9 of 9 people found the following review helpful:
3.0 out of 5 stars
Who talks to their soulmate like that?, January 18, 2011
This review is from: Helfort's War Book 4: The Battle for Commitment Planet (Mass Market Paperback)
I've been a fan of the Helfort series since I finished the first book in one long all-night read. I was really looking forward to this installment and bought it as soon as it was available. All-in-all this is a good continuation to the story but not a great read. The main problem with this book was Michael's decent into incompetence, which is really annoying - the tactical genius and born leader from the first three books is reduced to a terrified rookie puking at the site of a dead soldier (even after witnessing spacers with rail gun injuries and floating body parts in the other three books) and the mediocre junior officer (Anna) is suddenly a hardened combat veteran after a couple of months in the field. Michael has been in numerous life or death situations with thousands of peoples' lives depending on his decisions - and Anna has to assign a corporal to babysit him during the last big battle? The guy calmly walked up to a police officer sitting in his office in the second book and kills him with a knife and then goes on to attack an entire enemy base and blow the place to pieces but he needs a babysitter when he goes out in the field a few months later?
How Anna treats Michael throughout most of the book is also a real problem for me. She can't meet him in the mess hall without making some demeaning remark - kind of like that annoying friend or co-worker that is always making childish remarks aimed at your manhood whenever they see you. Michael MUTINIED and faces a firing squad when he gets back to the Federation, was such an inspiring leader that almost all of his crew volunteers to mutiny with him, he devises one of the most daring and brilliant fleet maneuvers in history, and he maroons himself and his crew on the home planet of their hated enemy, all to save Anna from being raped and tortured to death and to repay him she takes every opportunity presented to her to insult and belittle him? And instead of putting her skills as a trained officer to work helping him devise another brilliant and inspired plan to bring the war to an end, she joins the infantry and leaves. This interplay between Anna and Michael is a very disappointing turn in the one romantic relationship of any consequence in the series.
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8 of 8 people found the following review helpful:
1.0 out of 5 stars
Disappointed, November 29, 2010
This review is from: Helfort's War Book 4: The Battle for Commitment Planet (Mass Market Paperback)
I was hoping this book would be more of the same as the first three but it is far from it. It goes from a "Space Opera" to a "Modern Ground Warfare" novel over the last half of the book and it's a long last half. The main battle at the end of the book lasted from about 70% (Kindle) to about the 92% mark. In many spots I found myself simply scanning and skipping many pages at once. A multi hour read for a single battle with only about 25% of it being dialog was the final straw for me. This book was such a drastic departure from what made the other 3 very good that I doubt I will be coming back for the other books.
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5 of 5 people found the following review helpful:
3.0 out of 5 stars
Leaves a lot to be desired, January 4, 2011
This review is from: Helfort's War Book 4: The Battle for Commitment Planet (Mass Market Paperback)
I'm a fan of the first three books in this series, but this fourth one has two major flaws and one minor-- though extremely irritating-- one.
The first major flaw is character development-- there is almost none. Our hero, Michael Helfort, begins the story as a supposedly tortured soul, laboring under the explicit threat by DocSec (think SS and NKVD rolled into one) to his true love, Anna Cheung, who is held captive in a Hammer POW camp. Helfort is a man conflicted, torn between his duty as a Fleet officer and his need to rush to the rescue of his dearest darling. He ends the story as a supposedly tortured soul, caught on the horns of a dilemma of his own making, as he and all the folks he led into this daring rescue, along with all the folks he rescued, are caught up in the literally endless, grinding guerilla war that is the focus of the entire book. The other characters are so poorly drawn or briefly on stage as to be two dimensional caricatures.
The second major flaw is the dialog, which is even more tortured than Helfort's character. It rings false and hollow at every point, ultimately reading as though it was written by a high school English student with a C average and overblown literary pretensions.
Which brings me to the minor flaw which, after almost 400 pages, is cringe inducingly irritating. The two love birds, Michael Helfort and Anna Cheung, call each other by the first names in nearly every sentence of dialog. This seems relatively innocuous at first, but ultimately it's more grating than fingernails on a chalkboard--
"Anna, I'm goin to blow up that machine gun position."
"Michael, be careful."
"I will Anna."
"Thank you, Michael"
"You're welcome, Anna..."
"Well, Anna, I'm back."
"I'm glad you're safe, Michael."
"I appreciate your concern, Anna."
"I know, Michael."
AAGGGHHH!
Okay, it was an exaggeration, but only a modest one. These are two people, mind you, who are supposed to be wildly in love. There's nary a "sweetie" or "dear" to be found, only Anna this or Michael that. For variation-- if it can be called that-- and to prove they're angry or impassioned, it's Michael Helfort this and Anna Cheung that. PLEASE! After three previous books, dialog should improve, not devolve.
I wanted to like this book a lot more and, to be fair, it has some good points. The plot was intriguing and the action sequences I thought well written, in contrast to the execrable dialog, which earns it three stars in my universe.
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