Most Helpful Customer Reviews
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Neglected Master, August 14, 2001
This review is from: Henry Cowell: Fiddler's Jig; Air & Scherzo; Concerto Grosso; Hymn & Fuguing Tune No. 10 (Audio CD)
Cowell was a very influential fingure in pre-war American music; a friend of Ives, teacher of Cage and Harrison, and a generous champion of other people's music. It is sad, therefore, that so much of his music is ignored by the record companies. His avant-garde piano music is widely available, but the more tonal, more readily accessible orchestral music which he wrote after 1940 (much of it influenced by old American hymns and folk music) is largely ignored. That is why this disk is so much to be welcomed, for it makes available some of Cowell's most attractive orchestral works in a fine modern recording and performance. I mean no disrespect to the other composers featured on this disc, but I regret that it was not issued as a 100% Cowell recording, filled up, perhaps, with one of his 20 symphonies. Not one of these has been recorded in modern times, though the best of them (4,5, 7 and 11)are tuneful, terse and often very moving.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
6 of 6 people found the following review helpful:
4.0 out of 5 stars
no limitations, December 30, 2000
This review is from: Henry Cowell: Fiddler's Jig; Air & Scherzo; Concerto Grosso; Hymn & Fuguing Tune No. 10 (Audio CD)
The music on this CD is surprising to me. I have always associated Henry Cowell (1897-1965) with outrageous methods of playing a piano. There is nothing outrageous in these pieces. They are quiet and easy to listen to, more in keeping with 19th century romanticism than with avante-garde, twentieth century music. Yes, it is surprising to hear this music against my own pre-disposition of Cowell -- I like surprises. ;D The notes provide insight to the composer and his works. It seems he had a devilish sense of humour. For example, Cowell describes the two-part form of HYMN & FUGING TUNE #10 as "something slow followed by something fast." This self-effacing attitude belies the considerable respect he received from composers who took his work seriously such as Bartok, Schnabel and Janacek, all of whom sponsered performances. From the notes, I also learned that, although Cowell is most frequently associated with "tone clusters" (chords composed of seconds rather than the more traditional thirds), Charles Ives made use of them earlier. Vincent Persichetti (1915-1987) is described as having been "one of the most important composition teachers in the country". Finally, Edward MacDowell (1860-1908) is often credited as the first important composer from the US. If you are interested in peaceful, romantic music, or in uncharacteristic music from Henry Cowell, this CD will be interesting to you.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
|
|
|
