Haydn Studies deals with many new aspects of a composer who is perennially fresh. It concentrates principally on matters of reception, style and aesthetics and presents many radical new readings of the composer's work. Contributions by both established Haydn scholars and others who are new to the field combine to give a stronger sense than is generally understood of the composer's immense significance.
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Editorial Reviews
Review
'Holloway's piece is the most inspiring short essay on the composer I ever hope to read, and itself provides an urgent reason why any Haydn-lover should acquire this book.' BBC Music
'W. Dean Sutcliffe deserves much praise for assembling such an impressive collection.' Times Literary Supplement
'W. Dean Sutcliffe deserves much praise for assembling such an impressive collection.' Times Literary Supplement
Book Description
Haydn Studies deals with many new aspects of a composer who is perennially fresh, concentrating principally on matters of reception, style and aesthetics and presenting many radical new readings of the composer's work. Contributions by both established Haydn scholars and others who are new to the field combine to give a stronger sense than is generally understood of the composer's immense significance.
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Inside This Book
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First Sentence:
The Haydn paradox: from engaged affection to distant respect The mystery that plagues the contemporary conception and reception of Haydn and his music has a long and remarkably unbroken history. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
tenero sospiro, son poverina, clausula vera, vera costanza, fedeltd premiata, intervallic process, povera ragazza, real recapitulation, cyclic integration, buona figliuola, trio textures, false reprise, false recapitulation, full cadence, sacred vocal music, thematic return, sentimental heroine, crotchet rest, cours complet, fugal finales, absolute music, dominant pedal, immortal beloved, sonata form, tonic pedal Key Phrases - Capitalized Phrases (CAPs): (learn more)
Joseph Haydn, New York, Cambridge University Press, James Webster, Robbins Landon, The New Grove, Clarendon Press, Oxford University Press, The Seasons, Harvard University Press, Biographische Notizen, Charles Rosen, Laurence Sterne, Mark Evan Bonds, Jens Peter Larsen, Viola Cello, Cornell University, Indiana University Press, Missa Cellensis, French Revolution, Friedrich Schlegel, Haydn's Rosina, Journal of the American Musicological Society, Mary Hunter, Princeton University Press New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
The Haydn paradox: from engaged affection to distant respect The mystery that plagues the contemporary conception and reception of Haydn and his music has a long and remarkably unbroken history. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
tenero sospiro, son poverina, clausula vera, vera costanza, fedeltd premiata, intervallic process, povera ragazza, real recapitulation, cyclic integration, buona figliuola, trio textures, false reprise, false recapitulation, full cadence, sacred vocal music, thematic return, sentimental heroine, crotchet rest, cours complet, fugal finales, absolute music, dominant pedal, immortal beloved, sonata form, tonic pedal Key Phrases - Capitalized Phrases (CAPs): (learn more)
Joseph Haydn, New York, Cambridge University Press, James Webster, Robbins Landon, The New Grove, Clarendon Press, Oxford University Press, The Seasons, Harvard University Press, Biographische Notizen, Charles Rosen, Laurence Sterne, Mark Evan Bonds, Jens Peter Larsen, Viola Cello, Cornell University, Indiana University Press, Missa Cellensis, French Revolution, Friedrich Schlegel, Haydn's Rosina, Journal of the American Musicological Society, Mary Hunter, Princeton University Press New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 92
books:
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14
books
cite this book:
See all 14 books citing this book
- The Classical Style: Haydn, Mozart, Beethoven (Expanded Edition) by Charles Rosen on 14 pages
- New York (Land of Liberty) by Ellen Sturm on 8 pages
- Haydn and the Classical Variation (Studies in the History of Music) by Elaine R. Sisman on 7 pages
- The Critique of Judgment (Great Books in Philosophy) by Immanuel Kant on 5 pages
- Sonata Forms (Revised Edition) by Charles Rosen on 5 pages
See all 92 books this book cites
- The Cambridge Companion to Haydn (Cambridge Companions to Music) by Caryl Clark on 9 pages
- The Culture of Opera Buffa in Mozart's Vienna by Mary Hunter on page 105, and Back Matter
- Music as Philosophy: Adorno and Beethoven's Late Style (Musical Meaning and Interpretation) by Michael Spitzer in Back Matter (1), and Back Matter (2)
- Mozart Studies (Cambridge Composer Studies) by Simon P. Keefe on page 74, and page 209
- Music Theory and Natural Order from the Renaissance to the Early Twentieth Century by Suzannah Clark on page 203, and Back Matter
See all 14 books citing this book
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