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Copyright 2001 Cahners Business Information, Inc.
--This text refers to the Hardcover edition.
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Most Helpful Customer Reviews
2 of 2 people found the following review helpful:
5.0 out of 5 stars
I loved this book!,
By A Customer
This review is from: He Kills Coppers: A Novel (Hardcover)
The writing is so excellent & London is done with the acuity of Dickens. Arnott's depiction of Great Britain teetering toward dissolution is truly amazing, like a Red Giant about to blow.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
fabulous,
By A Customer
This review is from: He Kills Coppers: A Novel (Hardcover)
I've been on a London binge: LONDON FIELDS (M. Amis), CAPITAL (M. Duffy), and now HE KILLS COPPERS. So good I read it one sitting. And like passive people everywhere I am into detail, which Arnott provides so artfully. Especially good is an English soccer riot. What do you call these guys? Hooligans? Rude boys? Anyway, this mass-spectacle is right up there with DeLillo's awesome crowd episodes: the Moonie wedding at Yankee Stadium in MAO II, the epic Giants game in UNDERWORLD. So satisfying.
3 of 4 people found the following review helpful:
2.0 out of 5 stars
Muddled and, ultimately, disappointing,
By
This review is from: He Kills Coppers: A Novel (Hardcover)
I loved The Long Firm; it was wonderful. So, naturally, I bought author Arnott's second book, He Kills Coppers. After the opening sequence, I started to wonder if I was having an extended senior moment (age often has nothing to do, I've discovered, with those senior moments. A tedious book can induce them; so can bad rap music.) I couldn't figure out which character was which, what was happening, or why.This is a book that could have used some serious definition, instead of simply placing asterisks between sections. Those asterisks, one learns after much confusion, indicate a shift to another character. And some of the characters are written in third person, some in the first. As well, the copy-editing leaves much to be desired. (Who's instead of whose was one of my favorite goofs.) References to both Beatniks and hippies in supposedly the same era distorts the time frame--Beatniks were of the 50s, hippies of the latter 60s and early 70s. So it's not only hard to jump from one character to the next, it's also tough figuring out the era. At moments, the book leaps to life and for twenty or thirty pages it becomes gripping. Then the grip eases and we're back in the muddle--reading of characters about whom it's hard to care; killers, cops, thugs of every stripe. And, finally, an ending that leaves one thinking, "So what?" A very disappointing effort.
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