She writes of history; as opposed to making any kind of `pitch' for Co-masonry.

Karen has also forced an issue which will not be easily debated; that is the question as to what the descriptor "...since time immemorial" actually means. Is there a "cutoff" date, as to when `ancient' Masonry should no longer be observed, as more than trivia? Or do the documents and manuscripts which Karen illustrates no longer belong in the `official' timeline of the craft? However unpopular, the question is compelling.

I have long contended that there is no `secrecy' amidst the Craft; but there is an overwhelming volume of ignorance. A fact which isn't particularly new, but causes insidious damage to the Craft, especially today. Amazingly, most of the important and `sought-after' information is on-line - including the oldest documents of the Craft.

No doubt, Karen's book is destined to cause a ".... disturbance in the Force."

Ralph Omholt - Past Master

Author - "The Enigma of Freemasonry"
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