The story's newspaper reporter main character, Nola Cespedes, is interestingly put together, and she'd be worth revisiting if this book turned into a series.
The book was blurbed by Dennis Lehane, and while author Joy Castro is working hard to fit into Lehane's grim and dingy style, the plot doesn't live up to it. There's a lot going on, probably too much, and it never feels connected in a way where it honestly ties together.
It's not really a mystery - Cespedes is tracking a story about sex offenders in the post-Katrina years in New Orleans. She's not trying to solve the crime (a pair of kidnappings) herself, so the reader doesn't have clues to try and put together. A bunch of suspicious characters abound, but it's not a who-dun-it. That's not a bad thing, but if you're expecting a mystery you can solve, this isn't it.
My biggest problem is that much of Cespedes reporting interviews come across unrealistically. I've been a reporter, and it's just not as easy to gain trust - especially with criminal subjects - as she presents here. I understand that they needed to serve as exposition, but these interview sections needed more realistic setup. Even if she'd flat-out threatened the people (which would have been believable), that could have worked.
While Cespedes is fully developed, most of the supporting characters are pretty thin. I wouldn't say they are cliched, but their personalities are one-dimensional. They serve exactly the point of the plot that they are meant to, and nothing else.
The wrap-up, while satisfying, is just too neat. Because she isn't giving clues or much foreshadowing, the conclusion comes out of nowhere.
It's an okay book, and it could def. improve with another book or two in a series. As a one-off story, though, it doesn't leave much impact; hopefully Nola Cespedes gets another shot.