Henry VI, Part One (Oxford World's Classics) (Pt. 1) [Paperback]

William Shakespeare (Author), Michael Taylor (Editor)

Book Description

Series: Oxford World's Classics | Publication Date: April 8, 2004

Henry VI: Part One is a dramatic tale of the lives of soldiers, diplomats, kings, and insurrectionists. It depicts the fractious instability of the court and nobility of fifteenth-century England, and their squabbles with their French counterparts.
Despite its debut performance in 1592, however, Henry VI: Part One does not appear in printed form until some thirty years later, in the 1623 folio. There are many questions, therefore, surrounding exactly how many people wrote the play, when they did so, how it was performed, who played what part, and the nature of the manuscript behind the first performance. In his wide-ranging introduction, Michael Taylor offers answers to these questions, and discusses other key issues such as language, structure, performance history, and the role of women in the play. Taylor edits the play for students, scholars, and theater-goers with an informative commentary on all aspects of the language, action, characters, and staging.

Editorial Reviews

Review

Halio gives a useful historical summary of the split from Rome Years Work in English Studies Textual apparatus is of a high standard ... the commentary provides succinct notes on chronological and historical detail, pointed reference to sources used and works that supplement the playwrights' sources, and a comprehensive gloss to problematic words and phrases usefully keyed to a separate index. This is an excellent edition for undergraduate study: the introduction works to consolidate previous critical approaches without itself ever offering restrictive pronouncements on how to read the play, while the text and commentary are set out in a clear, uncrowded manner. Attention to the working needs of the student is evident throughout Matthew Woodcock, University College, Oxford, Sixteenth Century Journal XXXII/1 (2001) --This text refers to an alternate Paperback edition.

About the Author

Michael Taylor is Former Professor of English at the University of New Brunswick.

Product Details

• Paperback: 272 pages
• Publisher: Oxford University Press, USA (April 8, 2004)
• Language: English
• ISBN-10: 0192804715
• ISBN-13: 978-0192804716
• Product Dimensions: 7.6 x 5 x 0.7 inches
• Shipping Weight: 12.6 ounces
• Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #2,109,565 in Books (See Top 100 in Books)

More About the Author

William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King's New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as "an upstart crow, beautified with our feathers." Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain's Men (later under James I, called the King's Men). In 1599 the Lord Chamberlain's Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare's plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.

Customer Reviews

Most Helpful Customer Reviews

1 of 3 people found the following review helpful:

4.0 out of 5 stars A good play in an iffy edition, September 12, 2009

By 

Christopher H. (Cambridge, MA) - See all my reviews

Amazon Verified Purchase

This review is from: Henry VI, Part One (Oxford World's Classics) (Pt. 1) (Paperback)

Note that this review is of the Oxford World's Classics edition of Henry VI Part One. Amazon seems to have a hard time sorting out which editions of Shakespeare plays are equivalent to each other, so that this review also is referred to Henry VI Part Two and probably others, to which it does not belong.*

The First Part of Henry VI, while certainly not Shakespeare's masterwork, is still an interesting read both for its place in the earliest period of Shakespeare's development as a dramatist and for its own artistic merits. The play is written entirely in verse and contains many rhyming couplets, a characteristic of Shakespeare's other early work such as The Comedy of Errors; the language of the play is less mature than that of the later plays and the its tone much less subtle, lacking the keen characterization of which Shakespeare was to prove such a master (to read the Henry VI plays and then Hamlet in quick succession, as I did, is quite a jolting transition). Nevertheless, 1 Henry VI is a fun play, its sonorous pentametres rolling merrily from the tongue as the reader is swept from one melodramatic bloodbath to another.

So much for the merits of the play; now for the edition. The Oxford World Classics editions of Shakespeare are usually excellent, but not this one. The editor, Michael Taylor, is a poor writer who stuffs his introduction with meaningless critical jargon (as other editors of the series also do, but in their cases with less verbosity and to good effect). He is unable to maintain a professional tone either in his introduction or his textual notes, both of which are replete with gratuitous contractions and other colloquialisms that are totally out of place in a scholarly work of this nature. His comments on the text cannot always avoid being salient, but he seems to spend much space needlessly defining Elizabethan words or constructions that either he has already treated, or the glossing of which any reader who has spent even a short time with Shakespeare's language cannot but take as an insult to his intelligence. The text is what really matters, of course, and this edition at least has an adequate apparatus; but since, considering the scarcity of the Oxford editions, this is not likely to be the first version of 1 Henry VI that you come across if you are looking for a copy of the play, there is no reason to seek it out.

*This also means that I cannot write a separate review for the Oxford World's Classics edition of Part Two, which is a much better edition than this. Get your act together, Amazon!

2 of 5 people found the following review helpful:

5.0 out of 5 stars One of Shakespeare's Most Underrated Plays!, July 17, 2006

By 

Bradley Headstone "Sean ARES Hirsch" (New York) - See all my reviews

This review is from: Henry VI, Part One (Oxford World's Classics) (Pt. 1) (Paperback)

A lot of people knock this play because Shakespeare presents Joan of Arc as a villain. Well, the truth of the matter is that she was in fact burned as a witch. She was to be cannonized and become a saint, BUT NOT UNTIL 1920! (OVER 300 YEARS AFTER WILLIAM SHAKESPEARE DIED!) In a sense, it is flat out laughable to criticize the play based on the fact that a saint is made to be a villain.

Well, to the play itself. King Henry V (who conquered France) lies dead. His son Henry VI is but a child, and for now it is King Henry V's surviving brothers Glouceter and Bedford who are in charge. Joan of Arc comes into play and tells Charles of France that with her help, France can still come out on top. This is followed by the comical dispute between Glouceter and his uncle (who is Bishop of Winchester). Throughout the story, Winchester is somewhat of a comical villain. He does no real damage, and his disputes with the virtuous Glouceter offer some badly needed comical moments.

We then meet the heroic, but just a little too brave Talbot. He is England's champion here, and he finds he can not defeat Joan. Towards the end of Act 2, there is a dramatic and well drawn scene that foreshadows the War of the Roses. We also meet Richard Plantagenet (the eventual Duke of York). Act 2 concludes with him offering what comfort he can to his imprisoned and dying uncle. In Part 2, York will be more of a villain, but in Part 1, he seems to serve the king with loyalty.

In 3.1, we finally meet the young King Henry VI. He makes Richard Duke of York. (Side note. Richard's father was executed for treason against King Henry V.) Soon afterwards, Bedford despite his failing health manages to support the English as they defeat Joan of Arc in one battle. (Very unlike his back stabbing move in "2 Henry IV," he displays courage, honor, and dignity here.) And we are permitted sympathy as he dies with grace and dignity. But Joan of Arc is far from finished. She wins over Burgundy to France's side and makes it clear that the game is not over.

Well, onto Act 4. King Henry VI is crowned. While many people fail to see any strength In King Henry VI, he does show some strong points here. His actions against Fastolf and Burgundy show that he does not tolerate treason or neglect of duty. He is often rebuked for having rivals Somerset and York work together, but more than once, people have launched enemies against a foreign foe. And a reasonable person would have at least considered it. Well, sadly this is one case where it did not work, and civil dissension between York and Somerset turns the tide in France's favor, and even worse causes the death of Talbot and his son. (The death of Talbot and his son is one of Shakespeare's greatest scenes of tragic beauty.)

One more thing I should point out is that, internal complications are one of the best things you can use to prevent a war scenario from becoming trite and boring. Good job Shakespeare! The death of Talbot breaks England's spirit, and peace is contemplated. But there is one more battle to be fought. York is able to do what Talbot could not do. He defeats Joan of Arc and prevents (at least for now) England's total loss. (Perhaps Shakespeare was preparing York to have more power than we might want him to have in Part 2. It's not unheard of. At first, someone displays unusual strength, and we are happy until that strength turns against us.) Despite the heavy losses, England still controls Calais, Normandy, Maine, and some areas around Bordeaux. We also meet Margaret (who will have a major role in "2 Henry VI" and "3 Henry VI.") She will have a smaller, but still significant part in "Richard III."

Well, peace is discussed. But Suffolk hints that there is more to come. He intends to use Margaret to control the king, but that's the next story. This may be one of Shakespeare's earliest plays, but it certainly reflects the greatness that was to come.