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His sound in this album is strengthened by a solid band (among others, to be found is Matt Chamberlain who's played drums for the likes of Tori Amos and Brad Meldhau) and though the lyrics might not be the deepest he's written, the album as a whole has a more original and mature feel than his debut album, which did happen to sound like a Dave Matthews ripoff more than once. Due to its variety of tempos and rhythms included in this work and the somewhat "heavier" electronic component (interestingly enough a little song tempo chart by sequence is included in the booklet!) it remindes of Clapton's 'Pilgrim' at times, such as the case with "Come Back to Bed". It is no coincidence, therefore, that he shared the Holiday Blues Revue ay NYC this past December alongside blues legends Buddy Guy and Double Trouble (the formed band of the late Stevie Ray Vaughn).
All in all, a step in the right direction, an evolution from his first album and most definitely a young artist to keep a close eye on: if he doesn't steer away from his current path, he's bound to becoming a musical legend of our times.
Heavier Things seems to follow the melodic, sleek, catchy feel of these two hit singles. Mayer's breathy vocals are uniquely appealing but also deliver effectively in slower tempo tunes. More importantly, the depth of John Mayer's musical talent is evident on this album - he's a compelling songwriter with remarkably attuned pop sensibilities; he plays his own guitar; AND he can sing. Such a combination of talent gives Mayer the enduring appeal that will likely allow him to obtain and retain devoted fans for years to come. Yes, Mayer stormed the music scene with his debut album, but if he continues to write songs like these, he'll never be some Johnny-Come-Lately.
I find the hit "Bigger Than My Body" to be a spiraling, upward ascent that is impossible to resist. While that track is well-known from all its radio play, it is only the beginning of the great tunes on this album. "Clarity" is an enticing opening track, delivered poignantly mid-tempo with the wonderful backing of a trumpet. "Something's Missing" and "New Deep" are slower and introspective but sung in Mayer's typically earnest manner. "Come Back to Bed" bears a bluesy, jazzy feel, after which Mayer picks up the tempo and spirit with "Home Life," a smooth song laced with perfectly placed keyboards. "Split Screen Sadness" is another melancholy but magnetically delivered song. Next, "Daughters" is an acoustic, quaint tune with a straightforward, honest message revealing some of Mayer's obvious male sensitivities. "Only Heart" again picks up the pace and sounds like one of Mayer's big radio hits. The closing track, "Wheel," is one of my very favorites on the album, containing thoughtful lyrics and a beautiful pause of a chorus.
I also have to mention that Heavier Things gets my vote for the BEST LINER NOTES I've ever seen in an album! If you don't believe me, check them out - they're filled with charts and graphs including interesting tidbits of information about the songs on the album. Totally cool!