58 of 59 people found the following review helpful:
5.0 out of 5 stars
Thoreau's best, December 12, 1999
This review is from: Henry David Thoreau : A Week on the Concord and Merrimack Rivers / Walden; Or, Life in the Woods / The Maine Woods / Cape Cod (Library of America) (Hardcover)
Four of Thoreau's best works come to life in their full and unabridged versions. Thoreau portrays a land of immense natural beauty, and his keen observations focus on subjects as diverse as native plants and animals to his musings on the peculiar people he meets. Thoreau's revelations on conservation show us he was a century ahead of his time, aware of a landscape and nation which was already irreversibly changing. Yet his simple life at Walden pond shows us that we are perhaps most content with ouselves when we are the most alone and unencumbered. Contains a brief chronology of Thoreau's life which presents us with many previously unknown facts. Each work in this collection has been available before, but the Library of the America's has researched and investigated the most accurate materials and corrected errors contained in previous publishings.
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22 of 23 people found the following review helpful:
5.0 out of 5 stars
The Library of America's Thoreau, August 8, 2006
This review is from: Henry David Thoreau : A Week on the Concord and Merrimack Rivers / Walden; Or, Life in the Woods / The Maine Woods / Cape Cod (Library of America) (Hardcover)
While reading the four books of Henry David Thoreau (1817 -- 1862) included in this volume, I was reminded of the piano sonata no. 2, the "Concord" sonata by the American composer Charles Ives (1874 -- 1954) and decided to listen to it again to complement my reading. The Concord is a monumental work in which Ives tried to capture the "spirit of transcendentalism" associated with Concord, Massachusetts. Its four large movements bear the names of Emerson, Hawthorne, Bronson Alcott, and Thoreau. The "Thoreau" movement of the Concord captured in music for me what I had been reading in Thoreau's texts, with its reflective arpeggios, long hymnlike introspective passages, distant sounds of bells, and quiet close. Ives wrote the movement, he said, to reveal the "vibration of the universal lyre" to which Thoreau had alluded in the chapter of Walden titled "Sounds". Those who love Thoreau or the American Transcendentalists should explore Ives's great musical tribute to them and their thought.
This volume is the first of two in the Library of America devoted to Thoreau, with the second book consisting of essays and poems. It includes the two books published during his lifetime, "A Week on the Concord and Merrimack Rivers" and "Walden" together with two books published shortly after his death, "The Maine Woods" and "Cape Cod". The former two books are philosophical and introspective in tone, even though they include much of the descriptive writing about nature for which Thoreau is famous. They are the writings of Thoreau the Transcendentalist, the Thoreau of Ives's Concord Sonata. The second two books are describes Thoreau's travels. They originated the American practice of writing about nature.
Thoreau's most famous book, "Walden" describes the two years he spent living at Walden Pond, near Concord, from 1845 -- 1847 on a tract owned by Emerson. Walden is deservedly an American classic, as Thoreau reflects upon and attempts to simplify his life, to appreciate it for itself and for the everyday, without the strains of commerce or the pursuit of wealth. It is an eloquent study of learning to be alone with and content with oneself.
Thoreau wrote the first draft of "Walden" while he resided there and also wrote "A Week on the Concord and Merrimack Rivers" which in 1849 became his first published book, enjoying little success at the time. This book describes a trip Thoreau took with his brother and there are many detailed observations of people, places, and plants and animals. But the book is full of detailed digressions on literature, philosophy, the Greek Classics, friendship, and Thoreau's religious beliefs. This book shows the large influence of Eastern thought on Thoreau. It is filled with allusions and quotations from poetry on virtually every page. It is a joy to read.
There is little overt philosophising in Thoreau's latter two books. But both these books made me want to leave, at least for a short time, my life in the city and to run and visit the wild places Thoreau described. In "The Maine Woods" Thoreau describes three trips he took to Nortwest Maine -- its forests, rivers, lakes, and mountains, in 1843, 1853, and 1857. It includes detailed descriptions of rugged camping, in the rain and sun, on water and on land. The higlight for me was Thoreau's discussion in the first essay of the book of his climb on Mount Ktaadn, with Thoreau's description replete with both actual description and ancient Greek and American Indian symbolism.
Thoreau's final book, "Cape Cod" describes three visits in 1849, 1850, and 1853 (A fourth, later visit to the Cape is not included in the book.) This is Thoreau's only book which features the ocean and the seashore. It describes a rugged place, but the tone is leisurely and humorous in many places as Thoreau takes his reader on a thirty-mile "ramble" over the Cape. Thoreau introduces a memorable character in his chapter "The Wellsfleet Oysterman" and draws a picture of a lighthouse, no longer standing, on the Cape, "The Highland Light." Reading this book made me want to walk the sands and dunes that Thoreau walked and described over 150 years ago.
As with all volumes in the LOA series, this volume is lightly annotated but includes a valuable chronology of Thoreau's life which helps in approaching the texts. Transcendentalism and naturalism both have played critical roles in the development of American thought and you will find them both here. And if you enjoy Thoreau, I encourage you again to approach Ives's masterpiece, the "Concord Sonata" and meet Thoreau realized in sound.
Robin Friedman
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
Influential writings whose beauty you will see differently at different stages in life, October 26, 2006
This review is from: Henry David Thoreau : A Week on the Concord and Merrimack Rivers / Walden; Or, Life in the Woods / The Maine Woods / Cape Cod (Library of America) (Hardcover)
While every artist is tied to their time and place, this is especially true of Henry David Thoreau. To me, Thoreau has always seemed like a beautiful and tender plant that could only exist in a specific time and place. His world was rich enough to allow him to enjoy nature rather than see it as something to tame. Yet it was also rural enough to leave him natural space to enjoy as if it were wild.
It also seems to me that Thoreau's writing is more beautiful and observant than penetrating and intelligent. It is more about the senses than analysis. I think this is why it appeals so much to young people of so many generations and why he became such a symbol for the Back-to-Nature portion of the Boomer generation.
This volume contains his most influential works (the essays and poems are collected in a companion volume also from the wonderful Library of America): A Week on the Concord and Merrimack Rivers, Walden; or, Life in the Woods, The Main Woods, and Cape Cod. So much has been written about these works that I can't think of anything specific to add except to encourage their being read. However, I would encourage adults who remember reading them in their youth with such enthusiasm to read them again from the vantage point of mid-life. I think they will find somewhat less to be enamored of in the content, but they will appreciate his sheer power of writing more.
The total collection is more than a 1,000 pages and includes a chronology of Thoreau's life, notes on the text, relevant maps of the areas covered in the book, more notes, and an index.
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