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Lud Heat and Suicide Bridge
 
 
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Lud Heat and Suicide Bridge [Paperback]

Iain Sinclair (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Paperback, March 7, 2002 --  

Book Description

March 7, 2002
An exploration of a contemporary city and the historical and mythical patterns that it hides. The churches of Nicholas Hawksmoor, built to a strange plan in a London ravaged by fire and plague, are the sites of mystery and energy that animate this story of post-war England.

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Editorial Reviews

Review

'A wonderful poem' Peter Ackroyd 'Lud Heat combines researches into the sinister dotted lines which link up the Hawksmoor churches of East London - complete with a very fine diagram displaying the pentacles and triangulations which connect churches to plague pits to the sites of the notorious Whitechapel and Ratclyffe Highway murders - with a broken sequence of breathtakingly lovely modern freeverse lyrics' Jenny Turner, London Review of Books

Product Details

  • Paperback: 304 pages
  • Publisher: Granta Books (March 7, 2002)
  • Language: English
  • ISBN-10: 1862075042
  • ISBN-13: 978-1862075047
  • Product Dimensions: 7.6 x 5.1 x 0.9 inches
  • Shipping Weight: 7.8 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,936,047 in Books (See Top 100 in Books)

 

Customer Reviews

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Average Customer Review
5.0 out of 5 stars (1 customer review)
 
 
 
 
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14 of 16 people found the following review helpful:
5.0 out of 5 stars A must for anyone interested in modern UK literature., November 30, 2001
By A Customer
This book is particularly interesting because it is probably the first book using what Sinclair later came to call 'psychogeography', an obsession he shares with his two close friends Michael Moorcock and Peter Ackroyd. Ackroyd made very free use of this book for his own splendid supernatural mystery story Hawkwsmoor and Moorcock introduces it, offering his own spin on the talented Mr Sinclair, as well as a few passing amiable swipes at half his famous contemporaries. Ackroyd's own riffs on Doctor Dee and a Platonic view of London (both from
Moorcock's own fantastic London novel Gloriana) find echoes in Sinclair's rich reflections on the underlying sense of a city's history reflected in her earth, stones and architecture, written when he was still working as a municipal gardener in London's East End. What Sinclair and Moorcock offer is the raw stuff of their own experience and observation whereas Ackroyd's views are slightly more academic, more enthusiastic at a distance than close-up. But all three writers should be read together to get a sense of another, very different, strand of English fiction which occasionally feeds the imaginations of people like Rushdie, Amis and Self but is hardly recognised in its own right as a vigorous and ultimately far richer canon. This kind of literature has little to do with the consumer age and is built solidly to last, I'd guess, a few centuries. Get this as an introduction to Sinclair and the school of writers he represents, but get Downriver to enjoy him at his finest.
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Inside This Book (learn more)
First Sentence:
THE OLD MAPS present a skyline dominated by church towers; those horizons were differently punctured, so that the subservience of the grounded eye, and the division of the city by parish, was not disguised. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Christ Church, Isle of Dogs, Ratcliffe Highway, Brick Lane, Howard Hughes, Old Street, Victoria Park, Bunhill Fields, Old Horns, Tower Hamlets Cemetery, Cannon Street Road, Carpenter's Arms, Druid Street, Kerry Downs, King George's Fields, Sir Thomas Browne, Stan Brakhage, The Gemstone File, Truman's Brewery, Waltham Abbey
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