2 of 2 people found the following review helpful:
4.0 out of 5 stars
If it was edited., May 27, 2005
This review is from: Head Music (Audio CD)
Head Music has problems, which could have easily been fixed. First, the album takes a dive after seven songs when the title track and Elephant man rear their sillyness/ugliness and after Hi-Fi are followed by two darker tunes and an out of place throwaway. As the album is on the long side anyway, just cutting three of these last six weaker songs (maybe Elephant Man, He's Gone and Crack in the Union Jack) would have helped. Also, the first three songs are upbeat and edgy, followed by probably the best three songs on the album. These should have been mixed up better with the second half of the album.
In spite of all this, there's a lot to like. Everything Will Flow, Down and She's in Fashion are great songs, Electricity is a great album opener and Savoir Faire and Can't Get Enough capture the fresh, electronic feel of the album nicely. Also, the production is much improved over Coming Up. There are times when listening to the first half of the album when I think they've never sounded better, and with some adjustments Head Music could have been a five star disc.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars
Many Great Tracks!, December 18, 2004
This review is from: Head Music (Audio CD)
Head Music has often been regarded is Suede's weakest album; I won't go into that discussion, but simple note that the album contains some of my favourite songs by the band.
I was fortunate to see them last summer in Denmark shortly before their split was announced. They played several songs from Head Music, and I particularly enjoyed "She's in Fashion", "Asbestos" and "Down".
Other great tracks are "Everything Will Flow" and "He's Gone"
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
"Head Music" will be fresh and edgy for many years to come, July 21, 2003
This review is from: Head Music (Audio CD)
Suede's 1999 album "Head Music", I feel is Suede's all around best album. It is full of "monster stomper" rock songs if I can borrow that line from another review that I have read, glammy sleazy songs, and some really beautiful ballads.
Brett's vocals are super top notch. He has even more range than on the previous album from 1996 "Coming Up". Brett is a master of describing people and locations and allowing the listeners to see all the sleaze, grit, glam, and beauty of his world.
I have to point out my favorite songs. First of all is the ultra sleazy, ultra groovy "hi-fi". I love Brett's vocals, lyrics, and the cool keyboards or bassline that is on that song.
I also think "indian strings" is a really great, beautiful song. A cool bassline, really cool clean acoustic or electric guitar, and heart felt lyrics and vocals by Brett.
"electricity" the opening track is really cool too. Brett's has cool echoing vocals, a strong chorus, cool lyrics, and cool guitar throughout.
"savoir faire" is a song that I really liked after repeat listening. At first I was not that big on it. However, the chorus is really catchy. Actually there are like 2 choruses. Then about half way through Richard Oakes's guitar really kicks in and makes the song really rock.
"can't get enough", was really good and had a cool chorus, catchy woo hoo lyrics, and cool guitar throughout.
"everything will flow" is a really beautiful song with clean acoustic or electric guitar and upbeat lyrics at least to me.
"asbestos" was another sleazy, groovy song that I liked a lot.
"head music" was a cool song with the lyrics, "give me head, give me head, give me head music instead." Pretty cool lyrics! The guitar is also good.
"elephant man" is a good monster stomper and a real rock song that sounds like Brett is singing muffled and this is the first song where the music seems to be louder and more prevalent than Brett's voice.
Brett's voice is incredible throughout this album. In "Coming Up" it was very good, sort of Bowie-ish with much more high ranges. However, I feel in "Head Music" that Brett has really reached perfection with his vocal abilities. It is still Bowie-ish but with so much range. Check out the latest album "A New Morning" where Brett has actually developed his own signing style not reminiscent to me of anyone else.
Richard Oakes's guitars are very good. He is an excellent guitarist and seems to be able to play perfectly with the mood and vocals that Brett has created for each song.
Mat Osman's bass and Simon Gilbert's drums are very good also. They add a lot of the glammy, sleazy, funky, and rock moods to the songs.
Neil Coding's keyboards are much more prevalent in this album than "Coming Up", and I love synth mixed with guitar and it works very well on the songs in this album.
It's about 4 yrs later and I am listening to this cd daily. I think Suede produces music that is edgy and a breakthrough way before its time. Therefore, listening to this album 10 years later it will still sound current. I highly recommend this album along with "Coming Up", "A New Morning", and "SCI-FI Lullabies".
I have to recommend "Head Music" the most because it seems to encompass the most genres of music into a single cd out of all of the Suede albums.
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