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Haywire [Hardcover]

Brooke Hayward (Author)
4.8 out of 5 stars  See all reviews (13 customer reviews)


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Book Description

February 12, 1977
From the moment of its publication in 1977, Haywire was a national sensation and a #1 bestseller, a celebrated Hollywood memoir of a glittering family and the stunning darkness that lurked just beneath the surface.
 
Brooke Hayward was born into the most enviable of circumstances. The daughter of a famous actress and a successful Hollywood agent, she was beautiful, wealthy, and living at the very center of the most privileged life America had to offer. Yet at twenty-three her family was ripped apart. Who could have imagined that this magical life could shatter, so conclusively, so destructively? Brooke Hayward tells the riveting story of how her family went haywire.
--This text refers to the Paperback edition.


Editorial Reviews

Review

Haywire is a Hollywood childhood memoir, a glowing tapestry spun with equal parts of gold and pain. . . . An absolute beauty.” —The New York Times Book Review

“Moving and brave and beautifully written. . . . [Hayward] has told it as Fitzgerald might have—with the glow and the glamour, and finally, the heartbreak.” —Newsday

“One of the most extraordinary personal memoirs I've ever read. It has great honesty and charm and humor and beauty, and it is deeply moving.” —Truman Capote
 
“Exquisite.” —Vanity Fair
 
“[A] masterpiece in the genre of harrowing autobiographical tell-all.” —W
 
“Elegant and moving.” —Gore Vidal
 
“A sort of glorious fable from American mythology. . . . A gripping and eloquent memoir by a courageous and classy writer.” —St. Louis Post-Dispatch

“She has modeled and acted and written: she writes, in fact, marvelously. Haywire mesmerizes. May it cauterize as well.” —The New York Times
 
“An incredible achievement!” —Lauren Bacall
 
“One of those rare books which seem to alter your perception of things. It is specific and true in dealing with lives that might have served as models for Fitzgerald’s fiction.” —Mike Nicols
 
“Brave, honest, intelligent and greatly moving.” —Newsweek
 
“Engrossing, intimate, moving. . . . Brooke Hayward writes like an angel.” —Cosmopolitan --This text refers to the Paperback edition.

About the Author

Brooke Hayward lives in New York. --This text refers to the Paperback edition.

Product Details

  • Hardcover: 325 pages
  • Publisher: Knopf; 1st edition (February 12, 1977)
  • Language: English
  • ISBN-10: 0394493257
  • ISBN-13: 978-0394493251
  • Product Dimensions: 9.2 x 6.3 x 1.3 inches
  • Shipping Weight: 1.7 pounds
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Best Sellers Rank: #429,750 in Books (See Top 100 in Books)

More About the Author

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Customer Reviews

13 Reviews
5 star:
 (12)
4 star:    (0)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.8 out of 5 stars (13 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

48 of 48 people found the following review helpful:
5.0 out of 5 stars The Far Side of Paradise, August 5, 2006
By 
This review is from: Haywire (Mass Market Paperback)
At the reception after her sister Bridget's funeral, Brooke Hayward said to Tom Mankiewicz, "I'm the daughter of a father who's been married five times. Mother killed herself. My sister killed herself. My brother has been in a mental institution. I'm 23 and divorced with two kids." Mankiewicz replied,"Brooke, either you've got to open the window right now"--they were on the 10th floor, overlooking Park Avenue in her father's apartment--"either you've got to open the window right now and jump out, or say,'I'm going to live,' because you're right, it's the worst family history that anybody ever had, and either you jump out the window or you live."

Hayward decided to live, and to write about her family history. She did it so well that this book stays in memory long after many have faded.

Hayward's father, Leland Hayward, was the most colorful, dynamic and successful of theatrical agents. He repped such stars and celebrities as Greta Garbo, Ernest Hemingway, Judy Garland, Billy Wilder, Gregory Peck,Boris Karloff, Lillian Hellman, Fred Astaire and Dashiell Hammett. He was elegant, flamboyant, high-powered. After Sullavan, he would go on to marry the famously beautiful Pamela Digby Churchill, who clearly didn't care for his kids.

Hayward's mother, Margaret Sullavan, was a beautiful and beloved star of stage and screen. She'd been married to Henry Fonda: the Fonda and Hayward children were always close. They had everything. Jimmy Stewart as a babysitter. A house of their own, separate from their parents'. Nannies and tutors. Going up in daddy's private plane, with daddy, who just loved to fly, at the throttle-- almost before they could walk. Hollywood extravaganzas for birthday parties.

Their lives were as privileged as any American children's, and would likely be envied by minor princelings and princesses abroad. The kids were beautiful, intelligent, sensitive, charming. Brooke was on the cover of Life magazine at 15, bought her first convertible, juggled modeling and The Actors Studio, while Bridget began working backstage, as she'd wished to, at the Williamstown Playhouse, the most famous and prestigious of summer theaters. Yet the potentional for disaster was there all the time; in the end, it was no good. Bridget committed suicide before she was 21; Bill was in Menninger, a prestigious mental hospital, and only Brooke was left to try to understand what went so wrong.

Obviously, a lot went wrong, and Hayward only had to get it in writing, with honesty and sensitivity, to produce a riveting book. The sensitivity she had, and she somehow found the honesty to record the almost Greek tragedy that the Hayward kids lived. She's produced a deeply moving, affecting book that I think you'll find hard to put aside, providing you can find it,of course. And I think that, like me, you're liable to remember this book for quite a time to come.

"Haywire" is a history of people who acted with overwhelming emotional extravagance, extreme self-centeredness, and great carelessness. Brooke Hayward might almost be the issue of F. Scott Fitzgerald's "careless rich couple," Daisy and Tom Buchanan, who, in the end,cost Jay Gatsby his life in "The Great Gatsby."



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33 of 35 people found the following review helpful:
5.0 out of 5 stars Touching, August 16, 2003
By 
HeyJudy "heyjudy" (East Hampton, NY USA) - See all my reviews
(VINE VOICE)   
This review is from: Haywire (Paperback)
I read HAYWIRE when it first was published, and I have continued to think of its sad story throughout all of the years that have followed.

I found this work by Brooke Hayward to be a courageous report of the events which tore apart her family. She was the daughter of producer Leland Hayward and actress Margaret Sullavan, whose first husband was Henry Fonda. Fonda's children from his next marriage were among the Hayward children's best friends. This was the cast which peopled Brooke Hayward's childhood.

After Sullavan's death, Leland married Pamela Churchill, whose first husband was the son of former English Prime Minister Winston Churchill. The Hayward family's problems trascended Pamela, but Brooke's portrayal of her is as a classic wicked stepmother, a thesis since confirmed by subsequent biographies of Pamela.

Since the author here came from a famous family, and since many of the events experienced by her family were extraordinary, HAYWIRE makes for fascinating reading. Brooke Hayward writes a heartbreaking story with style and dignity.

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30 of 34 people found the following review helpful:
5.0 out of 5 stars Wistfully Narrative, August 16, 2001
This review is from: Haywire (Hardcover)
Just before I began this review, I was listening to Ravel's "Pavane For a Dead Infanta", which is the classical piece played at Bridget Hayward's funeral in the Autumn of 1960. Her older sister's narrative of the triumphs and tragedies of her family has the beautiful solemnity of "Pavane" itself.It's like a flower that blooms, grows, and dies far too quickly, somehow never quite fulfilling its true potential, like her younger sister. The Haywards' story is a typical Hollywood-style tragedy. But I felt intrigued by the detailed descriptions of the people and places Brooke Hayward knew, enthralled by the descriptions of the stylishness of her step-mother, Pamela, who later became the U.S. Ambassador to France, the heartiness, of her Grandfather who spent hours creating a beautful display quilt for his two granddaughters when they were children, the lonliness her father, Leland Hayward still felt years after being abandoned by his mother, and his unfortunate continuation of that cycle of behavior, of Margaret Sullavan's domineering spirit, of the failure of Bridget and Bill to live up to parental expectations, and of young, ill-fated Bridget's accute case of Middle Child Syndrome. Somehow, I didn't feel altogether surprised by her early death. Along the way, Brooke expresses concern for those who cared for and about her family when she was growing up, and gives a facinating study of life in Old Hollywood and Broadway in their Golden Ages. As Henry Fonda was one of Margaret Sullavan's ex-husbands, and the Fonda children and Hayward children were very close, I've often wondered if actress Bridget Fonda was named for Bridget Hayward. Brooke Hayward is someone who has come through a lot in her life, and one can only hope that she and her brother have found some peace after all the unhappiness they suffered.
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