Hearts & Bones

Paul Simon | Format: Audio CD

Product Details

• Audio CD (October 25, 1990)
• Number of Discs: 1
• Label: Warner Bros / Wea
• ASIN: B000002KZF
• Also Available in: Audio Cassette
• Average Customer Review: 4.4 out of 5 stars  See all reviews (33 customer reviews)
• Amazon Best Sellers Rank: #140,874 in Music (See Top 100 in Music)

Track Listings

1. Allergies

2. Hearts and Bones

3. When Numbers Get Serious

4. Think Too Much

5. Song About The Moon

6. Think Too Much (a)

7. Train In The Distance

8. Rene And Georgette Maggritte With Their Dog...

9. Cars And Cars

10. The Late Great Johnny Ace

Editorial Reviews

Amazon.com

One of Paul Simon's most accomplished albums, Hearts & Bones is also among his least appreciated, a commercial disappointment at the time of its release due more to Simon's darker themes than to any discernible decline in his powers as a songwriter or instincts as a producer. The best songs here are among his most nakedly self-referential, from the bittersweet title song, sifting through the ashes of his failed marriage, to the self-recriminating "Think Too Much (a)" (as if to prove the point, he includes two songs with the title) and the fatalistic "Train in the Distance." "René and Georgette Magritte with Their Dog after the War" is a polished gem, both a musical analogue to the artist's dead- pan surrealism and a unique love song, and "The Late Great Johnny Ace" links the slain doo-wopper to the slain John Lennon. If there were justice in the set's cool reception, it was Simon's subsequent decision to ignore commercial stratagems altogether--a leap that yielded his next, groundbreaking album, Graceland. --Sam Sutherland

Product Description

Audio CD.

Most Helpful Customer Reviews

13 of 13 people found the following review helpful

4.0 out of 5 stars Honest And Revealing Album From A Master Songwriter January 14, 2000

By Carol Alaniz

Format:Audio CD

It was a surprise to me how revealing Paul Simon was in this album. Always a private man, Paul chose to let the listener see the progression of his relationship with Actress Carrie Fisher, from meeting, falling in love, marriage, the strains, the sad breakup, and divorce. The title track is achingly honest: "Love like lightning, shaking 'till it moans" and "Why won't you love me for who I am, what I am?--That's not the way the world works, baby."--one can just about hear his pain. The album's not the best in terms of production--the sound is not the best--but with other songs "Rene and Georgette Magritte With Their Dog, After The War" and "The Late Great Johnny Ace" (about Johnny Ace, JFK, and John Lennon) it is very well crafted in terms of imagery--Paul is a poet, not just a songwriter, who is capable of putting emotion in the simplest turn of a phrase. "Train In The Distance" is simple, but wide open: "From time to time, he tipped his heart/But each time she withdrew/Everbody loves the sound of a train in the distance/Everybody thinks it's true." No other album Paul has recorded since has been so straight-out revealing.

Measured against his other previous albums--Grammy winner "Still Crazy after These Years" and his self-titled debut solo album "Paul Simon"--"Heart And Bones" was considered a commerical flop by music biz standards. Don't let that stop you. Borrow this from a friend. If you happen to find this CD in the bargain bin of your local music store, buy it!

8 of 8 people found the following review helpful

5.0 out of 5 stars Paul Simon's best album? July 29, 2002

By Bill R. Moore

Format:Audio CD

This album was a commercial letdown, and is not normally mentioned early on when people think of Paul Simon. That said, it's an overlooked masterpiece, and just might be his best album. In addition to some great and very inventive music (Paul being caught here between the melancholy electric piano-led ballads of Still Crazy After All These Years and the musically ground-breaking Graceland), this is the album where Simon's enigmatic lyricism really came to the forefront (who else would write a song about allergies?.) One can tell merely from looking at the song titles that Paul was attempting something rather off-beat here - and he succeeds. The lyrics are not abstract, however: they're more of, as the editorial review says so well "dead beat surrealism." Some of the songs (the aforementioned Allergies, which features some awesome guitar work from Al Di Meola; the very strange When Numbers Get Serious; and the semi-hilarous but borderline facetious Cars Are Cars) are very lyrically strange, and one may well question their meaning - or intention. It's always good to hear such clever and well-crafted lyrics, however - regardles of their intent or meaning. That said, some of the other songs (such as the title track, Train In The Distance, and others) show Simon laid emotionally bare, and are great songs that touch the heart, as well as the mind and the soul. Rene and Georgette Margritte With Their Dog After The War and The Late Great Johnny Ace (which features an excellent musical coda from the great Philip Glass) are flat-out masterpieces. Hearts and Bones is an emotional, complex, and challenging album from Paul Simon that is not an easy listen. Like most great albums, it takes some time to get used to and some time to get into. The album, though, is well worth your time and effort. It is Paul Simon's masterpiece.

5 of 5 people found the following review helpful

4.0 out of 5 stars Simon's kind of a jerk, so this good stuff got overlooked March 6, 2002

By John Stodder

Format:Audio CD

This is the album that was originally supposed to be a Simon and Garfunkle album. The beloved duo regrouped in the early 80s for a show in Central Park, and then this album. Only, after it was done, Simon decided he wanted it to be a solo album and erased all of Garfunkel's vocals. That's the story that got out, anyway, and the bad publicity that went with it, in my mind, sunk the album, because who would want to be associated with such a brutal hosing. S & G may seem like a nostalgia act today, but people loved them; imagine if Paul and John got together, recorded an album, and then Paul erased John's contributions and put it out as a solo album. That's what happened here.

Too bad, too, because this is a worthy album, the final expression of Simon's initial, pre-Third World, solo style. Lots of electric piano, understated and tasteful percussion, lovely vocal arrangements, and insightful, confessional lyrics somewhere between Robert Lowell and Woody Allen. "Rene and Georgette Magritte" is one of the major highlights, surreal and intriguing, blending Dada with Doowop. I also love "Train in the Distance" and the title song. Very worth getting!