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Head: Stories
 
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Head: Stories [Hardcover]

William Tester (Author)
3.7 out of 5 stars  See all reviews (7 customer reviews)

Price: $19.95 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Book Description

October 1, 2000
The eleven gorgeous stories in Head are remarkably varied in setting and cultural context: a bullying cattleman forces his two stepsons to lay fence in a Florida swamp; a haunted gay drifter hooks up with a rich young Italian in the shadow of the Vatican. Like Harold Brodkey’s manic protagonists, William Tester’s characters seem constantly poised on a psychic edge. Head contains some of the most daring and genuinely erotic writing in contemporary literature. By the author of the novel-length prose poem, Darling.

marks the auspicious arrival of a powerful new voice in American stories.

"People speak of stories and novels as being ‘plot-driven,’ or, say, ‘voice-driven.’ If anything, Tester’s stories are fear-driven. There is, in these stories, fear of women—each jittery flirtation an agony of nervous desire—fear of a cruel stepfather who routinely endangers his stepsons, fear of one’s prospects. There is fear of the very act of speech, given the narrator’s ruinous stutter. Yet it is the resulting clumsiness—the missteps, the need so great—that seduces us in ways some smooth operator could not."—from the foreword by Amy Hempel

Marketing Plans:

• Author tour in NYC, Washington D. C., Boston, and Chicago
• One thousand posters mailed to key accounts

William Tester is a native of Charleston and North Florida, and is the author of the novel Darling, published by Alfred A. Knopf (1992). He has degrees from Syracuse and Columbia Universities, and is the recipient of the NEA Fellowship for Fiction, the Hob Broun Prize, the PEN Syndicated Fiction Award, and grants from the Virginia Commission for the Arts and the Constance Saltonstall Foundation. He teaches creative writing at Virginia Commonwealth University and lives in Richmond, Virginia.

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Editorial Reviews

From Publishers Weekly

In "Wet," this anxiety-prone collection's fine lead story, two teenage brothers struggle against nature and their overbearing stepfather in an odd, real estate-grabbing task: stretching barbed wire across a portion of Florida lake as a lightning storm sets in. Inauspicious as this scenario may seem for exploring troubled family dynamics or the acid reflux of fear, Tester (Darling) escalates the narrator's hungover awkwardness, his older brother Jim's competitiveness and their stepfather Lloyd's bullying to a fever pitch as their pointless labor becomes a struggle for power and survival. Some of the better stories here recount earlier incidents in this Florida cracker family album. "Cousins" features narrator Nim and Jim's adolescent competition for a pretty cousin, and the quietly sad "Floridita" evokes a unique mood and tone as the children listen to their father's tape-recorded letters from Vietnam, even as they know their mother is leaving him for Lloyd. Elsewhere, Tester's successful experiments in everyday dread include the linked stories of a night on the town for aimless New York singles ("Where the Dark Ended") and an existentially difficult stint at the office ("Bad Day"). Sometimes, though, stories like "The Living and the Dead," featuring a college dropout's hitchhiking and hustling tour of Italy, have the air of retrograde minimalism, with the hallmark of an affectless and slightly inarticulate mind game. Yet, overall, this work from Head, who won the 1999 Mary McCarthy Prize in Short Fiction, shows a strong new talent on the rise. The book's bizarre cover, depicting a man with a hat made from a plastic jug, may please or repel browsers in equal measure, but it will get their attention. Agent, Georges Borchardt Literary Agency. (Oct.)
Copyright 2000 Reed Business Information, Inc.

From Booklist

Most of the stories in this collection, which won the 1999 Mary McCarthy Prize in Short Fiction, have appeared separately in such wellknown journals as Esquire, Fiction, and StoryQuarterly. Together, they form something of a story cycle, focusing on a farm-boy's childhood and young adulthood in rural Florida and later New York City. Particularly evident here are a clipped, figurative language and the narrator's emotional surges of fear and a desire for intimate knowledge. In "Wet," he and his brother have been taken by their overbearing stepfather, Lloyd, to lay fence around a swamp in the midst of a coming thunderstorm, their rising fear straining to assert itself: "Okay now, Lloyd, it is lightening us." In "Where the Dark Ended," after being too timid to pursue a woman who "went in me, way up inside of my mind," he is, while drugged up, suddenly drawn by the Statue of Liberty. "I had to go up inside her. It was clear to me. I had to climb up inside that idea," which is a sequence that ultimately compels him to something more "real." James O'Laughlin
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 200 pages
  • Publisher: Sarabande Books (October 1, 2000)
  • Language: English
  • ISBN-10: 1889330485
  • ISBN-13: 978-1889330488
  • Product Dimensions: 8 x 5.6 x 0.9 inches
  • Shipping Weight: 13.3 ounces (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #2,352,633 in Books (See Top 100 in Books)

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Customer Reviews

7 Reviews
5 star:
 (3)
4 star:
 (1)
3 star:
 (2)
2 star:    (0)
1 star:
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Average Customer Review
3.7 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

5 of 6 people found the following review helpful:
3.0 out of 5 stars not bad, but could have been better, December 11, 2000
By A Customer
This review is from: Head: Stories (Hardcover)
After reading the NY Times review I was excited to get my hands on this book. Unfortunately, the feeling I kept getting was someone that was writing for other writers and not a general audience. It would be hard not to fall into such a trap, I suppose. With all the raves from peers and others, the poor guy must have felt like the world was looking over his shoulder. (for a great example of how the short story writer can achieve writing for the masses without sacrificing art, look at 'Venus Drive' by Sam Lipsyte).

The master of 20th century fiction, John Updike once said writers workshops worry him because it creates an insulated environment. I'm not saying Tester is not a real talent - clearly he is. I'm only suggesting he focus next time on substance over style. Not giving up on Tester, and I look forward to his future work.

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2 of 2 people found the following review helpful:
3.0 out of 5 stars Publishing Nepotism, May 4, 2008
By 
Michael Hemmingson (Ross Island, Antarctica) - See all my reviews
(REAL NAME)   
This review is from: Head: Stories (Hardcover)
Tester was a former student of Gordon Lish, who published his first novel DARLING at Knopf, and was a flop. Amy Hempel was in class with Tester. Amy hempel was the judge who chose this book. Is this a coincidence...hardly...even if the manuscriot was blinded, Hempel would reconize her friend's writing, which has a tell-tale sign of Lish influend prose...this is proof that Saranbande's book contest is rigged. Most of them are. Publishers hold contests to drum up revenue to publish a book they already have but don't have the funds for; they just put the book out and "say" it won.

It's not a bad book. Has a 1990s minimalist feel that is easily recognizable, some good sentences here and there, but lacking in substance elsewhere. The long time between Tester's firts novel nd this collection shows he probably had a very hard time getting published, so hempel rigged this contest for him.
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2 of 3 people found the following review helpful:
4.0 out of 5 stars Loosely Linked Stories!, November 18, 2000
This review is from: Head: Stories (Hardcover)
There are 11 loosely linked stories in this collection that tracks a former farm boy from the Florida swamps to his growing up and dealing with fearful and blundering romances. In fact, most of these stories deal with the main characters fear in almost everything. These stories can be funny at times, and yet very erotic. Tester has a way of really exposing his characters for who they really are, and by the way he uses language in each sentence you know right away the narrator has a stutter. Two of the stories I really enjoyed were:"The Living and the Dead" about a gay drifter who hooks up with a rich young Italian in the shadow of the Vatican, and "Floridita" about a mother and her three children listening to audiotapes sent home from Vietnam by their soldier-father. "Floridita" brought back memories of sending my own tapes back home to my parents when I was serving in Vietnam.

At first I didn't think I was going to enjoy this book, but you'll find as you read further and further into this book, you'll really enjoy these stories. They leave a lasting impression on you!!

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