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Copyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.Published previously in England, this title collects 19 essays by novelist Parks (Tongues of Flame), many of which first appeared in the New York Review of Books. In intelligent and readable discourses, Parks writes on such authors as Dante, Jorge Luis Borges, Giacomo Leopardi, W.G. Sebald, and Salman Rushdie. Fairly academic in approach, the essays aim at understanding the author in question though not at popularizing the works. In one essay, Parks discusses how he was prompted to discuss translation when one of his students failed to recognize the Italian version of a novel she had read in English translation. In another, he asks whether creative writing doesn't by nature involve "rancour" with other writers, a sort of occupational hazard. This title is of interest primarily to academic libraries with strong literature collections. Nancy P. Shires, East Carolina Univ., Greenville, NC
Copyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
2 of 2 people found the following review helpful:
5.0 out of 5 stars
A writer on writers,
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This review is from: Hell and Back: Reflections On Writers and Writing From Dante to Rushdie (Paperback)
This book contains essays on Dante, Borges, Rushdie, Leopardi, Sebald, Seth, Verga,Buruma, Svevo, Joyce, Saba,Green ,Buzzati, Neugeboren, Sironi, Montale, Bateson and Ugazio, Stead. The opening essay on Dante's ambivalence while turning from the world and at the same time intending to make himself a central poet of mankind is excellent. I took especial interest in the essay on Borges and his analysis of Borges ' engaged' modesty, the profess of self- effacement .This is Parks on Borges non- fiction his essays. " Again and again he takes on a new subject , marshals his reading his faithful friends of old, gives us fresh ways of seeing things, suggests lucid, often conflicting , frequently bizaare ways of understanding the world.It is astonishing. And though the yearnings are ever the same- the desire to annihilate time, to approach a transcendental perception of life, to grasp an ungraspable truth- Borges never stoops to wishful thinking."pp.33-34
This is an excellent work of practical criticism which without ever forming a comprehensive theory provides insights into diverse writing worlds.
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