Hello Nasty [Explicit]

The Beastie Boys | Format: MP3 Download

Product Details

• Original Release Date: April 27, 2004
• Release Date: April 27, 2004
• Label: Capitol
• Copyright: (C) 1998 Capitol Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by Capitol Records, Inc., 1750 North Vine Street, Hollywood, CA 90028.
• Total Length: 1:07:20
• Genres: Pop/Adult Alternative
• Format: Explicit Lyrics
• ASIN: B000TERKUA
• Average Customer Review: 4.2 out of 5 stars  See all reviews (432 customer reviews)
• Amazon Best Sellers Rank: #3,787 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)
  • #35 in MP3 Downloads > MP3 Albums > Pop > Adult Alternative

Customer Reviews

Most Helpful Customer Reviews

21 of 21 people found the following review helpful:

5.0 out of 5 stars They will never top this. Ever., July 15, 1998

By 

Paul Primrose - See all my reviews

This review is from: Hello Nasty (Audio CD)

Pubescents the world over inwardly heard peals of heavenly music in 1986, for delivered into their laps was a raunchy rap album seemingly produced by the heavens themselves. "License to Ill," a toxic blend of rap, rock, and sampling, was thrown together by three guys who were barely post-pubescents themselves. It was loud, rambunctious, and ingeniously accessible.

12 years, three studio albums, and an innumerable number of concerts later, the Beastie Boys have released what is quite likely thier finest album. Although they evolved beyond beer-swilling misogyny long ago, they haven't forgotten their sonic roots: "Hello Nasty" contains echos of the bass-n-beats style they brought to the masses. The odious punk blitzes and trippy musical meanderings of "Ill Communication" are conspicuously absent here, save a track or two. Also absent is the lyrical preaching; at one point MCA says you'll never see him in a commercial, but for the most part ! ! "Hello Nasty" is the Beastie Boys doing what they've always done best: talking about how great they are, waxing about world peace, and inserting nifty samples (courtesy of turntable phenom Mix Master Mike) into the mix. Think "Paul's Boutique" with a little "Check Your Head" thrown in for good measure.

"Hello Nasty" is 22 tracks' worth of great rap peppered by the occasional aural experiment. The Beasties have simply and effectively nullified the hype surrounding this album in one fell swoop; it is simultaneously behind and beyond all critical expectations.

8 of 8 people found the following review helpful:

5.0 out of 5 stars Grand wok of flavors, September 25, 2003

By 

Kurt Lennon (Calgary) - See all my reviews

This review is from: Hello Nasty (Audio CD)

22 tracks, 67 minutes of pure eclectic genius. On-the-spot rapping, wacky but wonderful collaborations, excellent music: this album is one of the best of the 90s for me. Every listen is a great trip into another galaxy of fun sounds and thoughtful lyrics. It's a long way from the misogyny of "Licensed to Ill" but this album is well worth the time. Rap, bossa nova, old skool hip-hop, jazz, rock: they all come together for this huge party. Dance along!

9 of 10 people found the following review helpful:

5.0 out of 5 stars a head-spinning entry, February 14, 2006

By 

Mark Schaefer "themarkman99" (Brockport, NY USA) - See all my reviews

This review is from: Hello Nasty (Audio CD)

Hello Nasty, the Beastie Boys' fifth album, is a head-spinning listen loaded with analog synthesizers, old drum machines, call-and-response vocals, freestyle rhyming, futuristic sound effects, and virtuoso turntable scratching. The Beasties have long been notorious for their dense, multi-layered explosions, but Hello Nasty is their first record to build on the multi-ethnic junk culture breakthrough of Check Your Head, instead of merely replicating it.

Moving from electro-funk breakdowns to Latin-soul jams to spacey pop, Hello Nasty covers as much ground as Check Your Head or Ill Communication, but the flow is natural, like Paul's Boutique, even if the finish is retro-stylized. Hiring DJ Mixmaster Mike (one of the Invisibl Skratch Piklz) turned out to be a masterstroke; he and the Beasties created a sound that strongly recalls the spare electronic funk of the early '80s, but spiked with the samples and post-modern absurdist wit that have become their trademarks. On the surface, the sonic collages of Hello Nasty don't appear as dense as Paul's Boutique, nor is there a single as grabbing as "Sabotage," but given time, little details emerge, and each song forms its own identity.

A few stray from the course, and the ending is a little anticlimactic, but that doesn't erase the riches of Hello Nasty - the old-school kick of "Super Disco Breakin'" and "The Move"; Adam Yauch's crooning on "I Don't Know"; Lee "Scratch" Perry's cameo; and the recurring video game samples, to name just a few. The sonic adventures alone make the album noteworthy, but what makes it remarkable is how it looks to the future by looking to the past. There's no question that Hello Nasty is saturated in old-school sounds and styles, but by reviving the future-shock rock of the early '80s, the Beasties have shrewdly set themselves up for the new millennium.