5 of 5 people found the following review helpful:
5.0 out of 5 stars
Spooky Movie!!, October 15, 2006
This review is from: Head Trauma (DVD)
This is your good ole' spooky house movie! The house in the movie is spooky, both inside the house and outside are eerie! No special effects or big name stars. This movie is a good old fashioned spook fest that takes you from the basement to the attic of a house.
The movie was shot in spooky Scranton, PA in the upper Hill Section!
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
9 of 11 people found the following review helpful:
5.0 out of 5 stars
The New Carnival of Souls, October 10, 2006
This review is from: Head Trauma (DVD)
This is one terrific, well-crafted little horror entry. If you are a true fan of horror films definately check this one out. This is especially true if you're a fan of "old school" Mario Bava, have seen the original Haunting of Hill House, and couldn't resist picking up Carnival of Souls for $8.00 at the DVD bin at the supermarket. This film pays attention to atmosphere like no film since the days of Mario Bava. In no other film since Hill House has the house itself truly become a character, and in no film since Carnival of Souls has a horror film more effectively straddled the line between surrealism and realism or kept you guessing throughout without frustrating you. Head Trauma is a successful fusion of all these elements - Bavaesque atmosphere, Carnival of Souls real/surrealism, and with a "prop" that takes on a life of its own like Hill House. But it's no rehash, Head Trauma is truly an original in its own right.
I would liken Head Trauma most to Carnival of Souls, the surreal no-budget early-60's cult classic made with a local cast of unknowns Like Carnival of Souls, Head Trauma displays a quality that belies its budget, displays shoestring resoucefulness in spades, and is more original and imaginative than the last ten major horror releases combined. I like Carnival of Souls - a lot. And I like Head Trauma for the same reasons. Both Head Trauma and Carnival of Souls are centered around loner types tormented by a demon figure. Both films are simultaneously waking dreams and a mystery. Both somehow successfully fuse experimental technique with realism. And both films use the media on which they were shot - grainy high speed low-contrast black and white film for Carnival of Souls, and in the case of Head Trauma, digital video, to their advantage. Also, both films feature excellent performances by skilled but unknown actors. At no point is the illusion broken by thinking "poor Johnny Depp". We know these people and the neighborhood they reside. No beauty queens, no dashing hunky stars, no cliched heros or villiams - real people, in a real setting, placed in an entirely believable context result in an illustion that absorbs without distraction, never asks for excessive latitude, nor ever slips into camp or unbelievability. Set against a highly believable "everyday" backdrop, the horror has far more impact than the ineffective excesses of uncreative, unoriginal, unbelievable, slasher films like those featuring recognizable professional wrestlers as villians. The time of Halloween rip-offs and cannibal zombie films has long since ended. It's high-time that a filmmaker with vision ala George Romano, ala John Carpenter, came along and breathed some life into this genre. And usually these films that re-invigorate horror come out of nowhere, and are shot on a shoestring. The pattern is they don't "get their due" upon release, but like any monster worth its salt(?), they never seem to die. Word of mouth spreads, and the hype they receive isn't "hype", rather, it's sincere praise that "hype" tries to mimic with million dollar PR campaigns. What I'm saying is Head Trauma is "the real deal". It's a film you "tuck away" for repeat viewings. Lend it to close friends who you're sure will give it back. A film you think about long after you've seen it. A film you revisit by replaying scenes in your mind, or by simply watching it again, outright.
Don't expect over-the-top excessive blood-letting and a huge body count. If a big body count, excessive graphic gore, standard shock cuts, and over the top violence is your bag, look elsewhere. If you are interested in a literate script, a novel and believable concept, dream-like surrealism worthy of Carl Dreyer, unnerving and subtle sense of dread, a story that grabs you as well as any well-executed mystery, and a logical uncontrived truly suprising surprise ending that neatly and logically ties things up = resolves the mystery, but doesn't try to beat you over the head, then this is your film.
The only distraction is at times the media on which this was shot - digital video, betrays the excellent work of the cinematographer and director despite best efforts. Digital video just isn't "there" yet but it's improving, especially in skilled hands. That said, these few gaffes are more than compensated for by some rich, atmospheric, and truly brooding camera work and inspired "cinematic" direction. I've not seen a film shot on DV as cinematic as Head Trauma, much of the time its indistinguishable from film, and when it's not, it's usually not distracting. However there are gaffes at times that result in fleeting but jarring distractions that breaks the cinematic flow of the film. These few scenes stand out all the moreso due to the overall excellent production values and care put into this production.
As a horror fan who has endured his share of unwatchable dreck, it's nice to stumble upon a gem from time to time. This is one of those gems. And it's these unexpected gems that makes it worth the risk and the time.
Like Carnival of Souls, I expect this film will stand the test of time, develp its own cult following, and rise above the din to take its place among the more memorable entries in the genre.
Good show.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
