Customer Reviews

Hellboy II: The Golden Army (OST)

5 star:		(4)
4 star:		(6)
3 star:		(0)
2 star:		(1)
1 star:		(1)

 

 

-Whiles it was sad that Beltrami wasn't brought back to score the latest "Hellboy" movie, I was more than pleased with who was picked. Those that think this will be another "Batman" or "Spidey" can relax because it's really a different type of music. It has all the Elfman handprints all over it, but it's very different than the treatment he's given his other entries in the comic book movies.

-Whiles the action writing is great and well orchestrated, I prefer the softer moments like "A Choice" which is the beautiful music for when the Angel of Death offers Liz a choice. It starts with these weird whispering effects that's reminiscent of the opening of Arnold's "Stargate" overture then builds into a delicate and quite touching piece of music. It's a great scene in the movie and Elfman nails it right on the head.

-"A Link" is another tender moment that feature a touching version of the royal family theme *if that's what it's called*. "Father and Son" as well as "Finale" also offer beautiful versions of the theme.

-Action fans shouldn't fret since there is plenty to quench their thirst, and it's not just drum loops buried under string ostinato, it's actually well written pieces that in typical Elfman manner captures every little detail that happens on the screen. "Father and Son" offers that as well as "Training" which makes more sense after you've seen the movie.

-There are those that have decided to hate this album from the moment it was announced that Elfman was going to score it so they won't like it, but for those aren't close minded will like what they here. It has something for the action fans, and beautiful tender moments that make your heart ache. Whether or not it's better than the first album is something I'll let people decide for themselves.

Recommended.

Danny Elfman has rendered one of his better scores for the film "Hellboy II: The Golden Army". While it is as much an orchestral work as his highly acclaimed "Batman" scores, Elfman's music takes a much different turn here. While another reviewer condemns Elfman for relying upon Bernard Herrmann's great symphonic film scores for inspiration, I personally see nothing wrong here, since Elfman has had his own distinctive style that's truly far removed from Herrmann's. If anything, then even echoing Herrmann's lush scores here probably is more accidental or a slight homage or both. Elfman has done a superb job in adding more "life" to scenes rich in action, but I also commend his subtle compositions showcasing the evolving romance between the elven princess and Hellboy's alien sidekick.

I can't stop listening to the music to Hellboy 2: The Golden Army. When I purchased the cd, I never believed it would be so addicting! Danny Elfman has never been one of my favorite composers, but what he's done with the second Hellboy is trully amazing and I have to give him credit for taking a risk.

The first Hellboy was musically boring. Marco Beltrami is an average composer and has only captivated me with his music to "iRobot" or "Live Free or Die Hard". But this time around, Hellboy is given the music he deserves and I'm glad that Danny Elfman took the risk of changing things up a bit.

The music is phenomenal and is clearly one of my top three this year. Little things like a little girl going "la la la la" or creepy whispers, and even the themes are astounding! Epic music that just screams Hellboy everytime I listen to it. The movie was great, but this music is meant to be listened to and I suggest you do just that!

If you want to know how great this music really is, just listen to a sample of the song titled "Hellboy 2 Titles". I promise you'll be hooked.

Danny Elfman manages to convey great humour as well as darkness with the second Hellboy soundtrack. Elfman's best so far is Batman and Mission Impossible but he remains consistant with new themes and segues with the music he produces. He has a majestic way with his orchestrations and easily slips into the field leader of soundtrack composers today.

First of all I enjoyed this movie and I think the score went well with it. The action parts provide a a great pace and add to the film's many splendid action scenes. But the real strength of this score I think is the bittersweet tender themes it evokes. The Last Elemental and the Finale capture the sadness of what it really feels like for the world to lose something splendid. Overall the soundtrack is solid but the tracks that deal with the tender moments in the film excel and are the reason I got it.

After my first few listens through Danny Elfman's score for Hellboy II: The Golden Army, I had pretty much decided that too much of it was unfocused noise; it was certainly written in Elfman's easily-identifiable sound, but never quite seemed to gel together as a cohesive score. But then, quite suddenly, the whole thing opened up, and it hit me. I got it, and the wonders of this quite excellent work were revealed. This is probably the best Elfman super-hero score since Batman Returns some fifteen years ago, eclipsing such fan-favorites as Hulk, and his two massively popular Spider-Man scores.

The film, directed by Guillermo del Toro, is a sequel to the critically acclaimed 2004 movie Hellboy. Ron Perlman returns as the red-skinned, cigar-chomping, wisecracking demon who, in the first movie, was saved from the Nazis and turned into a crime-fighting force for good. This time around, Hellboy locks horns with a pair of Elven royalty, Nuada and Nuala, who have been secretly attempting find the shattered fragments of a magical crown which, when reassembled, would resurrect the mythical Golden Army, and help them take over the world. The film also stars Selma Blair, Doug Jones, Luke Goss, Anna Walton and John Hurt.

I think part of my initial reticence about this score was the fact that Marc Beltrami didn't write it. While director Del Toro has long harbored desires to work with Danny Elfman, the fact that the original Hellboy was one of the best scores of Beltrami's career, and had helped create a musical world for the film to inhabit... well, the fact that he was summarily dropped sort of rankled. However, now that I've got over that, I can certainly recognize the excellence of Elfman's work. In many ways, it's a perfect fusion of the old and new Elfmans - it has the thematic strength and the sense of awe and wonder that characterized fan favorites such as Batman and Edward Scissorhands, but also contains a lot of the denser, more complicated compositional techniques he has adopted in the last five or six years.

His main theme, a simple four-note motif first introduced during the "Hellboy II Titles", appears with regularity throughout the score, and although it's nowhere near as prominent or memorable as Beltrami's Hellboy theme, it at least brings a certain level of consistency to the music. Rather than being a prominent, in-your-face theme, it instead functions as a repeated backbone, appearing deep in the mix in several cues, providing the musical framework for the rest of the score to hang upon.

The action music, as one might expect, is vivid and complicated, taking its inspiration from scores like Sleepy Hollow, Planet of the Apes and Spider-Man. The orchestrations in cues like "The Auction House", "Where Fairies Dwell", "Market Troubles" are quite spectacular, as Elfman and his team pit fat brasses, wordless choirs and powerful percussion against resonant solo performances - cellos, bassoons, a theremin - which are mixed with great clarity and precision. It's quite something to be able to clearly pick out a single instrumental line from deep within the performance, and is testament both to Dennis Sands' recording, and to Elfman's clever writing. It's also worth noting the mind-blowing flutter-tongue performance technique the brass section adopts in many cues, which must have been tremendously difficult to play. Elfman's action music has always been good, but in recent years the level of sophistication in his more intricate cues has risen considerably, and Hellboy II continues the trend.

The more lyrical aspects of the score are pure 80s Elfman, from the chilly-pretty chords, tolling bells and wordless choirs that come straight from Edward Scissorhands, to the rampaging brass and percussion writing which screams Batman. Cues like "Father and Son", "The Last Elemental", "The Spear", the subtly gorgeous "A Dilemma" and "A Choice", and "In the Army Chamber" at times reach almost operatic proportions, with the conclusive three or four cues being especially noteworthy for their size, scope, and emotional intensity. More than that, they are also wonderfully nostalgic throwbacks to a time when Elfman was the king of the Gothic score, and many fans - myself included - will enjoy hearing the once wildly-popular style re-birthed in a new setting.

There are also a couple of oddball cues - the quirky pizzicato rhythms of "Teleplasty", the faux-German opera in "Mein Herring", the bulbous rhythms and exotic percussion of "A Troll Market" - which reminds us that, for all the apocalyptic overtones and battles between good and evil, Hellboy films are also pretty funny at times.

With this score, and with Standard Operating Procedure and Wanted, Danny Elfman is having an absolutely stellar 2008. He's a composer at the top of his game, overflowing with ideas, and not afraid to tackle vastly different films in different genres. What's most impressive is that he is succeeding at all of them; his scores are both intellectually fulfilling and great fun to listen to - and you can't ask for more than that.

What a hard review to write! I am not a music critic lol-but here goes. The music is wonderfully varied and 'colorful'. It ranges from dramatic(just about all-track 2 is a good example) ,to humorous(try tracks#5), to touching (how about track 16?) of course the examples aren't much good if you don't have the cd. I don't know who would be disapointed in this soundtrack if you enjoyed movie Hellboy the Golden Army. If you want to know just how much I love this soundtrack-it's in my computer playing right now! I am glad that I didn't pay attention to the negative reviews regarding this soundtrack -or I would have missed out!

Marco Beltrami doesn't return disappointingly but Danny Elfman doesn't let us down, delivering a thrilling score. I don't know what's more beautiful; the symphony as the dead Elemental blooms or as Nuada crumbles into a pile of golden brown stone. I felt while not surpassing the first film's awesome score, it was up to par and just as enjoyable. You'll notice track 17 "Doorway" pays definite homage to the score of "Clash of the Titans", which is understandable if you've seen the film. The only thing keeping it from being a 5-star for me there were a few pieces of music are missing. A lot of the music played during the fight with the Elemental is nowhere on the disc, neither is the music where Hellboy and Nuada fight. wtf??!! was it really so hard to add like two more tracks?

Still overall i highly recommend it.

The most memorable song in the movie was Abe's rendition of "I can't smile without you," but it's not on the soundtrack! What a shame. The rest of the tracks are pretty good, but again nothing that really stands out. It's a bit too light for a movie starring a demon-man.

this soundtrack is awesome the best of the best buy this classic soundtrack if you a fan of the movie or a soundtrack fan you wont be sorry