Haydn: Die Schöpfung (The Creation) / Gardiner, The English Baroque Soloists

Franz Joseph Haydn (Artist), John Eliot Gardiner (Artist), Sylvia McNair (Artist), Michael Schade (Artist), The English Baroque Soloists (Artist), Gerald Finley (Artist), Rodney Gilfry (Artist), Donna Brown (Artist), The Monteverdi Choir (Artist) | Format: Audio CD

Product Details

• Audio CD (February 11, 1997)
• SPARS Code: DDD
• Number of Discs: 2
• Label: Archiv Produktion
• ASIN: B0000057FS
• Also Available in: MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (11 customer reviews)
• Amazon Best Sellers Rank: #186,335 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

32 of 32 people found the following review helpful:

5.0 out of 5 stars Technical glitch?, April 8, 2000

By 

Izolda (North Haven, CT United States) - See all my reviews

This review is from: Haydn: Die Schöpfung (The Creation) / Gardiner, The English Baroque Soloists (Audio CD)

Gardiner's "Schoepfung" is marvellously performed! It is a delight from start to finish and a real "authentic" rival to the classical Karajan set. All the artists (Sylvia McNair/Gabriel, Michael Schade/Uriel, Gerald Finley/Raphael, Rodney Gilfry/Adam, Donna Brown/Eva - for those who searched in vain for the list of performers on the product information page) are perfectly cast and sing with real zest. Sylvia McNair, whose silvery voice can often go off pitch and whose short breath sometimes cuts musical phrases too early (not obtrusively here), works wonders with the dove trill in the famous avian aria "Auf starkem Fittiche" (CD 1, track 16) - her GIRRT in "Und Liebe girrt das zarte Taubenpaar" (track 16, 2'16'') is a pure delight (try now Janowitz on DG). It is just a small detail, but the whole performance is full of these delightful vocal and orchestral little touches and full of "creative" sparkles. I recommend it wholeheartedly to everybody, even those who believe that they found the perfect "Creation" in the Karajan's set. I only wonder about that "technical glitch" a reviewer from Oakland mentions below. Is it the volume of the choral explosion "Und es ward Licht!"? If so, I believe that this very loud cry works very effectively here (I heard it done much louder). Everybody who knows Haydn's masterpiece waits for this particular moment with hands close to the ears. But the newcomers should be warned (STOP READING HERE IF YOU DON'T WANT TO BE DEPRIVED OF A SURPRISE) - don't turn the volume up when the chorus is hardly audible in the 2 track of the first CD (around the 2nd minute). It is as if Haydn anticipated the Big Bang!

17 of 17 people found the following review helpful:

5.0 out of 5 stars Fantastic...buy this Creation, December 15, 2000

By A Customer

This review is from: Haydn: Die Schöpfung (The Creation) / Gardiner, The English Baroque Soloists (Audio CD)

Wow! I was really impressed by this recording. Gardiner's direction is awesome and has great momentum. The Monteverdi Choir is glorious, surely one of the greatest choirs in the world. The English Baroque sounds so great, even people who usually prefer modern instruments will love them. Sylvia McNair sings like an angel, and Archiv's 4D warm digital super sound will take your breath away and transform your home into a concert hall. The other soloists are also wonderful. As for Gardiner's competition, the Monteverdi Choir is much better than the Vienna Singverein. By the way, the choruses and arias in Haydn's Creation sound much more musical and inspiring in the original German. Don't settle for an English recording unless you absolutely must understand the recitatives, which are short anyways. One of my favorite recordings, and the first time that I enjoyed all of Haydn's Creation. Strongly recommended.

14 of 15 people found the following review helpful:

5.0 out of 5 stars This performance has its equals but none is better., August 18, 2005

By 

RENS (Dover, NH USA) - See all my reviews

This review is from: Haydn: Die Schöpfung (The Creation) / Gardiner, The English Baroque Soloists (Audio CD)

Gardiner's recordings of the two great oratorios composed by Haydn towards the end of his career and his life (the other being "The Seasons") are superb in every way. I agree with earlier 5-star reviewers as to the merits of this recording of "The Creation," so I will not repeat them here. If the balance of clarity and warmth achieved by Gardiner and his musicians pleases you, you may wish to listen to the recordings made earlier by Rafael Kubelik and Eugen Jochum, both with the Bavarian Radio Symphony Orchestra and Chorus and first-rank soloists, the former on the Orfeo label and the latter as a Philips Duo. Gardiner uses "period" instruments while Kubelik and Jochum, whose careers pre-date Gardiner's, use "modern" instruments. In all three cases one senses an authenticity of style and a fidelity to Haydn's profoundly spiritual intentions.

If you wish to hear The Creation sung in English as originally conceived, I recommend Christopher Hogwood's splendid recording. He, like Gardiner, uses "period" instruments. Hogwood's musicians produce a brighter, clearer, lighter sound that is fully effective if very different from the more Germanic sound of the other recordings I've mentioned. Another excellent recording of the English version is that by Robert Shaw. His sound is perhaps the weightiest of all yet his choral forces never lose clarity.

There are many other complete recordings of "The Creation" - more than thirty of them. I've heard many but not all of them. If you are new to this work, I recommend any of the recordings mentioned above. I would not recommend the recordings by Von Karajan (much hyped) or by James Levine (whose work I usually admire). In any event, do not deprive yourself of Haydn's masterpiece in which he indeed manages to include and express all of Creation.