From Publishers Weekly
"Long ago, Head was all by himself," begins this African creation story about how the human anatomy came to be. "He had no legs, no arms, no body. He rolled everywhere. All he could eat were things on the ground that he could reach with his tongue." Lippert and Paye previously collaborated on Why Leopard Has Spots: Dan Stories from Liberia, and the two here relate this traditional tale of cooperation from Paye's Dan tribe. Bordered in a distinctive lilac and orange pattern of oblong blocks and zig-zags, Paschkis's (Happy Adoption Day) gouache illustration shows "Head," a bold, ebony, free-floating shape resembling an African mask, against a deep blue background. When he attempts to shake down a cherry tree by rolling headlong into the trunk, Head meets Arms and convinces the appendages to form a partnership: "They... attached themselves to Head above the ears." Later, a lime-green wash provides vivid contrast as Head and Arms meet Body and attach themselves just above the sloping arch of his belly. A series of witty images depicts the group as they team up with Legs and negotiate their proper places. The action plays out against a background so saturated with citrus colors that the spreads resemble African fabrics in their beauty and fluidity. This attractive volume delivers its upbeat message with intelligence and humor. Ages 3-7.
Copyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
reschool-Grade 2--This humorous story from Liberia's Dan people suggests that all must work together to succeed in life. A disembodied Head rolls along but can't get the cherries or mangoes he wants to eat until he discovers Arms. Arms attach to Head and they are nearly squashed by Body. As Head assembles various parts, each piece attaches itself in a strange way until finally, with the addition of Legs, Head can recompose to make a full person-and those mangoes are delicious. The story is enhanced by expressionistic paintings whose bright-colored backgrounds make the black-and-yellow figures stand out. Colors and patterns were inspired by flags from the Fante people of coastal Ghana. Perfect for flannelboard and silly enough to enchant young listeners, this is a good tale to add to the storytelling repertoire.
Susan Hepler, Burgundy Farm Country Day School, Alexandria, VACopyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
