Hellbilly Deluxe [EXPLICIT LYRICS]

Rob Zombie

Product Details

• Audio CD (August 25, 1998)
• Original Release Date: August 25, 1998
• Number of Discs: 1
• Format: Explicit Lyrics
• Label: Geffen Records
• ASIN: B00000AEFF
• Also Available in: Audio Cassette  |  Vinyl  |  UMD for PSP
• Average Customer Review: 4.4 out of 5 stars See all reviews (340 customer reviews)
• Amazon.com Sales Rank: #4,251 in Music (See Bestsellers in Music)

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Editorial Reviews

Amazon.com
Malevolent megalomaniac or eerie artiste? Rob Zombie is a bit of both. With spooky metal music that's as colorful and kitschy as its comic art, the singer's solo debut bears more than a little resemblance to his band of many years, White Zombie. These 13 tracks (yeah, there just had to be 13!) continue to explore Zombie's fascination with psychotic noise, pummeling grooves, campy samples, and all things horrific. Instead of just playing dictator, however, this astrocreep allows space for cohorts such as guitarist Danny Lohner and drummers John Tempesta and Tommy Lee to shine darkly. He also shares artistic credit for the LP's elaborate 24-page booklet. Zombie's finely crafted disc is heavy-metal thunder that's turbocharged for the new millennium. --Janiss Garza

Entertainment Weekly
...Zombies' cartoonish antics are too over the top to really get under your skin.

Customer Reviews

Most Helpful Customer Reviews

28 of 31 people found the following review helpful:

5.0 out of 5 stars Zombie!, March 9, 2000

By	sc_demandred (Irvine, CA USA) - See all my reviews

Hellbilly Deluxe confirms several things that many of us suspected all along. One: Rob Zombie was pretty much the sole creative contributor to White Zombie. Two: Zombie has watched waaay too many "B" monster movies.

Strangeness notwithstanding, "Hellbilly" has a pile of great songs. "Superbeast" is a chest-pounder, kicking the record off to an adrenaline-fueled start. "Living Dead Girl" and "Spookshow Baby" are personal favorites, showcasing some melody, some diversity, and Zombie's excellence in lyric writing. "Meet the Creeper" and "The Ballad of Resurrection Joe and Rosa Whore" are also excellent songs.

The album runs the gamut from slow to fast, hard to, er... less hard, but never loses it's pop-culture influenced sense of humor. Rob Zombie has captured a bit of Alice Cooper and the Tubes' ability to have fun onstage while still making great music that resonates with it's fans.

Sellout? Nah... Zombie would have to produce a boy band to truly sell out. "Hellbilly Deluxe" is one for the rock record books.

14 of 15 people found the following review helpful:

5.0 out of 5 stars HA-HA-HA-HA-HAAAA...!!, May 13, 2002

By	Nicholas Alla Koholick "anonymousnick2001" - See all my reviews

This album changed everything for me. I first heard songs off of this in 1998 when Twisted Metal III came out(RZ was on the soundtrack). They still kick. It's both very sad and very true that Rob Zombie dumped his former guitarist and bassist so he could go solo, replacing the name White Zombie with his name and the two previously mentioned talented musicians with two fools. Regardless, Hellbilly Deluxe delivers. Aside from all the filler tracks, lead-ins, and intros, the songs hit with a bullet train force of industrial rhythm, techno machinery, and power metal guitar. "Superbeast" has that MACK truck quality, with a cool solo and Zombie's creepy voice transfers for the chorus and verses. "Dragula" is a dance club staple for being as incredibly rave-able as it is a mosher. "Living Dead Girl" is a pop-oriented number that falls a bit shy of the other songs, but it's still good. "Demonoid Phenomenon" is nothing but a piledriver, "Spookshow Baby" mixes an Arabian-sounding guitar twang into the song to mix it up and "The Ballad Of Resurrection Joe..." makes another transition from quiet verses to a rocking, shocking, chorus. The crowning glory is "Meet The Creeper." That song is perfect! All there is to it. Grab this album, Astro Creep 2K and Sinister Urge for creepy, monolithically heavy, fun, dance-able, mayhem!...

8 of 8 people found the following review helpful:

5.0 out of 5 stars Embrace the darkness, February 22, 2003

By	Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

Rob Zombie has certainly managed to forge his own special place in the hard-rocking halls of popular music. He went all out in the gimmick department, but it definitely works. Having little familiarity with White Zombie at the time this album was released, Living Dead Girl served as my mode of introduction to this "unusual" artist. I immediately found his music disturbing, unique, and definitely appealing, but I initially hesitated in buying Hellbilly Deluxe. Once I heard Dragula, though, I had to get the album. As a horror fan, I enjoy Zombie's close affiliation with the darker paths of life. He can be a little scary, I suppose, but the hint of whimsy that can be discerned in his music is made much clearer when you get a look at the little booklet that comes with the CD. The disturbing cartoon references bring to my mind images of wonderful old monster movies, Weird Tales magazine, and those vintage horror comics that eventually became victims of government citizenship. Rob Zombie knows how to have fun with extreme horror, and that makes him a great guy in my book.

Personally, I love the way words and small speeches are incorporated into his music (not to mention the joys of hearing random screams in the background); it helps make listening to Zombie a surreal experience. This does mean that you don't really have 13 songs on the album, though; a few of the tracks are short musical bridges connecting one great song with another. This is not a problem, though, because everything goes together to make this album an experience that transcends simple music. As for the music itself, I love its driving beat, horrorific overtones, and powerful vocals. The guy's not going to win any singing contests, but it doesn't matter because his presentation is excellent in all facets of the music-great lyrics with pulsing, rhythmic beats that worm their way into your brain and chest, letting you pretend for a while that your heart is black and nothing really matters beyond experiencing life in its most fundamental and necessarily unclean ways. I wouldn't want to go out in public in a Zombie-fied frame of mind, but this music is a great way to relieve the stress of mundane modern life.

Living Dead Girl and Dragula are the most familiar tracks on here, but there are plenty of songs of the same high caliber. Superbeast gets the show off to a great start; the relentlessly pulsing beat of Spookshow Baby is awesome; Meet the Creeper and The Ballad of Resurrection Joe more than hold their own, and Return of the Phantom Stranger has a mesmerizing quality in its monotone lyrics, sneaking up on you from side to side before unleashing its full torrent of force upon both ears simultaneously. There is a great cohesiveness to the album as a whole, making it almost impossible for you to simply pick and choose different tracks to listen to; Hellbilly Deluxe essentially requires you to listen to the whole thing in all its complete glory ever time you put the disc in your CD player.