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Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Criticism (Norton Critical Edition)
 
 
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Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Criticism (Norton Critical Edition) [Paperback]

Joseph Conrad (Author), Weissbluth (Author), Robert Kimbrough (Author)
4.1 out of 5 stars  See all reviews (533 customer reviews)


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Book Description

February 1988 0393955524 978-0393955521 3
In Conrad's haunting tale, Marlow, a seaman and wanderer, recounts his physical and psychological journey in search of the enigmatic Kurtz. Travelling to the heart of the African continent, he discovers how Kurtz has gained his position of power and influence over the local people. Marlow's struggle to fathom his experience involves him in a radical questioning of not only his own nature and values but the nature and values of his society.

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Editorial Reviews

Review

As powerful a condemnation of imperialism as has ever been written Observer Once experienced, it is hard to let Heart of Darkness go. A masterpiece of surprise, of expression and psychological nuance, of fury at colonial expansion and of how men make the least of life ... endlessly readable and worthy of rereading Telegraph --This text refers to an alternate Paperback edition.

From the Publisher

This book is in Electronic Paperback Format. If you view this book on any of the computer systems below, it will look like a book. Simple to run, no program to install. Just put the CD in your CDROM drive and start reading. The simple easy to use interface is child tested at pre-school levels.

Windows 3.11, Windows/95, Windows/98, OS/2 and MacIntosh and Linux with Windows Emulation.

Includes Quiet Vision's Dynamic Index. the abilty to build a index for any set of characters or words. --This text refers to an out of print or unavailable edition of this title.


Product Details

  • Paperback: 420 pages
  • Publisher: W. W. Norton & Company; 3 edition (February 1988)
  • Language: English
  • ISBN-10: 0393955524
  • ISBN-13: 978-0393955521
  • Product Dimensions: 7.9 x 5.3 x 0.8 inches
  • Shipping Weight: 8.8 ounces
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (533 customer reviews)
  • Amazon Best Sellers Rank: #357,463 in Books (See Top 100 in Books)

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Customer Reviews

533 Reviews
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Average Customer Review
4.1 out of 5 stars (533 customer reviews)
 
 
 
 
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234 of 265 people found the following review helpful:
5.0 out of 5 stars How To Make a 75 Page Story Into a 400 Page Book, December 7, 2002
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This review is from: Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Criticism (Norton Critical Edition) (Paperback)
I would like to address myself specifically to the Norton Critical Edition of this book. The difficulty that many readers face when they pick up a classic, pre-twentieth century novel is that they are not conversant with the history of the times in which it was written. Heart of Darkness can be enjoyed purely as a well written novella, but then you miss so much of what Conrad is trying to say not only regarding the thin veneer of man's social persona (ala Lord of the Flies) but about the evils of 19th century imperialism. What is the story of Colonialism? Do Conrad's derogatory remarks about Blacks make him a bigot? What were Conrad's overall views on life? What were Conrad's personal experiences in the Congo? What did readers think of Heart of Darkness when it was written, and what do the critics think of it today?

The Norton Critical Edition gives you 325 extra pages of material written by Conrad and others that provide answers to the above questions. You don't have to read all of these many articles, of course, but a good sampling of them will make your immersion in this famous story all the more enjoyable and meaningful.

This is a story that everyone should read, and the Norton Critical Edition provides the best format for the reading experience.

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82 of 90 people found the following review helpful:
5.0 out of 5 stars The title has become a cliche; the book is as fresh as ever, January 28, 2000
No-one seriously interested in English literature can afford not to read this book. As a central device, the parallel journey into the heart of Africa and the dark centre of the human experience, remains as powerful as ever. The writing in the opening pages, depicting the men and the Thames and the wide possibilities that rise with every outgoing tide, remain as evocative as anything in English. Conrad's subject is barbarity, a theme as relevant now as then. His dark view of the colonial instinct also stands as a warning at this very hour. With "Lord Jim" a thicker, but in many ways easier book to read, Conrad poses the great existential question that was to dominate personal politics throughout the 20th Century, the taking of personal responsibility, the search for personal redemption - as one character puts it: "How to be - Ach! How to be?" With "Heart of Darkness" he articulates what Michael Ignatieff has described as "the seductiveness of moral disgust." Faced with the darkness around him, the character Kurtz advises "exterminate the brutes." His final, dread epiphany, his message from the heart of his own darkness "The Horror! The Horror!" is as chilling now as it was a century ago - a century that has seen more horror than even Conrad could have imagined.
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128 of 145 people found the following review helpful:
5.0 out of 5 stars Into the dark, June 19, 2001
By 
Sergio Flores (Orange, CA United States) - See all my reviews
(REAL NAME)   
This review is from: Heart of Darkness: An Authoritative Text, Backgrounds and Sources, Criticism (Norton Critical Edition) (Paperback)
Several people I am acquainted with have questioned my reading of "Heart of Darkness," using as argument the fact that they read it "in high school." Apparently, for these very well-read souls, if the book was in their high school reading list, then it should never be approached again. Well, both the poem of "El Cid" and the novel "Don Quijote" first revealed their wonders to me when I was in high school, and now that I have read them again (and "Don Quijote" complete this time), they have just proved to be timeless classics with something to tell a person of any age. "Heart of Darkness," by Joseph Conrad, is a classic that, given its length, invites several readings, particularly if one goes beyond the "high school-depth" sadly evident in those acquaintances of mine. The different, dark, alien world of the Congo as barely seen through Marlow's eyes, juxtaposed with the author's subtle-but-powerful condemnation of a system that promotes exploitation of those seen as "inferior," is one of this novella's most important, and often missed, commentaries. Marlow is the English sailor who does not, and cannot, understand anything that is not English, from the nameless city across the Channel (Brussels, most probably), to the ghost-like figures that people his employer's offices, to the multi-coloured map that shows how Africa has been carved, to the multi-coloured Russian whose language Marlowe cannot recognize and believes is cypher, to the river itself, to the native inhabitants of the land he is invading. This trip up the Congo river that Marlow tells his shipmates about while on the Thames is a journey after a man's voice, his treasure of ivory, and his report on the natives. This man, Kurtz, is the one who will state "kill the brutes!" in his report, expressing the opinion of so many Europeans regarding most, and maybe all, non-European races.

"Heart of Darkness" can be read simply as an adventure, but there are several, better, adventure books that have better "hooks" and are, at the same time, more easily forgotten. This is an extraordinary short book by an extraordinary author. Do not deprive yourself of a magnificent, early 20th century masterpiece of literature, just because someone was not hooked by it, or because someone read it in high school and it just wouldn't do to read it again. The power of this book is not in its "easy" prose, because its prose is definitely not easy. It is not in an artificially complex prose, either. This second fault seems more the refuge of other writers, plenty of them modern ones, who have confused "good" with obscure, and "better" with unreadable. Conrad knows how to tell a story, and there is a method to this dark tale told by Marlow, a man much closer to Kurtz than he would like to admit. Since the reader is presented only with Marlow's account, the jump from the reader to Marlow to Kurtz and back to the reader is a troubling one. Here is Conrad's mastery. Read the book. If you have read it, try it again. It may surprise you what new revelations prowl its pages.

This 3rd Norton Critical edition is the best I have seen so far. The essays are all good, but Chinua Achebe's deserves special attention: the Nigerian author advocates not reading "Heart of Darkness" at all, a statement that, coming from a writer, is not just surprising, but deeply disturbing. I sincerely believe that this form of intentional ignorance, of voluntary censorship on the part of the reader, only serves to foment a generalized, public ignorance of the world around us.

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On my right hand there were lines of fishing stakes resembling a mysterious system of half-submerged bamboo fences, incomprehensible in its division of the domain of tropical fishes, and crazy of aspect as if abandoned forever by some nomad tribe of fishermen now gone to the other end of the ocean; for there was no sign of human habitation as far as the eye could reach. Read the first page
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