The Haunting Of Hill House [Import] [Paperback]

Shirley Jackson (Author)

Product Details

• Paperback: 256 pages
• Publisher: Robinson Publishing; New Ed edition (1987)
• Language: English
• ISBN-10: 0948164352
• ISBN-13: 978-0948164354
• Product Dimensions: 7.6 x 5.1 x 0.7 inches
• Shipping Weight: 9.1 ounces
• Average Customer Review: 4.1 out of 5 stars  See all reviews (371 customer reviews)

More About the Author

Shirley Jackson was born in San Francisco in 1919. She first received wide critical acclaim for her short story 'The Lottery', which was published in 1948. Her novels--which include The Sundial, The Bird's Nest, Hangsaman, The Road through the Wall, We Have Always Lived in the Castle and The Haunting of Hill House--are characterised by her use of realistic settings for tales that often involve elements of horror and the occult. Raising Demons and Life Among the Savages are her two works of nonfiction. Come Along With Me is a collection of stories, lectures, and part of the novel she was working on when she died in 1965.

Customer Reviews

Most Helpful Customer Reviews

88 of 89 people found the following review helpful:

5.0 out of 5 stars one of two books which have genuinely scared me, February 25, 2000

By 

Schuyler V. Johnson (Lake Worth, FL USA) - See all my reviews
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This review is from: The Haunting of Hill House (Paperback)

I saw "The Haunting", the movie version of the book when I was in high school and I remember, quite vividly, how much it scared me. What's so ironic, taken in the context of today's effects and fireworks shows, is that back then, in the early '60s, this movie never shows a monster...or anything else that would OBVIOUSLY frighten. The breathing doors and sounds in the hall were more than ample to illustrate fear. The book is much richer in detail and includes, especially, two scenes which I feel really should have been included in the movie. The first is when Eleanor and Theo take a stroll around the grounds of the house with Luke and Theo and Luke pair off and Eleanor thinks they are right behind her. They are some distance away, yet she senses them (or something) close by. The second is after an altercation one night Eleanor stalks out of the house and Dr. Marquay sends Theo after her to bring her back. The two of them are so wrapped up in their respective inner turmoil they fail to notice how far they've walked from the house(and at Night!) They notice, suddenly, that the landscape has become like a negative photograph, with light and dark reversed...they continue on and come upon a happy scene, in bright color, of a family having a picnic. The description of this made my hair stand on end. The horror is implied and erupts only occasionally but always with tremendous effect. This is truly a modern classic of the genre...the opening lines as memorable as "Last night I dreamt I went to Manderley again" or "Call me Ishamel"..."Hill House, not sane, had stood for eighty years and might stand for eighty more...within, floors were firm, windows sensibly shut, and whatever walked there, walked alone." My suggestion...don't read this book alone, but read it!

77 of 86 people found the following review helpful:

5.0 out of 5 stars Even the words on the pages are haunted, March 30, 2002

By 

Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews
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This review is from: The Haunting of Hill House (Paperback)

The Haunting of Hill House remains one of the most important horror novels of all time and certainly one of the most singular haunted house tales ever written. It is certainly worth mentioning that at no time do we or the characters actually see any sort of visible ghostly manifestation; the phenomena are limited to cold spots, spectral banging on the walls and doors, messages written on walls, and torn, blood-spewed clothing in one room. If Jackson had compelled Hugh Crain (the main who built Hill House) to pop out of the woodwork and say Boo!, this story would have been long forgotten. Still, it quite amazes me that Shirley Jackson has met with such critical success and eternal popularity; I say this only because her writing style is unique and rather off-the-wall. Truly, Jackson's writing itself is haunted, and she herself almost surely was in some manner. There is a degree of insanity in every page; the characters often engage in dialogue that is childish of a sort and certainly different from normal adult conversation. I would think such idiosyncratic writing would appeal only to those like myself who are different, somewhat kooky, outsiders looking at the real world through thick-paned glass that sometimes fogs over or plays tricks with our eyes depending on the angle in which the sun hits it or does not hit it.

Eleanor is an especially appealing character to me because I share many of her doubts and fears: I don't belong, what are people saying about me?, are people laughing at me behind my back?, why am I here and where am I going?, etc. No one rivals Jackson in the ability to paint a deeply moving, psychologically deep portrait of the tortured soul. The fact that so many people praise this book must mean that most people are plagued with self-doubt, which I find sadly comforting. In any event, Eleanor is a perfectly tragic heroine; those who can't relate to her must surely at least pity her. The character of Theodora is also fascinating, as she largely represents Eleanor's opposite: a vibrant personality, full of life and a need to be in the middle of it, probably insecure inwardly but strikingly bold outwardly. This dichotomy between two "sisters" is a constant theme in Jackson's work. The Eleanor-Theo relationship is reflected and honed against the relationship of Hugh Crain's two daughters, twin souls who grew up the dark mansion as loving sisters but who eventually came to hate each other and fight for ownership rights to the house. Eleanor and Theo also have a subtle love-hate relationship, the conflict between the two representing a jealousy over the house. Both want to be the center of attention, although Eleanor would never admit such a desire, and the fact that the house itself obviously harbors a strange enchantment for Eleanor bothers Theo and enchants Eleanor. When Theo's room and clothing are painted in blood, the house clearly signifies the soul with whom its sympathies lie, and this marks a turning point in the text. Eleanor's rapid descent into madness seems a little sudden to me at times, and the exceedingly nonsensical conversations between all of the characters strikes me as quite mad. Of course, at the end, one wonders just which of the later conversations actually happened outside of Eleanor's own mind.

The introduction of the doctor's wife in the closing section of the book effects a radical change in the mood of the novel. Mrs. Montague and her associate Arthur are incredibly annoying people. Their professed beliefs in the paranormal and attempts to contact spirits by way of a planchette clearly upset the mood of both the house and its occupants (and the reader). Their over-the-top belief in spirits and determination to contact them using parlor-method techniques serve to ridicule the house and Eleanor and quickly usher in the dénouement of the story. Eleanor's sense of belonging to the house takes precedence over everything else in her life; she has come home, and the house's wish in this regard is fulfilled. The ending itself is striking and perfectly fitting, I feel, and does much to keep the spirit of this wonderful novel in your mind and soul for a long time. This is not a novel to cast aside and forget; long after you have finished the book, Eleanor and Hill House will haunt your mind and soul.

39 of 42 people found the following review helpful:

5.0 out of 5 stars Absolutely wonderful-nothing like the remake!, January 17, 2000

By 

Ayisha Nusrat "aysh" (Michigan) - See all my reviews
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This review is from: The Haunting of Hill House (Hardcover)

Shirley Jackson is truly the master of horror. She weaves a dark tale of loneliness, depression, sadness, obsession and fear. Most readers, who have seen the remake, seem to be impressed with special effects and cheesy plots. This story is chilling not because of the supernatural themes, but because of the dark recesses of human nature. People don't seem to realize that the ending (without giving too much away) depicts Eleanor's response towards her feelings of isolation and depression. Who knows if she did what she did because of a ghost or because she was truly mad? was she trying to stay in the only place that understood her or was the house trying to keep her? Please, don't base this literary masterpiece on a REALLY bad movie. read the book and decide WHO was in control-Eleanor or Hill House?