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Haunted Weather: Music, Silence and Memory (Five Star Fiction S.)
 
 
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Haunted Weather: Music, Silence and Memory (Five Star Fiction S.) [Paperback]

David Toop (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

October 1, 2006 Five Star Fiction S.

“Not just a deeply thoughtful and richly populated survey of modern experimental music, it’s a meditation on hearing itself.”—Guardian

Digital technology has changed the ways in which music is perceived, stored, distributed, mediated, and created. In the eye of the storm stands David Toop, shedding light on the most interesting music now being made, wherever he finds it. Haunted Weather is an intensive survey of recent developments in digital technology, sonic theory, and musical practice.


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Haunted Weather: Music, Silence and Memory (Five Star Fiction S.) + Ocean of Sound + Sinister Resonance: The Mediumship of the Listener
Price For All Three: $43.17

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Editorial Reviews

Review

"'Haunted Weather is not just a deeply thoughtful and richly populated survey of modern experimental music, it's a meditation on hearing itself' Guardian '[Toop] has somehow managed to make the world of experimental music not just understandable but alluring for even the most virginal listener... this book is almost perfect' Independent on Sunday 'One of Britain's most celebrated writers on music' New Statesman 'A joy to read, whatever your musical taste' Buzz 'With Toop's enthusiasm and accessible style, the world of the avant-garde needn't seem like a closed club: Haunted Weather offers the perfect port of entry for the uninitiated' Record Collector (Four-star review)"

About the Author

David Toop is a highly regarded author, music critic and musician. Since 1995 he has released three solo albums, curated five compilation albums (including the soundtrack to Ocean of Sound), and the sound and music exhibition at the Hayward Gallery - 'Sonic Boom'. His music journalism appears in The Wire, Village Voice, The Times and The Face.

Product Details

  • Paperback: 288 pages
  • Publisher: Five Star (October 1, 2006)
  • Language: English
  • ISBN-10: 1852427892
  • ISBN-13: 978-1852427894
  • Product Dimensions: 7.7 x 5.1 x 0.8 inches
  • Shipping Weight: 9.1 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #152,333 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

17 of 18 people found the following review helpful:
4.0 out of 5 stars Fresh, thoughtful and stimulating, March 31, 2005
By 
D. Borrie "music thinker" (Wellington, New Zealand) - See all my reviews
(REAL NAME)   
Rather than argue a thesis, Toop's style is the chase down a thread of meaning via the points at which various thoughts and anecdotes cross over. This perfectly suits the nature of his subject matter- the vast, largely uncharted terrain of non-genre-based music, for which a dominant narrative and vocabulary do not yet exist as with, say, rock 'n roll or classical.

The book meditates on, among other things, the boundary between performer and audience, environmental sound and music, improviser and composer, and the role of digital technology in mediating or enhancing these distinctions.

As a journeyman music writer, critic and musician, Toop has spent a lot of his time travelling. This seems to inform his writing style as he is constantly in motion, moving quickly between personal recollections, excerpts from correspondence with diverse musicians, and lengthy quotes from various topically obscure yet philosophically related texts.

These (non-)random stop-overs make the book a slow read, as the reader is left to do a lot of the piecing together. Yet this is part of the pleasure to be found in Toop's writing- like a brilliant but challenging piece of music, the book offers an experience in which the mind of the reader is engaged as more than just a passive receptor of received ideas and emotion.
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9 of 12 people found the following review helpful:
4.0 out of 5 stars big ideas spoken in a quiet voice, September 30, 2004
Beautiful, challenging and nourishing.

I read this upon its UK release in July and still find myself dwelling upon some of the ideas raised. Reading it challenged me to use my ears afresh, and to think about what music can be.
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Inside This Book (learn more)
First Sentence:
Not strictly awake, though far enough from dreamless sleep, I am lying on this bed up here in the clouds. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
John Cage, John Stevens, Heights Gallery, New York, Brian Eno, Derek Bailey, Akio Suzuki, Christian Marclay, John Zorn, Radiophonic Workshop, Spontaneous Music Ensemble, Terry Riley, Akira Kurosawa, Brian Wilson, Chris Watson, Elvis Presley, Evan Parker, Karlheinz Stockhausen, Murray Schafer, Pan Sonic, Steve Beresford, Bob Cobbing, Cornelius Cardew, Hiroshi Teshigahara, Hugh Davies
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