Hawk Flies High

Coleman Hawkins | Format: Audio CD

Product Details

• Audio CD (July 1, 1991)
• Number of Discs: 1
• Label: Ojc
• ASIN: B000000Y1K
• Also Available in: Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.6 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #319,489 in Music (See Top 100 in Music)

Track Listings

1. Chant

2. Juicy Fruit

3. Think Deep

4. Laura

5. Blue Lights

6. Sancticity

Customer Reviews

Most Helpful Customer Reviews

15 of 15 people found the following review helpful:

5.0 out of 5 stars Hail to the Mentor!!, July 2, 2001

By 

james denson (Hempstead, NY USA) - See all my reviews

This review is from: Hawk Flies High (Audio CD)

I can't believe that this album has been reviewed only once. Then again, I often gravitate to the unheralded works when buying the music of jazz's grand masters. The Hawk Flies High is my favorite of the Coleman Hawkins recordings I've heard so far. One great thing about him, aside from that full, robust and muscular tone, is that Hawkins always kept abreast of "new" styles. He was also secure enough to nurture, and even learn from younger players, many of whom were achieving stardom in their own right. For this reason, I really look forward to hearing the CD which documents Hawkins and Sonny Rollins on record together in 1963.

For The Hawk Flies High, Hawkins's hand-picked lineup is stellar, beginning with the rhythm section. Pianist Hank Jones is brilliant on "Chant". Bassist Oscar Pettiford is most notable on the soulful, "Juicy Fruit". Papa Joe Jones is subtle and strong throughout. I am not very familiar with guitarist Barry Galbraith, but he gives the rhythm real poignancy on "Laura". If the rhythm provides the album's drive, the horn players provide the excitement. Trumpeter Idress Sulieman tears it up on "Juicy Fruit". His solo features a moment where he holds one thrilling note for ALMOST TWO MINUTES. The most creative tension on the CD comes from the interplay between Hawkins, and J.J. Johnson, my all-time favorite trombonist. Check out J.J. providing a cushion for the leader, as Hawkins goes all-out in a suspenseful solo in "Sancticity." Hawkins really rose to the occasion on this album, and plays ferociously on "Chant" and "Juicy Fruit". On the ballads, "Think Deep" and "Laura", he is both tender and warm. J.J. Johnson offers memorable solos on "Chant," "Juicy Fruit", "Laura" and "Sancticity"(which is also called The Walker, a tune which Hawk has performed live with Roy Eldridge).

I highly recommend this powerful, monstrously beautiful album, which finds Coleman Hawkins and his cohorts in great form. Sorry for being long-winded, but I really love this album. Unfortunately, it is much too short. I know I've enjoyed a CD when I wish that I'd been in the room with an artist while he or she performed it; or feel like I know the artist in a way I couldn't have without hearing it.

8 of 8 people found the following review helpful:

5.0 out of 5 stars Coleman Hawkins The most under appreciated tenor player ever, May 3, 2003

By 

T. Austin (Van Nuys, CA United States) - See all my reviews
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This review is from: Hawk Flies High (Audio CD)

If this recording were a painting, it would be hanginÕ in the Met.

What can you say about Coleman Hawkins? Now here is a guy who not only produced great standards covered by such heavyweights like, John Coltrane, Stan Getz, Art Pepper, Frank Sinatra, Benny Goodman, and Thelonious Monk, but continued to produce great work for decades.

This snippet on Coleman Hawkins from Harlem.org: "...Coleman Hawkins popularized the tenor saxophone and gathered a legion of followers who copied his style. In 1924 he joined Fletcher Henderson's band and began a tenure which lasted over a decade. In 1936 Hawkins recorded 'Body and Soul,' which is his most famous composition. At the time it was a huge hit and very innovative, because most of it was improvised. He participated in early bop dates after he hired Dizzy Gillespie, Thelonious Monk and Max Roach. Coleman Hawkins is a true legend of 20th century music.Ó

Now how is that for a rˇsumˇ?

With that out of the way, here is the review: ColemanÕs tenor sax has a rich, round sound that plays ÒswingÓ one moment, and then flips to Òbe-bopÓ to perk it up. He is a dexterous as ever and delivers a very relaxing sound.The liner notes state that Hawkins got to pick his own musicians and what musicians he picked.

On the song ÒJuicy FruitÓ and ÒSancticityÓ, each musicians delivers inspired improv lines with no attention paid to the clock. The Hawk just lets each band member tear into it any way they want and there is a lot of innovation here to appreciate and even study.

The song "Blue Lights" features a nice guitar solo by Barry Galbraith with very stylish arranging overall.

The song "Think Deep" sounds like a sequel to "Harlem Nocturne" and it's quite fun.

Though the album is just 39 minutes long, it is still worth the price of admission.

Recorded live in a New York City studio circa 1957 and digitally remastered in 1987, this jewel of a CD is nothing but inspired performances and bliss.

6 of 6 people found the following review helpful:

5.0 out of 5 stars Hawk Was Still Flying High After All Those Years, April 21, 2001

By 

Michael B. Richman (Portland, Maine USA) - See all my reviews
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This review is from: Hawk Flies High (Audio CD)

Coleman Hawkins virtually invented the jazz tenor saxophone. It was an equally amazing feat that thirty years after he rose to stardom in Fletcher Henderson's big band, he could still make an album as consistently modern and enjoyable as "The Hawk Flies High." This Riverside date from March 1957 really helped to give Hawk back his wings. He was allowed to hand pick the band for this date, and what a group he assembled -- trombonist J.J. Johnson, underrated trumpeter Idrees Sulieman, pianist Hank Jones, guitarist Barry Galbraith, bassist Oscar Pettiford and drummer Jo Jones. They swing their way through six great tunes, including the lengthy "Juicy Fruit," Gigi Gryce's "Blue Lights" and the Hawkins original "Sancticity." The success of this album jump started a second career for Hawk -- he went to cut two memorable dates for Norman Granz, "The Genius of Coleman Hawkins" and "Coleman Hawkins Encounters Ben Webster," and a string of albums for the Prestige label and its Moodsville series. While those dates were memorable, the Hawk would never soar as high as he did on "The Hawk Flies High."