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Heart and Soul
  

Heart and Soul [Import]

J.P. CormierAudio CD
5.0 out of 5 stars  See all reviews (1 customer review)


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MP3 Download, 16 Songs, 2000 --  
Audio CD, Import, 1998 --  

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Product Details

  • Audio CD (November 15, 1998)
  • Original Release Date: November 15, 1998
  • Number of Discs: 1
  • Format: Import
  • Label: Tidemark
  • ASIN: B00000JRGA
  • Also Available in: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #827,985 in Music (See Top 100 in Music)

1. Alan's Set
2. Martin's Set
3. Kenny Baker Lives!
4. Christie Married A Fisherman
5. Fleetwood MacInnis
6. Aren't We Feeling 'Jiggy' Today...
7. Paps Goes The Weasel
8. Rawhide
9. Me & Gelas
10. Scotty Meets Rene
11. My Bach Is Worse Than My Bite
12. Tulloch Gorum (AKA Broken Fingers)
13. May I Have This Dance?
14. Here's To You, Scotty!
15. The B Minor Set
16. Banjomusk

 

Customer Reviews

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Average Customer Review
5.0 out of 5 stars (1 customer review)
 
 
 
 
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Most Helpful Customer Reviews

2 of 2 people found the following review helpful:
5.0 out of 5 stars No one should be allowed to have this much talent, March 10, 2001
By A Customer
This review is from: Heart and Soul (Audio CD)
I first heard J.P. Cormier on a sampler disc where I was astounded by his guitar playing. I later walked into a store in Nova Scotia and was stopped dead in my tracks by some incredible fiddle playing on the sound system. "Who's that?," I asked. "J.P. Cormier" was the reply. Of course, I had to buy this album. I put it on the player and heard some amazing banjo work. I looked at the credits. Yep, J.P. again. And mandolin. And piano. And bass.

If you buy "Another Morning" you'll also find he's an excellent singer and a fine songwriter as well. He's even a better lyricist than most songwriters who aren't world-class instrumental virtuosos.

But this album's entirely instrumental. It's not, strictly, Cape Breton-style playing, though the influence is obvious and deep. His fiddle work has a warmer, more lyrical tone with more vibrato than heard in the classic Cape Breton style, and the years spent in Nashville had their effect. Listen, for example, to the Chet Atkins-style finger picking on "Fleetwood MacInnis," a reworking of Fleetwood Mac's "Never Going Back Again" with a traditional Scottish tune. Try "Rawhide," where he overdubs himself as an entire bluegrass band. And for sheer, straight-ahead breakneck "I can't believe that can be done with only ten fingers" fiddle playing, check out "Tulloch Gorum."

Wow.

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