Hawaiian Petroglyphs (Bernice P. Bishop Museum Special Publication) [Illustrated] [Paperback]

J. Halley Cox (Author), Edward Stasack (Author)

Product Details

• Paperback: 108 pages
• Publisher: Booklines Hawaii Ltd; illustrated edition edition (June 1970)
• Language: English
• ISBN-10: 0910240094
• ISBN-13: 978-0910240093
• Product Dimensions: 9.3 x 7.8 x 0.3 inches
• Shipping Weight: 12.8 ounces
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #453,632 in Books (See Top 100 in Books)
  • #58 in Books > Arts & Photography > Schools, Periods & Styles > Prehistoric & Primitive

Customer Reviews

Most Helpful Customer Reviews

17 of 18 people found the following review helpful:

5.0 out of 5 stars Superb Introduction to the subject, April 2, 2000

By 

Tim Jenkins "bilbliophile" (Seattle, WA) - See all my reviews

This review is from: Hawaiian Petroglyphs (Bernice P. Bishop Museum Special Publication) (Paperback)

A great combination of scholarship and educated speculation. The authors approach the formations in multiple ways -- from describing the qualities of the rocks on which the petroglyphs are drawn, to the similarities of technique and composition of groupings across the islands. They provide an in-depth analysis of the grouping at Puuloa, which involved burying of the umbilical stump to insure long life for the newborn child. The comprehensive listing of petroglyph sites on all the Hawaiian islands is invaluable for those of us who would like to search out multiple sites.

2 of 2 people found the following review helpful:

5.0 out of 5 stars Fabulous discussion and display of Hawaiian petroglyphs, July 5, 2010

By 

R Schmidt (Honolulu, HI USA) - See all my reviews
(VINE VOICE)    (TOP 1000 REVIEWER)   

This review is from: Hawaiian Petroglyphs (Paperback)

Although I've seen a few petroglyphs up Moanalua Valley on O'ahu, and I've looked for them (unsuccessfully) along the Laniakea shoreline, nothing really prepared me for visiting the Puakõ Petroglyph Archaeological Preserve on the Big Island.

Amazing. Incredible. Inspiring. And depressing... a culture devastated by contact with the West (Before the Horror: The Population of Hawaii on the Eve of Western Contact.

Hawaiian Petroglyphs does not contain many photographs. In fact, I was surprised after Puakõ at how my photographs really didn't capture the majesty of what I was seeing. But in this book, many hundreds of petroglyphs are sketched out, making them more distinct than a photograph could.

In addition to the many petroglyphs highlighted, the authors (J. H. Cox and E. Stasack) discuss the stories, as far as can be told, behind the petroglyphs. Except for a limited number of written records (e.g., Hawaiian Antiquities by David Malo), the meanings behind most of the petroglyphs will remain speculative. Even the process of creating these petroglyphs must be hypothesized, since specific tools were not left at these sites.

There are a couple of mysteries that I am interested in. First is the paucity of whales depicted in any petroglyphs, although there is mention of "a well-drawn whale" at Olowalu, Maui (p. 19). For such a huge animal, I would have expected more petroglyphs dedicated to this animal. However, an important and common 'aumakua was the shark, and it is also absent.

Second (and by no means are these the only two mysteries), the authors note "Petroglyphs made after the 1800's could very well have been made with iron tools. ...Stone was the common material for cutting, hammering, and rubbing" (p. 38). However, "It is puzzling that with thousands of petroglyphs at many sites on all Hawaiian Islands so few appropriate implements are found for making them" (p. 38). My amateur hypothesis? There are records of iron being washed up on the islands, presumably originally attached to wood from ships lost at sea (Shoal of Time: A History of the Hawaiian Islands). What if these few bits of iron, recognized as something extraordinary, were used by specialists to make these petroglyphs? A nail, for example, easily could be attached to a cord, and kept with the carver. The precious nature of this tool would insure that it would not be left at any petroglyph carving site. Then, when iron nails became freely available, in addition to the savage depopulation of the Hawaiian people, the lore and tradition of these early carvers was also lost.

Well, that's my hypothesis, anyway!

Back to the book. Love the petroglyphs of the honu (p. 19, 63, 64), the surfer (p. 63), the figure with the headcrest (p. 18, 98), the paddle-men (p. 65, 79), and the figure of the man throwing a net (?) on page 30 (left center box).

I'm always reading multiple books at the same time. As it turns out, I came across this quote today in a science-fiction novel by Alastair Reynolds (Revelation Space):

"Sylveste steepled his fingers. 'It's my suspicion - no; not a suspicion, my conclusion - that the Amarantin eventually progressed to the point where they could achieve space travel.'

'From what I gathered on the surface,' Sajaki said, 'there's very little in the fossil record to substantiate that.'

'But there wouldn't be, would there? Technological artefacts [sic] are inherently less durable than more primitive items. Pottery endures. Microcircuits crumble to dust.'" (p. 375).

Thank goodness for the durability of Hawaiian petroglyphs...