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David Mamet's
Heist is--not unlike many of his previous films--amusing, manicured, and fraught with an awkward tension. If you've seen
The Spanish Prisoner or
House of Games, you're by now familiar with the plot-subverting gambit of the double-cross turned triple- and then quadruple-cross.
Heist sticks to the formula. Likewise, the quips and laconic wit that adorn what can most accurately be called "Mametspeak" are again on display: "Cute as a pail full of kittens," for instance, and "Everybody needs money; that's why they call it money." What you haven't yet seen in a Mamet film is the magisterial charm of Gene Hackman. In the role of Joe Moore, an aging criminal out for one final score before cashing in, Hackman shows us all (Mamet included) how it's done, embodying tough-but-clever effortlessly. Delroy Lindo, as Joe's partner Bobby, picks up on Hackman's ultra-cool and gives plenty in return. While the script and the remaining cast (Danny Devito, Rebecca Pidgeon, Sam Rockwell) are serviceable,
Heist is entirely Hackman's show to steal.
--Fionn Meade
From The New Yorker
David Mamet's debonair safe-cracking movie is high-grade fun all the way through. As Joe Moore, a steely but convivial Boston thief, the great Gene Hackman dispels the Mamet chill (the portentous and equivocal atmosphere of such films as "House of Games" and "The Spanish Prisoner"). Hackman, at the age of seventy-one, sends waves of energy through the entire production. Mamet plays his usual games-the characters are always turning the tables on one another-but this time he's much more involved in the physical life of what he's showing us. The cast includes Rebecca Pidgeon as a hipster moll; Delroy Lindo as Hackman's loyal old friend; Ricky Jay as a witty utility man who is so quick that he can, without preparation, throw himself in front of a moving car in order to divert the police. Only Sam Rockwell, as a young sleaze, is a disappointment. -David Denby
Copyright © 2006
The New Yorker