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Condition: Used: Very Good
Comment: Very Good used copy: Some light wear to cover, spine and page edges. Very minimal writing or notations in margins. Text is clean and legible. Possible clean ex-library copy with their stickers and or stamps. We ship daily!
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All Heads Turn When the Hunt Goes By Hardcover – 1977

3.7 out of 5 stars 14 customer reviews

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Product Details

  • Hardcover: 364 pages
  • Publisher: Playboy Press; 1st edition (1977)
  • Language: English
  • ISBN-10: 0671169750
  • ISBN-13: 978-0671169756
  • Product Dimensions: 8.7 x 5.4 x 1.3 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Best Sellers Rank: #1,397,249 in Books (See Top 100 in Books)

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Customer Reviews

Top Customer Reviews

Format: Hardcover
Farris' book of voodoo sorcery is an intricately weaved work of plot and subplot. Ostensibly about the cursed lineage of the Bradwins, this book takes you from the plantations of Virginia to the countryside of England to the colonial age jungles of the heart of Africa (places Joe Conrad would not have even stepped foot in). This range of settings, times, and characters, apparently disconnected yet insidiously linked by dark, ancient forces, gives this book an almost Lovecraftian feeling. It is as if these forces can and are affecting each and every individual on this planet, yet we are naively and mercifully unaware of these unseen powers. That is, until those powers wish to make themselves known. This virtual omnipresence is illustrated in one scene where the character of Early Boy is talking to the self confessed voodoo priest. The old man tells Early Boy that voodoo is not primitive superstition or nonsensical sorcery but a sophisticated and very ancient religion predating and even the basis of modern religions. He says that Moses himself learned magic from powerful voodoo masters in the African jungles and therefore pretty much all of Christianity and Judaism is based on voodoo.
Instead of giving us a simple "voodoo men raise demons and other boogeymen with curses" type plot, which is straight out of a B movie, Farris structures the story so that it is believable, frightening, sophisticated, and chilling in its insinuations. Nor is this the type of story that has a predictable plot. You never guess the horror of the first few pages and you will never see the ending coming. Farris also never fails to give us great action throughout the story. A character jumping out of a window sending shards of glass flying is just the norm in this story. And they do get cut. "What do you think this is, a western?" as Early Boy says. Farris not only gives us a masterfully woven plot, he also delievers great action, and a pretty good scary story.
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Format: Mass Market Paperback
There are certain novels that are discovered early on by other novelists and talked about constantly. Some of the time, the public picks up on these and turns them, and their authors, into popular figures. Far more often, however, they are left in obscurity among the masses while achieving legendary status among the industry insiders. Anne Rivers Siddons' _The House Next Door_ is a prime example; Lee Smith's _Oral History_ is another. And there are many other examples, including this tome, which achieved something close to legendary status even before its publication-- and then disappeared, despite having the kudos of almost every major horror writer of the time thrown at it. Twenty-two years later, Farris is dimly remembered as having authored the novel that was the basis for the very bad movie _The Fury_ (1976) and nothing else. Which is something of a crime, because Farris was above average as far as seventies horror novelists went; of course, most of those have faded into (well-deserved) obscurity, as well, but a few live on. And Farris, while not on the same level as King and Koontz, is certainly no more than a shallow notch below either. And he was miles above, say, Frank de Felitta, whose every book went to #1 on the NYT chart and smashed publication records.
That being said, I've read a smattering of Farris over the years. His work is readable, if not compulsively so, and it goes quick-- if it weren't for the supernatural elements, I'd call Farris a writer of slick mysteries in the John D. MacDonald tradition. He has the same sense of pace and timing, and the same wry, understated sense of irony that, when it works, is as funny as anything ever penned by Douglas Adams. And this was right along the same lines.
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By A Customer on July 5, 2000
Format: Mass Market Paperback
I read this book many years ago. After many years I searched for and found another copy of it. Now I lend it out to only my most trusted reading friends. I found this to be one of the most fascinating books I have ever read. The opening chapter - in the chapel - is so astounding, so riveting, that I was fairly gasping when the scene ended. This book takes the reader on a journey where s/he must suspend all the rules of reality. I loved it. I will read it again. I think John Farris is one of the BEST writers of this genre, along with Peter Straub and Stephen King!
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Format: Mass Market Paperback
I bought this book after seeing it listed on several "10 Best" lists. And the beginning certainly packs a punch. However, the excitement of the opening scenes is not sustained. The rest of the book drags. In addition, characters are introduced never to be heard or seen again, information is presented but nothing is ever done with it, you are never given anything more than a surface glance at these characters, and nothing is ever truly resolved.
Is the "big bad" of this novel worthy of our fear or our pity? And what about those that helped bring it about? The resolution shuffles to a finish, and is wrapped up in about 25 pages. The rest of the novel discusses plot points that either go nowhere or end up so lackluster that when you finally uncover the mystery it's more of an "oh" than a "oh wow!"
How exactly did the main family of this novel become what it is? There are hints on the book jacket that this family has a secret evil past, but it's never proven. Why exactly did this evil visit this family? It's explained in about two sentences. Those looking for a book with a big payoff should look elsewhere.
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