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The session began with a hit, "You're No Good," but the real strength of "Heart Like a Wheel" lies in its sorrowful ballads: "Faithless Love," "Dark End of the Street," "Keep Me from Blowin' Away," and the title cut, to which Maria Muldaur adds an aching harmony. Albums previous to this one had shown the power of Ronstadt's voice, but here the arrangements and the poignancy of the lyrics allowed the beauty of her voice to shine through fully.
Another great programming move was the segue between the rock-out version of the Everly Brothers' "When Will I Be Loved" and Lowell George's "Willin'." The former shows that two minutes is plenty for a great rock performance if you've got the vocal chops of Ronstadt. As it ends with a nice patch of vocal harmony, a guitar slips in and a harmonica sighs and Linda's vocal wraps around the first lines of "Willin'," a wistful but gritty tale. It's a fine moment and one that never wears out for this listener.
Many of us grew up with Linda Ronstadt, and she has had an incredibly varied career. That's a great thing for an artist, but one hopes that this entry to her discography will not be forgotten. An underrated gem.
Ronstadt's voice is well suited for the melodic banjo lines, rolling piano notes and horns of country pop, but she also uses her higher register to good effect. When she sings the line "and my love for you is like a sinking ship," her wavering voice nearly cracks with heartbreak--a sharp contrast to "Dark End of the Street," when she intones "please don't cry / tonight we'll meet / at the dark end of the street."
Elsewhere on the album, Ronstadt's voice blends perfectly with the musical arrangements. Her cover of Buddy Holly's "It Doesn't Matter Anymore" rolls along with an insistent drum-line that echoes the song's theme of reluctantly but assuredly moving on after a tedious break-up, while the blaringly loud chorus of "Willing" is as hopeful and the lyrics are determined: "I've been warped by the wind, driven by the snow...But I'm still willin'."
Heart Like A Wheel is not a celebration of love but rather, an exploration of the anguish and power of heartbreak. Relationships here are unhealthy or hopeless ("Dark End of the Street," "Faithless Love"), breakups are overwhelmingly sad ("Heart Like A Wheel," "I Can't Help It If I'm Still In Love With You") and prospects for the future are tenuous, at best ("When Will I Be Loved," "Keep Me From Blowing Away").
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