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Head First


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Audio CD, March 23, 2010
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$11.49
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Vinyl, May 4, 2010
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$13.50

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Biography

Soon after touring their last album, Head First, Alison Goldfrapp and Will Gregory reconvened at their Bristol studio, hungry to get to work on album six of their impeccable discography. Earlier than they thought, Goldfrapp were ready to conjoin minds and make music again. Alison has found, after considerable professional and personal research into the matter, that when she is at her happiest ... Read more in Amazon's Goldfrapp Store

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Head First + Tales Of Us + Seventh Tree
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Product Details

  • Audio CD (March 23, 2010)
  • Original Release Date: 2010
  • Number of Discs: 1
  • Label: Mute U.S.
  • ASIN: B0036EBARO
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (80 customer reviews)
  • Amazon Best Sellers Rank: #79,270 in Music (See Top 100 in Music)

1. Rocket
2. Believer
3. Alive
4. Dreaming
5. Head First
6. Hunt
7. Shiny And Warm
8. I Wanna Life
9. Voicething

Editorial Reviews

2010 release from the genre-smashing musical pioneers. Head First is Goldfrapp's most powerful trip to date, a speedy rush of synth optimism, euphoria, fantasy and romance. With life affirming lyrics and stellar production, it lifts off at full tilt and takes us on a journey to the heart of 2010. The duo's fifth album, Head First was written and produced by band mates Alison Goldfrapp and Will Gregory and was recorded throughout 2009 in Bath and in London. The diversity, ambition and direction of the album highlights Goldfrapp as true agenda-setters and modern British musical icons.

Customer Reviews

As a long time fan I have to say I was extremely disappointed in this album.
J. Randolph
Usually for Goldfrapp, there's one song that clicked for me and the other tracks on the album just seem too serious or too out there for me to get into.
Antoine D. Reid
Still, it became one of my favorite albums and I still listen to it more than a year later.
musicfan

Most Helpful Customer Reviews

54 of 58 people found the following review helpful By sunspot42x on April 4, 2010
Format: MP3 Music Verified Purchase
Look, if you don't have a sense of humor or any twinges of nostalgia for the early '80s, avoid this album like the plague. It is not for you. But if you don't have an enormous stick up your rump, you're going to get a big kick out of Head First. Goldfrapp manage to successfully mine very-early '80s synth pop for what's probably the most listenable album of their career.

Now, one could certainly argue that we had enough of Abba, and ELO, and Kim Carnes, and Olivia Newton-John the first time around. But I have to admit that every single track on this record plasters a huge goofy grin on my face, as Goldfrapp mines -- in an entirely non-ironic way, I might add -- an astounding array of early-'80s pop conventions to produce an entirely charming (and infinitely catchy) work. And it's that combination of technical achievement and solid pop songcraft that makes Head First such an intense sugar rush.

Every track is good, but the lead single "Rocket" has to be one of the finest pop tunes anybody has crafted in ages, all Reagan-era double entendres wrapped around one hot hook after another. "Alive" is the other poppy highlight, with a glittering synth fill that could transport the listener straight to Xanadu. I had to check the mirror to make sure a Member's Only jacket hadn't materialized on my back. The compelling "Believer" strongly recalls the Kim Carnes single "Voyeur" (remember when she was at the pop vanguard?), while the title track plays like some long lost Abba hit. And of course who could forget the deliciously naughty "Shiny And Warm", or the scrumptious, Motels-esque "I Wanna Life"?

The album closes with the lovely, experimental "Voicething", but truth be told it's less impressive than the pop tracks that it follows.
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8 of 10 people found the following review helpful By Jeff Martin on June 14, 2010
Format: Audio CD
I cant stop listening to this cd. I dont know what they did, but the sound quality of this cd is so amazing. it has to be played really loud to enjoy the crisp sound texture. My favorite track on there is I Wanna Life. I cant stop listening to that track. Believer is my second favorite. I feel like each cd Goldfrapp puts out, they get better and better. Its great to see a band like this grow forward and not sound like what is already out there.
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6 of 7 people found the following review helpful By Rhys Crow on May 10, 2010
Format: Vinyl
Every work they put out is different from the last and this one is another another reason I love them. 'Rocket' is a modern type of 80's synth pop. I love it.
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3 of 3 people found the following review helpful By musicfan on May 30, 2011
Format: Audio CD Verified Purchase
This is definitely a great album to enjoy if you are an 80s fan. I bought this last year after hearing "Rocket". I wasn't too excited about it the first time I played it. None of the songs besides Rocket stood out or were memorable; they seemed to blend together. I was a little disappointed, but I didn't hate it. I came back to it a couple times and started to become familiar with the songs. I liked it. The songs have a soft, dreamy sound, with a bit of an edge. It's somewhat fluffy pop in the clouds, but not bubblegum.

Yep, it is inspired by music styles of the late 70s and early 80s. It sounds like it could've been released in 1982. To me that is a good thing. It even looks 80s...from Alison and Will's heads amongst pastel-colored clouds to her pink jumpsuit, the brief track listing, and retro-style font on the back cover. I bought a vinyl copy too, and it's very similar to holding an 80s record, if you like that sort of thing.

If you hate 80s music, you might not dig this too much. I love it. Most of the songs are happy. They make me feel good while listening to them. It can't be written off as mindless pop, especially when compared to mainstream pop of the past 15 years. This isn't the Spice Girls or Britney.

Rocket-Catchy synth pop. The lyrics describe a relationship ending, a significant other cheating, and wanting to send them away on a rocket. "You're never coming back". Funny.

Believer-Sometimes I don't mind hearing it, other times I skip it. There is a sound about it that reminds me of cheesy 80s dance films, like Breakin' and Stayin' Alive. I could just see Finola Hughes and John Travolta dancing to this. That's a good thing, by the way. The video is fun.

Alive-This song is upbeat.
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6 of 8 people found the following review helpful By E. A Solinas HALL OF FAMETOP 500 REVIEWERVINE VOICE on March 23, 2010
Format: Audio CD
I've given up on trying to figure out what signature sound Goldfrapp is going to embrace next -- they've gone for quirky electronica, robotic club dance, and delicate airy pop. So what do they do in "Head First"? Well, they've drifted back into dance territory, except that this brand of electronica is saturated in retro beats and swooshes.

The sound of a blast-off heralds "Rocket," a bouncy synthpop tune full of random tinkles and squidgy keyboard melodies. "Ooh oh oh, I got a rocket/oh oh oh, you're going on it/oh oh oh, you're never comin' back!" Goldfrapp sings gleefully in the middle of the song.

Things get a bit more downtempo in "Believer," in which the melody flows swiftly around the stacatto beats. And after that, we get a steady stream of bouncy, colorful synthpop that reeks of the 80s -- the icy vocal core of "Alive's" flittery pop anthem, the hard dancy flavor of "Dreaming," the delicate nighttime prettiness of the titular track.

The one thing I really, REALLY couldn't stomach: "I Wanna Life," a perky pop song that sounds like it was cribbed from a bad eighties musical. But there are also some interesting inclusions that are hard to classify -- they introduce a twisting electronic soundscapes of "Hunt," where Alison's vocals play second fiddle to the music. And the final song "Voicething" lives up to its title, dispensing with typical vocals, and instead embracing a ghostly eerie exploration of sound.

"Head First" is definitely not Goldfrapp's best work -- it's fluffy, radio-friendly pop music that only occasionally takes a twist into the unknown.
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