Haydn: Concertos for Oboe, Trumpet, Harpsichord

Franz Joseph Haydn (Composer), Trevor Pinnock (Conductor, Performer), English Concert (Performer), English Consort (Performer), Simon Standage (Performer) | Format: Audio CD

Product Details

• Performer: Trevor Pinnock, English Concert, English Consort, Simon Standage
• Conductor: Trevor Pinnock
• Composer: Franz Joseph Haydn
• Audio CD (August 11, 1992)
• Number of Discs: 1
• Label: Archiv
• ASIN: B0000057DU
• In-Print Editions: MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #42,247 in Music (See Top 100 in Music)
  • #44 in Music > Classical > Instruments > Reeds & Winds > Oboe
  • #46 in Music > Classical > Instruments > Brass > Trumpet

Customer Reviews

Most Helpful Customer Reviews

40 of 41 people found the following review helpful:

5.0 out of 5 stars the definitive reading of the trumpet concerto, February 19, 2003

By 

D. Jack Elliot (Omaha, Nebraska) - See all my reviews
(VINE VOICE)   

This review is from: Haydn: Concertos for Oboe, Trumpet, Harpsichord (Audio CD)

For me this reading of the Trumpet Concerto is as close to ideal as possible.

Bennett and Pinnock find a balance in this music that other interpreters invariably distort, one way or another. Maurice Andre, for all his attractive tone and phrasing, is unidiomatic as he tends to make these three movements into concert aria showpieces; Herseth and Solti, with the powerhouse Chicago Symphony, turn it into Mahler-lite; Marsalis and Leppard are overstated, the orchestral texture is opaque, and Marsalis for his part doesn't grasp the architecture of this music, distracted as he is by his concern to demonstrate his considerable virtuosity; Hardenburger and Marriner are understated (I've even thought they seem bored with the music) and miss the spirit of Haydn's sound and style; Immer and Hogwood, on period instruments, get the sytle exactly right, deliver an electrifying orchestral performance, and would be my first choice were everything not ruined in the end by Immmer's very weak tone - at times he is all but inaudible.

Bennett and Pinnock get it right. The period orchestra has the right balance and sonority; there is much more space in the texture so that all of the voices sound distinctly. Bennett, on a keyed trumpet, plays the solo part with flair and in balanced dialog with the orchestral counterpoint, and he uses the most engaging cadenzas, fills, and ornaments I've ever heard. Pinnock brings to the reading as a whole the sense of protortion, the earthiness, the rhythmic vitality that animate the Classical style, bring it to life.

I can't imagine it being done any better.

6 of 6 people found the following review helpful:

5.0 out of 5 stars Pinnock & The English Concert-THE BEST!, February 6, 2009

By 

CJV "Classical Music Lives" (Illinois) - See all my reviews

This review is from: Haydn: Concertos for Oboe, Trumpet, Harpsichord (Audio CD)

This was the first set of concertos I purchased of FJ Haydn. Haydn was not a prolific concerto composer like Mozart. However, these and his Cello Concertos are without a doubt some of his best and maybe some of the finest for these instruments. As with all of Pinnock's recordings they are extremely true to the music and The English Concert plays to perfection. Also, the recording sounds GREAT; recorded in digital. You can easily pick out the wind, brass, and string sections in the accompaniment. If you enjoy the grace, beauty, and exciting first and last movements of 18th century concerto compositions, this CD will not disappoint you.