Customer Reviews

Hell and Earth: A Novel of the Promethean Age

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Oh. My. God. These are not the books for you if you are intolerant of literary wankery. I would also like to point out that I suspect they will make more sense if you have a grounding in the changing nature of God. If you do love literary fiction, this is an excellent example of the genre.

Oh, the heartbreaking beauty of this book. I devoured it in a day. Which, given that it's a 400-pg book and it was a work day, you can see that I did pretty much nothing else. And political intrigue! And delicious foreshadowing! And the lovely conceit that all stories are true, somewhere, and that they affect the reality of Fairie. I mean, that's been touched on before, but this one is deliciously effectively used.
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"No," Kit answered. "He could have been forgiven. Anyone can be forgiven, who repents. Faustus had opportunity, time, and chance to repent, again and again and again. But he never meant to. Never meant to repent, my lord [spoiler]."
:Then what was his fatal flaw, Sir Poet?: Lucifer's eyes sparkled. He tilted his head aside, lovelocks drifting against the exquisite curve of his neck. Enjoying the game.
" 'But Faustus' offence can ne'er be pardoned,' " Kit quoted. "The serpent that tempted Eve may be saved, but not Faustus.' Faustus' flaw was the sin of Judas, who deemed his transgression too great to repent of, and thereby diminished the love of God, who can forgive any offense, so long as the sinner wishes forgiveness. Faustus sinned by hubris."
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That! That right there! That's what made me twitter that I was crying, because it is so perfectly correct, so true, so chewy in the intersection of theology and literature. Believing you are unforgiveable is to diminish God's love. :waves arms madly.

Um, yeah. Start with Ink & Steel. Don't blame me if you have to take a day off.

Elizabeth Bear's duology featuring an alternative version of the Shakespeare and Marlowe we know from history definitely one the best books I've read this year.

Imagine Will Shakespeare and Kit Marlowe in an Elizabethan setting paired with fairies and then add to that the appearance of Morgan Le Fey and her son as well as recurring references to both Shakespeare's and Marlowe's plays. Honestly this made me do two things: a) want to re-read my favorite Shakespeare works (mostly the tragedies) and b) switch classes for the coming semester from British Modern Literature to Renaissance. That really doesn't happen all too often, but those books totally motivated me to study the Elizabethan era closer.

In her extended author's note at the end of Hell and Earth, Elizabeth Bear calls this duology a 'disservice to history', but honestly I couldn't imagine re-vamping Shakespeare and Marlowe in any better way. She works with some popular theories concerning the two poets' lives and portrays her characters in a way that make them very realistic and complex. She states that the Marlowe-Shakespeare relationship she creates in The Stratford Man is almost entirely fictional, but then again it really does make you wonder "What if?" and I think that's been the intention of the book.

The other thing that really intrigued me about those books what its realism and how accurately Bear worked with the historical context such as society and political background. Of course the work is fictional in the end, but she manages to have to write about homosexuality, politics and the entire concept of the Prometheus Club very 'in context', which makes the story rounder and the fantasy elements fit into the concept without jarring.

These two books are definitely not quick reads for entertainment only. It took me about two to three days to get through each, not because of the size, but because of the content that's very heavy on history and politics and last but not least on the language. Bear doesn't use 100% accurate Elizabethan language in her dialogue (no 'here sitteth' etc. no worries), but it's more or less the speech characters would have used at that time.

Ink and Steel and Hell and Earth are chronologically set before the other two Promethean Age books Blood and Iron and Whiskey and Water. I'm just starting Blood and Iron, but had no problems getting into the story and the whole concept of the Prometheus Club, even though the Stratford Man duology came out after the two aforementioned books. It's definitely a good starting point if you haven't read any of Bear's books yet. Definitely go for it :D

P.S.: This so made Kit Marlowe my favorite hystorical fantasy crossover character of all time :D I can't wait to read more!

This book will break your heart, over and over, and then put it back with superglue. It's a book about intrigue, doing the right thing, the wrong thing, the morally ambiguous thing. It's about caring for another person and trying to find a way to care about yourself. It is an amazing, amazing, novel.

Outstanding! This second book in "The Stratford Man Duology" (coupled with the equally exquisite Ink and Steel: A Novel of the Promethean Age) envisions an extra-teeming Elizabethan England in league with the underground world of Faery to suppress the forces of Dark Magic. The Stratford Man is clever, soulful, courageous Will Shakespeare, pressed into service to work protective magic into his verse as a reluctant, but brilliant replacement for verse-master Christopher Marlowe, recently deceased. But the most triumphant performance is by Kit Marly (Marlowe) himself, newly resurrected in Faery--poet, spy, sodomite, lover of several important fairies, Devil's personal plaything, and, ultimately, lapsed atheist. Bear's delicious series is a triumph of poetry, audacious eroticism, tenderness, and unfettered imagination.

Two kingdoms in two different worlds but tied together as both ruled by queens bound by magic but each in jeopardy of seeing their regime end. For England's Queen Elizbath I, Prometheus Club playwrights Will Shakespeare and Kit Marley risk their lives to keep her safe and on the throne; Faerie Queen Mab's only wordsmith is Kit who crosses the veil between the two realms, but has other supporters too.

However, now even the prominent Prometheus Club members feel the curtain is closing on their Queen. Fearing for England, they argue over whether it is time for a regime change rather than wait for nature to do the inevitable. Kit believes both worlds need their queens to remain in power and seeks allies from both sides to insure this happens as dark magic has surfaced; Will is beginning to show his age as he enters the fourth act of life. Humans, faeries, and malevolent monsters want to end the Promethean Age and begin a new eon of darkness.

The latest Promethean Age historical fantasy thriller continues the exciting The Stratford Man saga, but series fans need to read INK AND STEEL before HELL AND EARTH to learn how events got to where they are. The story line is fast-paced from the onset yet also contains intriguing references to the real Marlowe and Shakespeare, which in turn makes the magic of their words seem even more genuine as well as their relationship. Elizabeth Bear's terrific two-book entry is the Promethean Age at its seditious best with treachery threatening to destroy the reigns Queens Mab and Elizabeth.

Harriet Klausner

Elizabeth Bear is a sound story teller at the best of times and this is one of those. An interesting take on Shakespeare and Marlowe and the era in which they live. I like to see the old made new and with so much being written about the Tudor period, it's good to have the fantasy insert and the very nice character development around these two oh-so-famous figures.
The earth and faerie courts are well drawn and there is a hint of black around the edges which makes this book a bit deeper than most of the awe-struck faerie novels you read. If you like history and you like fantasy, this is a great mix and will probably send you hunting for Wikipedia to check what's real and what's not - I know I looked.
I recommend this highly and have bought the next in the series.

William Shakespeare is free from Hell thanks to the love of their mutual lives, the now-Changeling Christopher Marlowe. Kit has lost much, including his name, and William's palsy is a slow death sentence, but both figures, in Faerie and on Earth, cannot rest on their laurels. Elizabeth is dying, and there are those who wish to use her death and the life of her successor to change not only the destiny of England, but the destiny of all realms.

For William Shakespeare and, even more so, Kit Marlowe is more powerful than he knows, and his untapped power, if harnessed properly, could be used to topple more than James I and the Mebd. Much, much more. The Nature of God itself is up for grabs, if that power is used properly...

The narrative of Hell and Earth is the second half of the "play" that begins in Ink and Steel and Elizabeth Bear wastes no time in plunging us back into her 16th century world. The shadowy plots and plans of the Prometheans who oppose Kit and Will slowly reveal themselves, and their plans are both monstrous and breathtaking indeed. Throw in an audacious and unapologetic attempt to coil in everything from the date of Elizabeth's death to the Guy Fawkes plot to the writing of the King James Bible, and I have found that Hell and Earth, along with Ink and Steel functions as much as a secret history as well as a historical fictional fantasy. In an afterword, Bear mentions that Shakespeare and Marlowe did this very same thing in their own plays, cutting history to suit a narrative end. She makes no apologies.

And so shouldn't the reader. Even beyond Faerie and Hell, Hell and Earth shows an Elizabethan England that is in a fictionalized past, and in this second volume, I started to really grok that in a way that I didn't really internalize in the first volume, Ink and Steel. Treat the books in the same way one might treat Henry V, and

The writing is crisp, vital, and has the ring of veracity. Well drawn characters that never feel like they are 21st century individuals wearing period garb, Bear populates her narrative with complex and conflicted people who are true to their life and times.

Again, though, don't start here. Start with Ink and Steel and immerse yourself in Bear's vision of 16th century England seen through two of its greatest playwrights, plus the nature of God, secret conspiracies,two Queens, Hell, and the Faerie realms.

Highly recommended.

This is the sequel to _Ink and Steel_, and readers should definitely start there first.

Kit Marley has made a deal with the devil and Will Shakespeare is freed from Hell. But Elizabeth's health is failing, those who intrigue against her are as strong as ever, spreading plague and killing poets such as Spenser who defend the Queen with the magic of their words, and events are echoed in Faerie where Queen Mebd is also threatened by intrigue. Kit continues to act for the Queen of Faerie, as well traveling to London to aid his friends, and he is searching for the killer of Shakespeare's son. He also needs to deal with his past, when he was captured and tortured by the same enemies who threaten the sovereignty of England now.

An Elizabethan age, full of plots and treason and dark magic comes alive in this conclusion to The Stratford Man story. Even more marvelous are the characters; aside from Marley and Shakespeare (who are enough to fill any tale by themselves), there are their fellow poets and playwrights, Ben Jonson and George Chapman; there is Burbage and the players; Elizabeth's nobles and ministers--the Cecils, Walsinghams, Oxford, Essex, Raleigh, and various friends and relations. And the creatures of Faerie are also a natural fit to the world of this book, with the Queen and her sister Morgan, Puck, and the sleeping Arthur, and the unquiet trees. There is also Lucifer and an angel. And because words and poetry have power and import, the language is luxurious and quotations abound, making this rich, strange world even more complex and beautiful. There is also not a little action and suspense and a worthy climax or two or three. And there is a necessary Epilogue wherein we are sad and talk of the death of kings... of repentance and salvation.

This duology is beautiful and horrific, sorrowful and amusing, gripping and fun. It's well worth a first read along with a second or third. Writing like this is one of the joys of life.

The adventures of Marlowe and Shakespeare (begun in Ink and Steel) move from the Faerie court back to London as they begin to deal with devils and angels as well as the Fae. As Will struggles with the traitor Prometheans' machinations, Kit has to explore his painful history with them in order to find the key to their undoing.

I can't recommend these books highly enough. They're elegant and tragic, but chock-full of the clever wordplay and bawdy wit that make Shakespeare and Marlowe such fun to read.