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Heavy Rotation
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A particular subset of people, including editor Terzian, play the same pop records over and over, listening so closely that they internalize the lyrics until it seems the songs were written specifically about and for them. As a suburban adolescent hearing Joni Mitchell’s Hejira (about a woman in her thirties), Terzian felt he “was learning about what it meant to be an adult, about the many different ways of living a life.” Among the contemporary writers he asked to comment on songs or albums that similarly moved or inspired them, Benjamin Kunkel writes about the Smiths’ The Queen Is Dead, Alice Elliott Dark chooses Meet the Beatles!, and John Haskell offers his take on Talking Heads’ Remain in Light. Augmented by Joshua Ferris on Pearl Jam’s Ten, Daniel Handler (aka Lemony Snicket) on the Eurythmics’ Savage, Lisa Dierbeck on Pretenders, Colm Tóíbín on Joni Mitchell’s Blue, James Wood on the Who’s Quadrophenia, and Claire Dederer on the original cast recording of Hedwig and the Angry Inch, they create a must for literary-minded pop fans. --June Sawyers
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A particular subset of people, including editor Terzian, play the same pop records over and over, listening so closely that they internalize the lyrics until it seems the songs were written specifically about and for them. As a suburban adolescent hearing Joni Mitchell’s Hejira (about a woman in her thirties), Terzian felt he “was learning about what it meant to be an adult, about the many different ways of living a life.” Among the contemporary writers he asked to comment on songs or albums that similarly moved or inspired them, Benjamin Kunkel writes about the Smiths’ The Queen Is Dead, Alice Elliott Dark chooses Meet the Beatles!, and John Haskell offers his take on Talking Heads’ Remain in Light. Augmented by Joshua Ferris on Pearl Jam’s Ten, Daniel Handler (aka Lemony Snicket) on the Eurythmics’ Savage, Lisa Dierbeck on Pretenders, Colm Tóíbín on Joni Mitchell’s Blue, James Wood on the Who’s Quadrophenia, and Claire Dederer on the original cast recording of Hedwig and the Angry Inch, they create a must for literary-minded pop fans. --June Sawyers
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Colm TÓibÍn on Joni Mitchell • James Wood on The Who • Stacey D'Erasmo on Kate Bush • Daniel Handler on Eurythmics • Lisa Dierbeck on the Pretenders • Clifford Chase on the B-52s . . . and other writers on the soundtracks of their lives
In Heavy Rotation, twenty of our most acclaimed contemporary writers pay homage to the record albums that inspired them. Benjamin Kunkel remembers how the Smiths' Queen Is Dead transformed him into an adolescent Anglophile. Pankaj Mishra describes how a bootleg cassette of ABBA's Super Trouper evoked a world far from his small Indian village. Kate Christensen relives her years as an aspiring novelist in Brooklyn listening to Rickie Lee Jones's Flying Cowboys. And Joshua Ferris recalls his head-banging passion for Pearl Jam's Ten.
Exploring music from the Talking Heads to the Hedwig and the Angry Inch soundtrack, this extraordinary anthology is a moving, funny, uplifting, and unforgettable celebration of the unique and essential relationship between life and music.
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