Amazon.com Review
Beautician, anthropologist's wife, rock-star manager, racetrack gambler, and now itinerant faith healer: the heroine of Gayl Jones long-awaited new novel has traveled a long and difficult road from her grandmother's Louisville beauty shop to the bus stops and "tank towns" of the rural South. As she spools back through her accumulated memories, Harlan Jane Eagleton weaves a complex stream-of-consciousness tale that at second glance turns out not to be chaotic at all. Jones has an unerring ear for dialogue and the rhythms of everyday speech, and Eagleton makes poetry out of even the detritus of pop culture--although her narrative is also rich in allusions from Chaucer to Gayl Jones herself. From Eagleton's grandmother, who believes she was born as a turtle, to the paranoid German-African businessman who becomes Eagleton's lover, the novel is filled with memorable characters and multilayered relationships.
The Healing is the first book in more than 20 years from Jones, the reclusive author of two seminal narratives of violence, slavery, abuse, and black rage,
Corregidora and
Eva's Man. Like these two novels,
The Healing has its fair share of violence and tragedy, but--as the title might suggest--here it's tempered with a surprising portion of humor, forgiveness, even faith.
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From Publishers Weekly
Jones's first major American publication since Eva's Man (1976) is prickly, frequently tendentious and occasionally brilliant. From the opening pages we know we're in the presence of a masterly writer whose life experiences have sharpened her edges rather than softened them. The narrator, African American faith-healer Harlan Jane Eagleton, travels from small town to small town working her miracles. But, as we soon learn, being a healer is only her latest incarnation after stints as a beautician in her hometown of Louisville, Ky., as a racetrack gambler and as a business manager for the rock-'n-roller Joan Savage. Harlan is more sure of what she's not (anybody's fool) than what she is, and underneath her "countrified" voice is a shrewd observer of human nature. She is also remarkably well read in theories of art, science, literature and music?and she proves it at every opportunity, in long-winded diatribes too often explained away with a coy "I read about that somewhere." Despite Harlan's tiresomely false naivete (and the tedious political speechifying of the people she meets), readers will care about her and will eagerly follow her journey to heal herself first before she can touch others ("If I wasn't the one doing the healing, I'd be among the tough nuts"). It is through her flawed but gravely human voice that Jones's flinty work is quietly redeemed. (Feb.) FYI: The Healing is the first novel Beacon has published in its 143-year history. The press plans to issue another novel by Jones, as well as a book-length poem of hers, in 1999.
Copyright 1998 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.